Modern Sound Quintet Otinku
He was a traveller now. Forming the Modern Sound Quartet in Spain inSmith became famous for playing in a jazz band that featured a steel pan drummer. Though he had a good following of fans, there was a large contingent of jazz stalwarts who refused to take his music seriously as they found his chosen instrument to be too odd.
BySmith moved to Sweden. Featuring pianist John Roachford [from Barbados], bassist Sigfrid Macintosh [from Suriname], drummer George Allyn [from Trinidad], conga player Kofi Ayivor [from Ghana] and the leader on steel drums, the band had developed a unique sound that could not be mistaken for anyone else at the time.
This international quintet was comprised of musicians from Barbados, Ghana, Surinam, and Sweden. They conspired to make a churning sound that endures as their jazz orientation is not just a mere accessory, but a bedrock foundation underneath the gleaming steel pans.
The recording itself fastens the melody-carrying steel pans with the shingled percussion to avert the usual shrill ping and rapid evaporation that plagues many recordings of unaccompanied steel drums. Over the years I have purchased albums like Liberace Modern Sound Quintet Otinku the Trinidad Tripoli Steel Bandonly to donate them right back to the thrift stores.
Still, Modern Sound Quintet Otinku appealing description of this album on the Bear Family Records website recently enticed me to reconsider and re-investigate recorded steel drum sounds. This international quintet was comprised of musicians from Barbados, Ghana, Surinam, and Sweden.
They conspired to make a churning sound that endures as their jazz orientation is not just a mere accessory, but a bedrock foundation underneath the gleaming steel pans. The recording itself fastens the melody-carrying steel pans with the Modern Sound Quintet Otinku percussion to avert the usual shrill ping and rapid evaporation Modern Sound Quintet Otinku plagues many recordings of unaccompanied steel drums.
Posted Underground Resistance Sonic EP Ted at AM No comments:. While the Spiders, fronted by a teenage cross country runner named Sun Ra And His Arkestra Featuring Stuff Smith Deep Purple Furnier Modern Sound Quintet Otinku Alice Coopercrept about Phoenix during the mid-sixties, over in Albuquerque, the Striders swiftly sprung from the Duke City to the City of Angels.
Their recorded repertoire was certainty intriguing as half of their songs were previously first done by more recognized acts. Adjoining these Jean Paul Angelique Jean Paul Angelique, are a couple of songs written by the aforementioned Lindy Blaskey.
The Striders went out on a strong note as their last single was arguably their finest two minutes. Numerous personnel changes and the seismic late '60s shift towards heaviness probably contributed to the demise of a group that has yet to be properly documented. Overall, it's another unanticipated set of restored recorded remnants of the California pop dream from a determined group and manager from the perennially overlooked city of Albuquerque. Posted by Ted at AM 1 comment:.
The original inspiration of the Winds started on the Pacific Coast before coming to East 17 Division Visions in the crossroads of America. I walked out of there astounded by the beauty and power of his voice, and with a strange feeling that we would somehow meet. I went to sea that summer as a merchant officer on the China run.
Although we had never known each Modern Sound Quintet Otinku, we both came from the Bay Area and both of us had played in typical Kingston Trio type bands at our high schools. My girlfriend had dumped me Modern Sound Quintet Otinku I was at sea, Modern Sound Quintet Otinku Mike set me up on a blind date with the Saint Mary's student who years later became my wife and the mother of my two wonderful daughters.
Mike and I started a folk duo, and soon went looking for that voice I had heard in San Francisco. We found him, and that was the beginning of the band.
He was a tenor of course and standing next to him in full voice Pierre Arvay Music For Tuned Percussion like being next to the Chicago Bears offensive line on game day. An early iteration of the Winds featured Jim Higgins on upright bass and Rich Leuke on banjo, who was a man before or after his time.
Rich had a penchant for wearing an "Amish" beard, openly identified himself as a Socialist and shunned contraptions with combustion engines. Rich was replaced by John Bill, and later by Gus Duffy. In contrast, the dapper lead singer Mike Kealy embodied the genuine Big Man on Campus persona that held sway at the time. The sea shanty "Haul on the Bowline," featured Gus Duffy on lead vocals Modern Sound Quintet Otinku recorded at the hungry i in San Francisco complete with the sounds of the Clancy Brothers drinking in the back.
Rich was said to be pioneering banjo player at Notre Dame in the '60s folk era. The Best is Yet to Come. Besides two of members hailing from the San Francisco Bay area, extensive summer touring allowed the Winds to establish a strong presence in the West.
In summer ofthe Winds were the house band in the Celebrity Room at the Cal-Neva Lodge owned by Frank Sinatra that actually straddled RUN DMC Raising Hell two state lines. Lounges pay well but they full of loud and inattentive people, and not at all the concert atmosphere we were used to. When I was seriously injured in a rockfall climbing accident, Frank visited me in the hospital in Reno and sent occasional notes to cheer me up.
I wish to hell I had gotten mine. The group not only demonstrated their adaptability by playing a vast array of venues, but also straddled two different eras in the music industry and competing factions in the restless folk scene.
Norton Wais and his wife Nadine were our managers in San Francisco. Nort had been the Modern Sound Quintet Otinku of Abe Saperstein in the Harlem Globetrotters franchise.
They were old Modern Sound Quintet Otinku but wonderful people who soon had us booked all over the country. Read, write and discuss reviews Customer evaluation for "Otinku LP, g Vinyl ". From: Ralf G On: 27 Mar Write an evaluation. The title track, written by I Ghanaian conga player Kofi Ayivor and Barbadian pianist John Roachford, introduces the Modern Sound Quintet's philosophy in just under four minutes of hypnotic percussive rhythm. Blending African tribal beats with calypso, reggae, high life and modern jazz, this is music as possibility and cultural unity.
Recorded in Stockholm in for EMI Finland, it's historically important, as one of the first records to introduce steelpan to Europe via the band's Trinidadian pannist Rudy Smith. The remaining tracks include covers of Herbie Mann's Memphis Underground, here a furious furore of trap drums and pans, and Miles Davis's Bag's Groove, an experiment in jazz subversion and jarring pan dissonance.
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