Dewan Motihar Trio Irene Schweizer Trio Manfred Schoof Barney Wilen Jazz Meets India
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Sun Love is based on a raga similar to a Western C minor scale. In a combination of modal and Dewan Motihar Trio Irene Schweizer Trio Manfred Schoof Barney Wilen Jazz Meets India playing, trumpeter Sublime Jah Wont Pay The Bills Schoof plays beautifully off the raga.
Yaad is a Dewan Motihar Trio Irene Schweizer Trio Manfred Schoof Barney Wilen Jazz Meets India Indian word signifying lovers forever separated. On Brigach and Ganges, Schoof employs the Bhimplani raga, one of the oldest in classical Indian music, going back some years. Critic K. With Neumeier's insistence of including saxophonist Barney Wilen, and the additional of trumpeter Manfred Schoof b. Instead, both sides moving towards a common middle ground where individual authenticity remains, while creating something fresh and exciting.
The minute "Sun Love," co-written by Motihar and Neumeier, begins steeped in Indian traditionalism, with Kusum Thakur's droning tambura and Motihar's sitar patiently finding their way to a tablaist Keshav Sathe's more defined pulse. Bringing a chordal instrument into the mix of this largely linear music could displace it, but instead Schweizer's increasingly active playing respects the piece's inherent modality, drawing on McCoy Tyner b.
Starting with Uli Trepte's microtonal-centric bowed bass and some empathic yet lyrical interaction between Schoof and Wilen, over the course of 14 minutes it builds towards the disc's Os Originais Do Samba Os Originais Do Samba reckless abandon; Neumeier and Scweizer, in particular, playing with unbridled fire matched, perhaps surprisingly, by Motihan.
Neither east nor west, yet redolent of both, Jazz Meets India is an overlooked gem from the MPS catalogue, one that may have seemed more innovative at the time of its release, but which remains engaging nearly 45 years after it was first recorded. Start your music shopping from All About Jazz and you'll support us in the process.
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