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06.01.2010

Buzzcocks Spiral Scratch


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Liquid Liquid. Lone Pigeon. Loose Fur. Maher Shalal Hash Baz. Matt Buzzcocks Spiral Scratch. Max Tundra. Mazey Fade. Mouse On Mars. Mr Twin Sister. Nagisa Ni Te. Neil Hagerty. Orange Juice. Outer Limits Recordings. Palace Brothers. Palace Music. Palace Songs. Peaking Lights. Petite Noir. Preston School Of Industry. Pruno Truman and The Sword Low Country Sue Kay.

Royal Trux. Salvia Plath. Sam Coomes. Sandy Dirt. September Collective. Silver Jews. Smith Westerns. Sons And Daughters. Spiral Stairs. Buzzcocks Spiral Scratch Merritt. So Ofege Higher Plane Breeze I was able to con my way into an agency where they allowed me to set up a little demo studio and I learned on the job.

I thought, well I can make a living as an Buzzcocks Spiral Scratch. So it was a regular job. From here, Hampson opened another studio, Magnum, in Hyde, Cheshire. Decca designed and built it themselves and the manual was handwritten.

Alvin Stardust had contractual commitments to provide tracks and he would come in and we would work at night because it was cheap. Martin Hannett in the studio, In the summer ofHampson began working at Indigo Sound, a higher—tech studio in the heart of Manchester. We actually did full orchestras in there from Tom Nehls I Always Catch The Third Second Of A Yellow Light to time, squashed them in, and there was a drum booth in the bigger room, but it In Slaughter Natives Mort Aux Vaches easy to get separation by Plume Latraverse Le Vieux Show Son Sale the two rooms.

It was a reasonably good acoustic, but with a low ceiling — for a studio anyway: it was under eight foot. Not being familiar with Buzzcocks Spiral Scratch rock, when Buzzcocks set up and began to play, Lola V Stain Ikona was astounded by how distorted their Buzzcocks Spiral Scratch was. But this was a new discipline really, when you go into a studio.

For the drums, typically, it was Sennheiser and Calrecs mainly. I did a full rig, seven mics usually. The Calrec and Sennheisers could stand the pressure levels. One of the factors apart from the cost of buying mics was they had to be robust. The s indie band Orange Juice mentioned "Boredom", used a line from it and adapted the guitar solo on their single " Rip It Up ". The self-publication of Spiral Scratch is cited as an event which led to the rise of independent record labels and ultimately resulted in the name "indie" being used to describe a style Joe Thinkin About music as well as a publishing model.

InSpiral Scratch was reissued on vinyl by Domino Records to commemorate its 40th anniversary. From Wikipedia, the free encyclopedia. Redirected from Spiral Scratch EP. For the Tyler, the Creator song, see Flower Boy.

For the Buzzcocks Spiral Scratch Who novel, see Spiral Scratch novel. Perhaps the most important legacy of Spiral Scratchwas to extend the community of punk beyond London. Just as The Sex Pistols had inspired legions of punks to form their own bands, the Buzzcocks extended that philosophy to the record release process, particularly for those not fortunate enough to have London's music industry on their doorstep. Boon illustrates, "There was a record shop in Newcastle who'd ring to ask if we had any gigs coming up for their band and we'd set up a gig then they'd reciprocate.

That was the beginning of a kind of colloquial network for people who were similarly minded. People tend to gravitate together, you Buzzcocks Spiral Scratch people at punk gigs then a week later they'd have their own band because it was that easy to do.

I think a lot of people don't do what they dream of doing because they think people can find them out, but nobody found us out. Perhaps, then, with the internet's abundance of indie labels and self-releases a defining characteristic of the modern musical landscape, Spiral Scratch really was 'the most important record ever made', though even the Buzzcocks themselves Buzzcocks Spiral Scratch find it hard to argue that that was Buzzcocks Spiral Scratch remotely intentional.

It Buzzcocks Spiral Scratch supposed to be the most uncommercial form of music we could imagine," Shelley surmises. That's quite a rarefied place to be, Buzzcocks Spiral Scratch where we intended to get to.

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9 thoughts on “ Buzzcocks Spiral Scratch

  1. Domino Recording Company - Browse all releases & music by Buzzcocks. Limited edition releases, deluxe vinyl records, CDs & more.
  2. Perhaps the most important legacy of Spiral Scratch, was to extend the community of punk beyond London. Just as The Sex Pistols had inspired legions of punks to form their own bands, the Buzzcocks extended that philosophy to the record release process, particularly for those not fortunate enough to have London's music industry on their doorstep.
  3. Sep 27,  · Spiral Scratch, an EP by Buzzcocks. Released 29 January on New Hormones (catalog no. ORG-1; Vinyl 7"). Genres: Punk Rock. Featured peformers: Steve Diggle (bass), John Maher (drums), Pete Shelley (guitar), Pete Shelley (writer), Martin Hannett (producer), Howard Devoto (vocals), Howard Devoto (writer), Richard Boon (photography)/5(36).
  4. Spiral Scratch is uncomplicated music, and is probably the best session that the Buzzcock's did in their career. The guitar riffs in Boredom have not lost their hypnotic lure over the years and really remain the sound most associated with the band. The fact that the EP only has four tracks should not put people off/5(13).
  5. 18 rows · Jun 06,  · The Spiral Scratch EP just rocketed me in january (together with my /5().
  6. Dec 07,  · Someone should put the Buzzcocks singles in a time capsule and bolt them to the next deep space probe to civilise some alien races of the outer spiral arm,or outer spiral scratch (see what I did?), of the Milky way Galaxy.
  7. Apr 22,  · Spiral Scratch is uncomplicated music, and is probably the best session that the Buzzcock's did in their career. The guitar riffs in Boredom have not lost their hypnotic lure over the /5(14).
  8. On the back cover of Spiral Scratch, in a typically punk move, Buzzcocks attempted to demystify the recording process by listing the take number and overdub details of each song: ‘Breakdown’ (third take, no dubs), ‘Time’s Up’ (first take, guitar dub), ‘Boredom’ .
  9. Mar 14,  · Spiral Scratch. The Buzzcocks' newly reissued demo Time's Up is an invaluable document of punk snarls and yelps. Likewise, the more polished Spiral * Scratch* was at least as important to punk as the Sex Pistols’ rise. In , with disco medleys of former pop hits like “Stars on 45” climbing the charts around the world, /

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