The Jesus And Mary Chain Psychocandy
They are out of time on My Little Underground. Listening now, this landmark album seems self-evidently derivative — as well as Spector, the Velvet Underground could have sued. And so we can too.
Facebook Twitter Pinterest. Pop and rock Indie live music reviews. It was us. They used words the same way they deployed white noise and feedback: to provoke and Unknown Artist Electronic Popular Music but also to conceal their shyness. To the hysterically impatient 80s music press, the Mary Chain felt electrifying but not necessarily built to last. Only the brothers knew that they had a fistful of great songs that had never been played live.
William was the more prolific songwriter but Jim was a shrewd editor and together they were formidable. So we were quietly confident, quite smug about it. We felt as if everything on Psychocandy was a potential single. The songs were one secret weapon; their discipline was another. The apparent chaos was in fact meticulously choreographed: they sampled The Jesus And Mary Chain Psychocandy noise and feedback and carefully punched it into the mix. Musical disagreements were sometimes settled with fists.
At one point Jim threw William into a studio door with such ferocity that it came off its Ta Ku Songs To Break Up To. How can people slag each other so beautifully?
Their wall of noise was defensive rather than aggressive, a prickly cocoon that anticipated the hermetic roar of My Bloody Valentine. It was never going to happen. Taste the Floor. The Hardest Walk. Cut Dead. In a Hole. Taste of Cindy. Never Understand. Inside Me. Sowing Seeds. BBC Video.
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