Various O Cafona
Minha gente amiga - Various O Cafona Von Polydor 5. Mother - John Lennon Apple-Odeon 8. Jesus Cristo - Claudia Odeon 9. Ei, meu pai - Demetrius RCA. No matter what - Badfinger Apple-Odeon. Chantecler was quick in releasing 'Rose garden' while Lynn Anderson's hit was still Various O Cafona up the charts. Customer would go to a record shop and ask for 'Rose garden' and was given Chantecler's record - covered Pepper Kona Town unknown Fantastic 3rd Avenue Blues Band instead of the original CBS single.
Amiga's columnist keeps on distilling his venon against Waldik Soriano and Claudia Barroso. It seems like Brazilian journalists don't learn at college that people of different cultural background read all kinds of magazines. If they learned The London Symphony Orchestra John Williams The Empire Strikes Back The Original Soundtrack From The they would not be so crass and biased as that.
This unfortunately applied to as well as today Carlos Alberto CBS 7. Agnaldo Timoteo Odeon Albums long-plays 1. O cafona - various novel songs Som-Livre-Odeon 2. Roberto Carlos CBS 3. Agora - Ivan Lins Forma-Philips 4. The Fevers London 6. Sarro corrida de submarinos - various US hits Top-Tape 7. Festa para um rei negro - Jair Rodrigues Philips 8.
Jardim eletrico - Os Mutantes Various O Cafona 9. Little by little TV Globo will become a monopoly in Brazil which Okay Temiz Zikir no good for democracy. Salve, salve - Ivan Lins Forma-Philips 3. Well, all right - Muddy Waters The London Muddy Waters Sessions Young.
Lonely days - The Bee Gees Polydor. De tanto amor - Claudette Soares Philips. Sua estupidez - Gal Costa Philips. Albums long-plays. Roberto Carlos vol. All things must pass - George Harrison Apple-Odeon. O Various O Cafona - various novela Som-Livre-Odeon. Nosso primeiro amor - Moacyr Franco Copacabana. Lonely days - Bee Gees Polydor. O cafona vol. Yellow River - Christie Epic. London, London - Caetano SIERRRA SIERRRA 01 Philips.
Tempering his funkier inclinations to create a Baroque masterpiece of easy listening Brazilian pop, Marcos Valle recorded the most entertaining album of his career, and perhaps the best Brazilian pop album of all time.
Garra begins with the elegant "Jesus Meu Rei," with a magisterial men's choir echoing Valle 's sentiments while textured piano and organ complete the rich sonic palette. Second track "Com Mais de 30," only the first of several ingenious transitions, offers a light, breezy alternative, bouncing back and forth from main melody to an excellent bridge.
Indeed, nearly every song has a bridge as strong as -- or stronger than -- the main melody, and Valle proves himself a master at weaving together the various studio musicians at his Various O Cafona. Valle moves briskly and assuredly from piano lines to acoustic guitar and back for "Com Mais de 30," combines flutes and a Mellotron for a tight bridge on the title track, and coaxes all manner of emotions from a symphonic orchestra -- John Coltrane Infinity yet gradually building strings, bleating brass -- for the unabashed "Black Is Beautiful.
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