Ted Auletta And His Orchestra Exotica
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Genre Easy Listening International. Auletta qualified for the gig based on his three years leading the house band at the famed Hawaiian Room at the Hotel Lexington. The Hawaiian Room, uplifted out of existence a few years ago, was perhaps the finest example of the Tiki culture to be found in Manhattan.
It was known as the launching pad for Ted Auletta And His Orchestra Exotica careers of a number of "hapa haole" Ted Auletta And His Orchestra Exotica musicians, including Ray McKinney and Lani McIntire. In the s, exotica resurfaced, along with a new category in which to place the genre: lounge. Dozens of long out-of-print LP s were reissued on CD. The revival accompanied a related swing revival and general appreciation for tiki Ted Auletta And His Orchestra Exotica.
A new crop of bands, such as Pink Martiniwere influenced by the classic albums, and Combustible Edison for one featured songs like "Breakfast at Denny's", a tongue-in-cheek title for a song styled on the music of Martin Denny.
The early s saw additional exotica revival efforts, such as Hawaii-based Don Tiki; the comeback of s composer Robert Drasnin ; Waitiki; The Stolen Idols, Kava Kon, and a group consisting of international Exotica musicians called Tiki Joe's Ocean, formed by lifelong instrumentalist Andy Nazzal. Ho's Orchestrotica is both a quintet primarily performing what they call "global jazz and exotic chamber music" and a big band performing the world's only transcriptions of Esquivel's large ensemble music.
As ofthere are many festivals worldwide that celebrate exotica music and the tiki culture e. Translated by Pinkus, Karen; Vivrette, Jason. Durham: Duke University Press. Archived from the original Frank Sinatra In The Wee Small Hours Part 2 The New York Times.
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