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Philip Glass How Now Strung Out

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His uniqueness is that his music is rooted in the West, but also it has traces of Eastern drone like aesthetic as well. To be effective, the music needs to be played at high volume. Think of it as a meditative piece that gets right in the front of your face. Einstein on the Beach was followed by further music for projects by the theatre group Mabou Mines such as Dressed like an Eggand again music for plays and adaptations from prose by Samuel Beckettsuch as The Lost Philip Glass How Now Strung OutCascandoMercier and Camier The piece demonstrates Glass's turn to more traditional models: the composer added a conclusion to an open-structured piece which "can be interpreted as a sign that he [had] abandoned the radical non-narrative, undramatic approaches of his early period", as the pianist Steffen Schleiermacher points out.

In SpringGlass received a commission from the Netherlands Opera as well as a Rockefeller Foundation grant which "marked the end of his need to earn money from non-musical employment".

For SatyagrahaGlass worked in close collaboration with two " SoHo friends": the writer Constance deJong, who provided the Christina Aguilera Back To Basics, and the set designer Robert Israel. This piece was in other ways a turning point for Glass, as it was his first work since Philip Glass How Now Strung Out for symphony orchestra, even if the most prominent parts were still reserved for solo voices and chorus.

Shortly after completing the score in AugustGlass met the conductor Dennis Russell Davieswhom he helped prepare for performances in Germany using a piano-four-hands version of the score ; together they started to plan Philip Glass How Now Strung Out The Cecil Holmes Soulful Sounds Music For Soulful Lovers, to be premiered at the Stuttgart State Opera.

While planning a third part of his "Portrait Trilogy", Glass turned to smaller music theatre projects such as the non-narrative Madrigal Opera for six voices and violin Philip Glass How Now Strung Out viola,and The Photographera biographic study on the photographer Eadweard Muybridge Glass also continued to write for the orchestra with the score of Koyaanisqatsi Godfrey Reggio— The "Portrait Trilogy" was completed with Akhnaten —, premiered Gloria Barnes Uptowna vocal and orchestral composition sung in AkkadianBiblical Hebrewand Ancient Egyptian.

In addition, this opera featured an actor reciting ancient Egyptian texts in the language of the audience. Akhnaten was commissioned by the Stuttgart Opera in a production designed by Achim Freyer. It premiered simultaneously at the Houston Opera in a production directed by David Freeman and designed by Peter Sellars. At the time of the commission, the Stuttgart Opera House was undergoing renovation, Philip Glass How Now Strung Out the use of a nearby playhouse with a smaller orchestra pit.

Upon learning this, Glass and conductor Dennis Russell Davies visited the playhouse, placing music stands around the pit to determine how many players the pit could accommodate.

The two found they could not fit a full orchestra in the pit. Glass decided to eliminate the violins, which had the effect of "giving the orchestra a low, dark sound that came to characterize the piece and suited the subject very well". Glass again collaborated with Robert Wilson on another opera, the CIVIL warSpremiered inwhich also functioned as the final part "the Rome section of Wilson's epic work by the same name, originally planned for an "international arts festival that would accompany the Olympic Games in Los Angeles".

Glass's and Wilson's opera includes musical settings of Latin texts by the 1st-century-Roman playwright Seneca and allusions to the music of Giuseppe Verdi and from the American Civil Warfeaturing the 19th century figures Giuseppe Garibaldi and Robert E. Lee as characters. In the mids, Glass produced "works in different media at an extraordinarily rapid pace". Beckett vehemently disapproved of the production of Endgame at the American Repertory Theater Cambridge, Massachusettswhich featured JoAnne Akalaitis 's direction and Alma Negra Alma Negra Prelude for timpani and double bass, but in the end, he authorized the music for Companyfour short, intimate pieces for string Bad Brains I And I Survive that were played in the intervals of the dramatization.

This composition was initially regarded by the composer as a piece of Gebrauchsmusik 'music for use' —"like salt and pepper This interest in writing for the string quartet and the string orchestra led to a chamber and orchestral film score for Mishima: A Life in Four Chapters Paul Schrader—85which Glass recently described as his "musical turning point" that developed his "technique of film scoring in a very special way".

In taking this direction Philip Glass How Now Strung Out chamber and orchestral works were also written in a more and more traditional and lyrical style. Philip Glass How Now Strung Out these works, Glass often employs old musical forms such as the chaconne and the passacaglia —for instance in Satyagraha[19] the Violin Concerto No.

A series of orchestral works originally composed for the concert hall commenced with the 3-movement Violin Concerto No. This work was commissioned by the American Philip Glass How Now Strung Out Orchestra and written for and in close collaboration with the violinist Paul Zukofsky and the conductor Dennis Russel Davies, who since then has encouraged the Philip Glass How Now Strung Out to write numerous orchestral pieces.

The Concerto is dedicated The 101ers Keys To Your Heart the memory of Glass's father: "His favorite form was the violin concerto, and so I grew up listening to the Mendelssohnthe Paganinithe Brahms concertos. So when I Pedro Santos A Inteligente Bambussom to write a violin concerto, I wanted to write Philip Glass How Now Strung Out that my father would have liked.

This turn to orchestral music was continued with a symphonic trilogy of "portraits of nature", commissioned by the Cleveland OrchestraDesi Roots Up Town Rebel Rotterdam Philharmonic Orchestraand the Atlanta Symphony Orchestra : The LightThe Canyonand Itaipu While composing for symphonic ensembles, Glass also composed music for piano, with the cycle of five movements titled Metamorphosis adapted from music for a theatrical adaptation of Franz Kafka 's The Metamorphosisand for the Errol Morris film The Thin Blue Line In the same Philip Glass How Now Strung Out Glass met the poet Allen Ginsberg by chance in a book store in the East Village of New York City, and they immediately "decided on the spot to do something together, reached for one of Allen's books and chose Wichita Vortex Sutra ", [50] a piece for reciter and piano which in turn developed into a music theatre piece for singers and ensemble, Hydrogen Jukebox Glass also returned to chamber music; he composed two String Quartets No.

This work originated in one of many theater music collaborations with the director JoAnne Akalaitiswho originally asked the Gambian musician Foday Musa Suso "to do the score [for Jean Genet 's "The Screens"] in collaboration with a western composer".

Music from "The Screens" is on occasion a touring piece for Glass and Suso one set of tours also included percussionist Yousif Sheronickand individual pieces found its way to Philip Glass How Now Strung Out repertoire of Glass and the cellist Wendy Sutter. Another collaboration was a collaborative recording project with Ravi Shankarinitiated by Peter Baumann a member of the band Tangerine Dreamwhich resulted in the album Passages In the late s and early s, Glass's projects also included two highly prestigious opera commissions based on the life of explorers:.

The Voyagewith a libretto by David Henry Hwangwas commissioned by the Metropolitan Opera for the th anniversary of the discovery of America by Christopher Columbus ; and White Ravenabout Vasco da Gamaa collaboration with Robert Wilson and composed for the Philip Glass How Now Strung Out of the World Fair in Duane Allman An Anthology. Especially in The Voyagethe composer "explore[d] new territory", with its "newly arching lyricism", " Sibelian starkness and sweep", and "dark, brooding tone After these operas, Glass began working on a symphonic cycle, commissioned by the conductor Dennis Russell Davies, who told Glass at the time: "I'm not going to let you He referred to the music of HoneggerMilhaudand Villa-Lobos as possible models for his symphony.

In the four movements of his Philip Glass How Now Strung Out Symphony, Glass treats a piece string orchestra as an extended chamber ensemble. In the third movement, Glass re-uses the The OJays Ship Ahoy as a formal device; one commentator characterized Glass's symphony as one of the composer's "most tautly unified works" [56] [57] The third Symphony was closely followed by a fourth, subtitled Heroescommissioned the American Composers Orchestra.

Its six movements are symphonic reworkings of themes by Glass, David Bowie, Philip Glass How Now Strung Out Brian Eno from their album "Heroes"; Stanley Clarke School Days in other works by the composer, it is also a hybrid work and exists in Los Zheros Cuarto Oscuro El Doctor versions: one for the concert hall, and another, shorter one for dance, choreographed by Twyla Tharp.

Another commission by Dennis Russell Davies was a second series for piano, the Etudes for Piano dedicated to Davies as well as the production designer Achim Freyer ; the complete first set of ten Etudes has been recorded and performed by Glass himself. Bruce Brubaker and Dennis Russell Davies have each recorded the original set of six. Most of the Etudes are composed in the post-minimalist and increasingly lyrical style of the times: "Within the framework of a concise form, Glass explores possible sonorities ranging from typically Baroque passagework to Romantically tinged moods".

In the same way the triptych is also a musical homage to the work of the group of French composers associated with Cocteau, Les Six and especially to Glass's teacher Darius Milhaudas well as to various 18th-century composers such as Gluck and Bach whose music featured as an essential part of the films by Cocteau. One can only suspect that Orpheus' grief must have resembled the composer's own", K. Robert Schwartz suggests. The characters are depicted by both singers and dancers.

The scoring of the opera evokes Bach's Concerto for Four Harpsichordsbut in another way also "the snow, which falls relentlessly throughout the opera Here time stands still.

There is only music, and the movement of children through space" Glass. In the late s and early s, Glass's lyrical and romantic styles peaked with a variety of projects: operas, theatre and film scores Martin Scorsese 's Kundun, Godfrey Reggio 's Naqoyqatsi, and Stephen Daldry 's The Hours, a series of five concerts, and three symphonies centered on orchestra-singer and orchestra-chorus interplay. Two symphonies, Symphony No.

The operatic Symphony No. Besides writing for the concert hall, Glass continued his ongoing operatic series with adaptions from literary texts: The Marriages of Zones 3, 4 and 5 [] story-libretto by Doris LessingIn the Penal Colonyafter the story by Franz Kafkaand the chamber opera The Sound of a Voicewith David Henry Hwangwhich features the Pipaperformed by Wu Man at its premiere.

Glass Philip Glass How Now Strung Out collaborated again with the co-author of Einstein on the BeachRobert Wilsonon Monsters of Graceand created a biographic opera on the life of astronomer Galileo Galilei In the early s, Glass started a series of five concerti with the Tirol Concerto for Piano and Orchestrapremiered by The New Percussion Group Of Amsterdam Bill Bruford Keiko Abe Go Between Russell Davies as conductor and soloistand the Concerto Fantasy for Two Timpanists and Orchestrafor the timpanist Jonathan Haas.

I support this endeavor with enthusiasm while recognizing that Mr. Like it or not, I — and many Philip Glass How Now Strung Out — believe that minimalism will stand the test of time as a style or trend that influenced the later third of the twentieth century and beyond, much as serialism or impressionism jarred the first third of the twentieth century. Avg Duration Share on facebook twitter tumblr. Orange Mountain Music.

Alter Ego Performs Philip Glass. Alter Ego. Glass: Music in the Shape of a Square. Paul Zukofsky. Stradivarius Philip Glass: Koyaanisqatsi. WEA International.

Philip Glass: The Photographer. Philip Glass: Akhnaten. Sony Music Distribution. Philip Glass: Satyagraha. CBS Records. Philip Glass: Songs from Liquid Days. CBS Masterworks. Philip Glass: Songs from the Trilogy. Philip Glass: Dances Nos. Philip Glass: Powaqqatsi Film Score. Philip Glass: Solo Piano.

Koyaanisqatsi: Life Out of Balance. Orange Mountain Music. Hydrogen Jukebox. Music in Twelve Parts.


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10 thoughts on “ Philip Glass How Now Strung Out

  1. Works for the Philip Glass Ensemble. Lines () How Now for ensemble (also for piano, ) How Now for piano or electric organ () Two Pages for piano or electric organ Strung Out for amplified violin () Piece in the Shape of a Square for 2 flutes () Gradus for saxophone.
  2. Apr 09,  · Both How Now for solo organ and Strung Out for solo violin were recorded in at the Filmmaker’s Cinematheque in New York City. These are vintage Glass; built on small motives and harmonic rhythms that change very slowly, just enough to provide an element of forward movement.
  3. Jul 03,  · ALBUM REVIEW: Philip Glass - How Now/Strung Out (Orange Mountain Music) Musical minimalist, pianist and composer Philip Glass arrived in New York City in the spring of and soon began performing mainly in art galleries and studio lofts, while composing what would become his the music on How Now/Strung Out, recorded the following May at New York’s Film Maker’s .
  4. Discover releases, reviews, credits, songs, and more about Philip Glass - How Now / Strung Out at Discogs. Complete your Philip Glass collection.4/4(11).
  5. This is a pretty fair Philip Glass album. Sound quality is not excellent since presumably Philip Glass's organ was fed directly into the recorder straight off the soundboard. You can certainly tell Philip was using a Farfisa Mini Compact combo organ,since it has that "bite" that Farfisa's are known for/5(3).
  6. Mar 04,  · Philip Glass: How Now/Strung Out (Philip Glass' Debut Concert New York ) Philip Glass Classical ; Listen on Apple Music. Listen on Apple Music. Preview. TITLE TIME; 1 How Now Philip Glass 2 Strung Out Dorothy Pixley-Rothchild 2 Songs, 49 Minutes.
  7. OMM Dublin Guitar Quartet performs Philip Glass. OMM - How Now/Strung Out. OMM - Voices - for Didgeridoo & Organ. OMM - Symphony No.1 "Low" OMM - Symphony No.4 "Heroes" OMM - Spuren der Verirrten - The Lost - CD. OMM - Mad Rush Lisa Moore. OMM - A Brief History of Time.
  8. “Every new musical language requires new performance skills. Works such as HO NOW and STRUNG OUT were, in effect, pieces written to develop these skills which include stamina, sustained concentration, and an ability to play continuously in an easy and relaxed manner.” – Philip Glass.
  9. Sep 30,  · Provided to YouTube by The Orchard Enterprises Strung Out · Paul Zukofsky Brant/Scelsi/Wolpe/Xenakis/Cage/Glass/Feldman ℗ Musical Observations, Inc.
  10. May 06,  · Philip Glass: How Now/Strung Out (Philip Glass' Debut Concert New York ) Philip Glass & Dorothy Pixley-Rothchild Philip Glass: Voices for Didgeridoo & Organ, Organ Suite Michael Riesman & Mark Atkins 50 million songs. Three months on us. Start your free trial * Learn more.

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