Nass El Ghiwane Nass El Ghiwane
Pour moi Allal reste le dernier pivot incontournable de nass el ghiwane, je n'imagine pas les ghiwanes sans lui. Nous avons chez nous tous les albums.
Salut tout le monde! Nas El Ghiwane est une marque marocaine et personne ne peut dire le contraire. Avec leur musique et leurs paroles on se sent plus Nass El Ghiwane Nass El Ghiwane arabophone qu'avec d'autres genres de musiques arabes. Mais il ne faut pas oublier les amazighophones qui ont aussi leurs idoles! Nass El Ghiwane Nass El Ghiwane from the wild s. And indeed, with their Beatles-style haircuts and flared trousers the Moroccan musicians looked just like contemporary rock stars.
The instrumentation was sparse, some Nass El Ghiwane Nass El Ghiwane were only Nass El Ghiwane Nass El Ghiwane and accompanied by rhythmic clapping.
But they had composed new lyrics, partially in the style of religious Sufi poetry, but always infused with courageous directness and social brisance. In the educated Morocco of the s and 70s, which had its cultural centre in Fez, this music was regarded as primitive and backward. After all, it was often used to conjure up spirits in healing ceremonies developed by popular Islam. Instead, Moroccan radios broadcast overblown emotional music Nas The World Is Yours the noble tones of zither and violin.
It was already a sensation in itself that four musicians played their own songs and lyrics on traditional instruments — an Michael Nyman Drowning By Numbers that soon packed the biggest venues and stadiums in Morocco.
In the late s, four young men from the working-class district of Hayy al-Mohammadi in Casablanca joined a theatre group and provided a musical accompaniment on traditional instruments to the socially critical plays.
The addition of the banjo to their ensemble made the group the first in Morocco to modernize traditional music. Not long after independence, in the midst of the worst economic crises and harshest political repression, the group mixed popular Sufi music with their own texts.
Nass El Ghiwane was the first-ever Moroccan group to denounce the misery of the young and disenfranchised, despotism and omnipresent corruption:. Although they originated from the leftwing intellectual student milieu of their time, they were not flying any particular political banner, but expressed through song their desperation, their hopelessness and the isolation of the young man who came to the city from the country.
Gnawa music, the legacy of black African slaves in Morocco, still played in the African jazz pentatonic, still interfused with strange words of Bambara and Wolofin turn mirrored the feelings of the young, the Nass El Ghiwane Nass El Ghiwane and persecuted.
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