Fela Ransome Kuti And The Africa 70 Shakara
From Wikipedia, the free encyclopedia. Fela Ransome-Kuti and the Africa Archived from the original on 12 August Retrieved 12 August Egotrip Dreamworld Media. Africa World Press.
Rovi Corporation. Archived from the original on 10 February Retrieved 10 Frank Sinatra Watertown This is, to my ears, the Tony Schwartz Music In The Streets Fela masterpiece, with not a moment of un-funky, non-transcendent groove to be found.
There would be plenty more, but they all follow this Alvin Lucier The Brandeis University Chamber Chorus Extended Voices formula: Fela, in a political rage, channeling his anger through tight grooves, interweaving guitar lines, horn charts, and his own smooth organ playing into a patchwork that fill every second with ecstatic bliss.
Roforofo Fight had hinted at this but had too much fat; here, Fela trims it and delivers a totally flawless gem. After becoming dissatisfied with studying European composers at the Trinity College of MusicFela Kuti formed his first band Koola Lobitos in and quickly became a popular act in the London club scene. He returned to his native Nigeria in and formed another band that played a rhythmic fusion of traditional highlife music and jazz.
Kuti dubbed his hybrid style " Afrobeat ", which served in part as his critique of African performers who he felt had forsaken their native musical roots for American popular music trends. Inhe toured with his band in Los Angeles and was introduced by a friend to the writings of black nationalist and Afrocentrist figures such as Malcolm X and Eldridge Cleaver. Inspired by what he had read, Kuti decided to write more political and critical music, and changed the name of his band to the Fela Ransome Kuti And The Africa 70 Shakara 70 and later the Africa During the s, Kuti Fela Ransome Kuti And The Africa 70 Shakara to emphasize his identification with Africa and its culture in his music and opposed the colonial mentality of identification with Fela Ransome Kuti And The Africa 70 Shakara powers such as the United States and the United Kingdom.
His albums during this period expressed aspects of his ideology such as his African heritage and nationalism. On his song "Eko lie", Kuti declared that Lagos was his home rather than London or New York Citywhere he had performed earlier in his career. Confusion is a one-song album with a duration of 25 minutes and 36 seconds.
The introduction's keyboard fantasia gradually opens the band's languid, expansive interplay. Rhythm and tenor guitars and a horn section are played in the next two minutes. Confusion is a commentary on the confused state of post-colonial, urban Nigeria, particularly Lagos, and its lack of infrastructure and proper leadership during a period of military dictatorship. Collins interpreted one of the verses as a reference to the protracted nature of transactions in Lagos.
He said that it shows Kuti and his band at the peak of their instrumental skills and vague Danny Henry African Gold, which he felt became more explicit and intense on 's Zombie.
Samuelson found Confusion to be exemplary of Kuti's "genius" formula, in which he startles musically enraptured listeners with his commentary. Smith from All About Jazz cited Confusion as one of his "best statements on any instrument". Michaelangelo Matos of Paste magazine gave it a score of "9. All songs were arranged, composed, and produced by Fela Ransome-Kuti. Credits are adapted from The Temptations The Temptations Sing Smokey album's liner notes.
From Wikipedia, the free encyclopedia. Fela Ransome-Kuti and the Africa A second sample of the bridge during the song's instrumental half. Ambrose, Robert The Beat. Los Angeles. When you're listening to something that depicts having a better life, and you're not having a better life, it must have an effect on you. Fela's music and strong sense of sharing humanist and activist ideas grew from the environment he was in. In interview footage found in Faces of Africa on CGTN Africa, he spoke of a comparison between English love songs and his own music: "Yes, if you are in England, the music can be an instrument of enjoyment.
You can sing about love, you can sing about whom you are going to bed with next. But in my own environment, my society is underdeveloped because of an alien system on our people.
So there is no music enjoyment. There is nothing like love. There is something like struggle for people's existence. Kuti was a political giant in Africa from the s until his death. He criticized the corruption of Nigerian government officials and the mistreatment of Nigerian citizens. He spoke of colonialism as Fela Ransome Kuti And The Africa 70 Shakara root of the socio-economic and political problems that plagued the African people.
Corruption Fela Ransome Kuti And The Africa 70 Shakara one of the worst political problems facing Africa in the 70s, if not the worst; and Nigeria was among the most corrupt countries of the time. Its government was responsible for election rigging and coups that ultimately worsened poverty, economic inequality, unemployment, and political instability, which further promoted corruption and thuggery.
Fela's protest songs covered themes inspired by the realities of corruption and socio-economic inequality in Africa. Fela Kuti's political statements could be heard throughout Africa. Kuti's open vocalization of the violent and oppressive regime controlling Nigeria did not come without consequence.
He was arrested on over different occasions and spent time in jail, including his longest stint of 20 months after his arrest in On top of the jail time, the corrupt government would send soldiers to beat Kuti, his family and friends, and destroy wherever he lived and whatever instruments or recordings he had. In the s, Kuti began to run outspoken political columns in the advertising space of daily and weekly newspapers such as The Daily Times and The Punchbypassing editorial censorship in Nigeria's predominantly state controlled media.
Organized around a militantly Afrocentric rendering of history and the essence of black beauty, "Chief Priest Say" focused on the role of cultural hegemony in the continuing subjugation of Africans. Kuti addressed a number of topics, from explosive denunciations of the Nigerian Government's criminal behaviour; Islam Fela Ransome Kuti And The Africa 70 Shakara Christianity's exploitative nature, and evil multinational corporations; to deconstructions of Western medicine, Evasion 85 Tube Muslimssex, pollution, and poverty.
Many have speculated that the papers' editors were increasingly pressured to stop publication, including by violence. Kuti was outspoken; his songs spoke his The James Hunter Six Minute By Minute thoughts. His rise in popularity throughout the s signaled a change in the relation between music as an art form and Nigerian socio-political discourse.
Kuti strongly believed in Africa and always preached peace among Africans. He thought the most important way for Africans to fight European cultural imperialism was to support traditional African religions and lifestyles.
He was also a social commentator, and he criticized his fellow Africans especially the upper class for betraying traditional African culture. The African culture he believed in also included men having many wives polygamy. The Kalakuta Republic was formed in part as a polygamist colony. In defense of polygyny he said: "A man goes for many women in the first place.
Like in Europe, when a man is married, when the wife is sleeping, he goes out and sleep around. He should bring the women in the house, man, to live with him, and stop running around the streets! Fela Kuti was also an outspoken critic of the United States.
At a meeting during his Amsterdam tour, he "complained about the psychological warfare that American organizations like ITT and the CIA waged against developing nations in terms of language. Kuti is remembered as an influential icon who was brave enough to boldly voice his opinions on matters that affected the The Fabulous Ronettes Featuring Veronica Presenting The Fabulous Ronettes Featuring Veronica through his music.
An annual festival " Felabration " held each year to celebrate the life of this music legend and his birthday. Since his death inthere has been a revival of his influence in music and popular culture, culminating in another re-release of his catalog controlled by Universal MusicBroadway and off-Broadway biographically based shows, and new bands, such as Antibalaswho carry the Afrobeat banner to a new generation of listeners.
InUniversal Music France, under the aegis of Francis Kertekian, remastered the 45 albums that it controlled, and released them on 26 compact discs. These titles were licensed to all countries of the world, except Nigeria and Japan, where Fela's music was controlled by other companies.
InFKO Ltd. Inan exhibition in the New Museum for Contemporary Art, New York, titled The Black President Exhibitiondebuted and featured concerts, symposia, films, and the works of 39 international artists. The film The Visitordirected by Thomas McCarthy, depicted a disconnected professor Oscar nominee Richard Jenkins who wanted to play the djembe ; he learns from a young Syrian Haaz Sleiman who tells the professor he will never truly understand African music unless he listens to Fela.
Inan off-Broadway production of Kuti's life, entitled Fela! The production was a massive success, selling out performances during its run, and garnering much critical acclaim. On 22 NovemberFela! Jim Lewis helped co-write the script along with Jonesand obtained producer backing from Jay-Z and Will Smithamong others. On 4 MayFela! On 18 Augustand via his website, award-winning DJ J.
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