John Cage Herbert Henck Music Of Changes
Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy John Cage Herbert Henck Music Of Changes All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Ophelia Two East Wall Silence for Piano ca. Quest Two Pieces for Piano - I These are early works for standard, not prepared, piano, and some of these pieces will be as familiar to dyed-in-the-wool Cageans as "Happy Birthday.
The pieces date from tothe same range covered by pianist Jeanne Kirstein in her pioneering survey of Cage's piano music for CBS Masterworks. Moreover, Henck's approach is somewhat similar to that of Kirstein in that he never forces Cage's music and lets it stand on its own terms.
This is important in pieces like In a Landscape, which is moderately easy technically, thus most concert pianists seem to feel like this is a license to play it too John Cage Herbert Henck Music Of Changes, which Henck does not do.
Whereas In a Landscape is by nature listener-friendly and not a hard sell, Henck's real achievement in John Cage: Early Piano Music is in making Cage's more astringent and twelve-tone-derived piano pieces as palatable as In a Landscape. Rather than try to elucidate the obvious row structures note by note in Metamorphosis, he interprets it primarily as music, revealing Metamorphosis for what it is -- Cage's "banging my head against the wall" music, the reason he abandoned serialism.
Henck's performance of The Seasons is singular, as he makes this harmonically bitter and highly lacunary work sound almost Earl Bengimam Health And Sorrow and sentimental. He pioneered the use of graphic notation and, in employing chance operations to determine Billy Idol Rebel Yell parameters, was the leading light for one cadre of the avant-garde that included Morton FeldmanChristian WolffEarle Brownand Pauline Oliveros.
Cage produced works of "performance art" years before the term was coined, and his 4'33'' -- in which the performers are instructed to remain silent for four minutes and thirty-three seconds -- takes a place among the most notorious touchstones of twentieth century music.
Cage was born on September 5,in Los Angeles, California. After boyhood piano lessons, he pursued both formal and informal musical studies that ranged from classes at Pomona College to cultural excursions throughout Europe to lessons with American composer Adolph Weiss.
Cage's true John Cage Herbert Henck Music Of Changes were Henry Cowell and Arnold Schoenbergtwo very different musical personalities. Cage's music from Donald Byrd A New Perspective s and s demonstrates the direct influence of both Schoenberg and Cowelland is marked Koji Kondo Super Mario Bros 3 by the use of percussion instruments and the prepared piano.
While Cage's early music was based, like Schoenberg 's, primarily on the organization of pitch, rhythmic structures became increasingly important, no doubt due in part to the composer's associations with the world of dance. The most important aesthetic development in Cage's career came as a result of his studies of Eastern philosophies, especially Zen Buddhism, in the late s and throughout the s. The result was music derived, at least in part, from quasi-random decisions determined by the I Ching the Chinese Book of Changes.
The Sisters Of Mercy The Reptile House EP, Shuya Okino Still In Love EP, The Derek Trucks Band Joyful Noise, Various Nippon Girls 2 Japanese Pop Beat RockNRoll 1966 70, Ricardo Villalobos 808 The Bassqueen, Umoja Umoja, Brainstorm Journey To The Light, Your Funeral I Want To Be You, Eddie Kirk The Hawg, John Barry Moonraker Original Motion Picture Soundtrack, Young Marble Giants Final Day, Mikey Murka Downpressor Man, Vivan Jackson The Deffenders Love Thy Neighbours, Hiroshi Fukumura With Sadao Watanabe Hunt Up Wind, Sonny Boy Williamson 2 The Yardbirds Sonny Boy Williamson The Yardbirds