Roberto Laneri Two Views Of The Amazon
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Side 1 includes two pieces from a cycle called 'Songs of Middle Space' a space in my mind where all kinds of music as well as Roberto Laneri Two Views Of The Amazon and places mix and interact with one another. Sometimes strange encounters result. Georges Teperino Cecil Leuter TVMusic 101 a sense this music is designed to trigger echoes and memories on Executive Jam I Want You Back In My Arms Again Im Into Your Love levels Side 2 is overtone music, a result of my involvement with extended vocal techniques since For 7 years the overtone vision was embodied in Prima Materia, the group I founded in California and later moved to Roberto Laneri Two Views Of The Amazon Two Views of the Amazon is realized with purely vocal means both in the tape and the live part.
Therefore, following the musica ficta indications, it was possible through a sequence of forced turns to derive a version of the text whose melodic and harmonic sense was sometimes radically divergent from the original. Similarly, the grand general plan of Gothic cathedrals allowed the single artisans, who often followed one another during a time-span of more than a century, to fit their favorite saints or devils into the most improbable corners, whether by whims or the necessity to fill empty spaces.
In fact I suspect that the prohibition of cross-relationships is an invention of theorists, and especially reactionary ones. This Roberto Laneri Two Views Of The Amazon lifting the musica ficta from the status of a negligible bump in the road of musical theory to that of a fundamental oscillation of reality.
In the words of Nobel Prize Eugene Wigner:. In music, the fictional process of musica finta substitutes a huge range of undecisions to the decision-making excesses of the compositional process. And this brings us to jazz, and bluesprints…. Playing some rags by Scott Joplin on soprano sax I started to introduce some changes in the text, minimal ones at first, then more substantial, until I ended up composing autonomous and parallel pieces, to be performed together with the original ones.
Maria Jolanda Masciovecchio graduated in piano under the mentorship of Drahomira Biligova.
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