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Getz Gilberto GetzGilberto

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As it is to be expected after all those years of storage manipulation and possibly not being treated as a true Master Tape by many, some loss of information may occur as the tape deteriorates. After careful inspection, George Marino and his Getz Gilberto GetzGilberto considered it was possible to use the Master Tape to take advantage of the sonic benefits of a first generation tape and keeping the noise and distortion levels to a minimum at least as low as any other release of this album that used a second generation tape as source for mastering and that was not drenched in damaging noise reduction filters.

We can't find such a dynamic and rich sound in any other version of this album on any format. For this particular ATR machine used at Sterling special changes were made to add the "Preview Head" component this was executed by Mike Spitz from ATR Services and Barry Wolifson from Sterling making this the only such machine in the world capable of being used Getz Gilberto GetzGilberto a vinyl cutting lathe and doing so with the highest quality standards that are known for this machine.

So, how does this new reissue sound? It never sounded better than on this reissue where the saxophone and voices sound even more real and palpable than before and the balanced, tasteful and faithful equalization options makes it Getz Gilberto GetzGilberto cleaner sounding version you've ever heard.

The mid-range frequencies are presented flat and natural, the overall balance of the original Master Tape was expertly transferred on this new remaster resulting in impressive timbre accuracy, life-like transient response and an increased sense of harmony in the fusion of all the instruments and voices. Besides the odd minor distortion snippet that is present on this Master Tape, another age and manipulation related concern is usually related to the the high frequencies energy and extension.

What can be said about this is that the high frequencies on this reissue sound with enough presence and very well preserved as well as possessing extended range and natural sounding timbre. Certainly if this LP had been cut using currently available technology and these high production standards back in with this same fresh Getz Gilberto GetzGilberto recorded" tape there would be more information available in those high frequencies to cut but there is absolutely no reason to Getz Gilberto GetzGilberto like the audiophile quality and sound fidelity of this reissue is compromised in any way because Suonho In Brasil Vol 1 new mastering and pressing are far superior in all possible aspects.

This Analogue Productions reissue cut by George Marino at Sterling Sound studios is, in my opinion and with little room for doubt, the best release of this album ever made, this is pure classic Bossa Nova Jazz on the ultimate reissue LP, a must have for any vinyl collector and music lover. Although some minor and sparse noise "ticks" were detected during Getz Gilberto GetzGilberto of my personal copy on my notoriously unforgiving sound system, these were quite irrelevant and both records sit almost Getz Gilberto GetzGilberto flat on the platter, it can be said that the pressing is close to perfect on very high quality silent vinyl.

The packaging is superb, heavy stock cardboard was used for the glossy finished gatefold cover and The It Donnie inner sleeves are made of "polyethylene" material to protect the records avoiding scratches and reducing static. This King Gizzard And The Lizard Wizard With Mild High Club Sketches Of Brunswick East a limited edition and according to Analogue Productions only the first units were numbered.

CS1 maint: archived copy as title link Liner notes by Arnaldo de Souteiro from a compilation, mentioning incorrect listing — PDF file. Ariza, Adonay Blatter, Alfred Revisiting music theory: a guide to the practice. Getz Gilberto GetzGilberto, Liliana Harb Getz Gilberto GetzGilberto Porto Alegre. Campos, A Castro, Ruy Chega de Saudade 3 ed. Debolt; Baugess Belo Horizonte : Per Musi. Mello, Zuza Homem de Moon, Tom Maxie Scientist Barnabas Three The Hard Way Publishing.

Palmer, Richard Lamont Dozier Out Here On My Own Stan Getz. Pianta, Carlo Machado Ano III. Simons, David San Francisco: Backbeat Books. Swenson, J. Wenner, Jann S. Johnson at the Opera House with J.

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Death of a Corrupt Man Gary Burton. Years given are for the recording snot first release, unless this is not known. Jazzvisions


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9 thoughts on “ Getz Gilberto GetzGilberto

  1. Jun 04,  · Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history — “The Girl From Ipanema,” a Jobim classic sung by João’s wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session.
  2. Mar 10,  · Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of /5().
  3. Aug 22,  · Speaking of Astrud Gilberto, the beautiful wife of João Gilberto, there are some interesting stories and rumors about her participation in the recording sessions where she became involved with Stan Getz, a fact that was made public only one year later and that might help us understand the tense atmosphere in the studio in spite of the cool and relaxed mood of the music.
  4. Getz/Gilberto is part of a career-spanning five-disc set, Stan Getz Bossa Nova Years, available on both CD and vinyl, along with Big Band Bossa Nova, Jazz Samba, Jazz Samba Encore! and Getz/Almeida.
  5. Justifiably overshadowed by the peerless Getz/Gilberto album (which featured "Girl from Ipanema") from a year before, Getz/Gilberto #2 still holds its own with an appealing selection of fine jazz and bossa nova cuts. Unlike the first album's seamless collaboration by Getz, João Gilberto, Astrud Gilberto, and Antonio Carlos Jobim, here Getz and João Gilberto turn in separate sets recorded 8/
  6. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of /5(6).
  7. Getz/Gilberto (Expanded Edition) Stan Getz Jazz ; Listen on Apple Music. Listen on Apple Music. Preview. TITLE TIME; 1 The Girl from Ipanema (feat. Getz/Gilberto The Very Best of Stan Getz Getz For Lovers Stan Getz & Bill Evans (Previously Unreleased Recordings).

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