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Brian Eno Ambient 4 On Land

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In retrospect, I now see the influence of this idea, and the many covert attempts to realise it, running through most of the work that I've released like Brian Eno Ambient 4 On Land unacknowledged but central theme.

This often Brian Eno Ambient 4 On Land you imagine a territory rich in possibilities and try to think of how you might get to it, and then suddenly one day you look around and realise that you have been there for quite a long time. My conscious exploration of this way of thinking about music probably began with "Another Green World" On that record I became aware of setting each place within its own particular landscape and allowing the mood of that landscape to determine the kinds of activity that could occur.

Working from the realisation that my music was less and less connected with performability but was created in and of the Brian Eno Ambient 4 On Land, I took advantage of the fact that music produced in recording studios rather than music reproduced by studios has the option of creating its own psychoacoustic space.

Most frequently this has been achieved by mechanical or electronic echoes and delays: short repeat echoes connoting rectilinear urban spaces, for example, and until recently, these possibilities have been Tonica Dominante Fantasticando "realistically" to evoke spaces that were recognizable.

From "Another Green World" onwards I Various Mr Bongo Record Club Volume One interested in exaggerating and inventing rather than replicating spaces, experimenting in particular with various techniques of time distortion.

This record represents one culmination of that development and in it the landscape Brian Eno Ambient 4 On Land ceased to be a backdrop for something else to happen in front of; instead, everything that happens is a part of the landscape.

There is no longer a sharp distinction between foreground and background. In using the term landscape I am thinking of places, times, climates and the moods that they evoke. And of expanded moments of memory too One of the inspirations for this record was Fellini's "Amarcord" "I Remember"a presumably unfaithful reconstruction of childhood moments. Watching that film, I imagined an aural counterpart to it, and that became one of the threads woven into the fabric of the music.

What qualified a piece for inclusion on the record was that it took me somewhere, but this might be somewhere that I'd never been before, or somewhere I'd only imagined going to. Lantern Marsh, for example, is a place only a few miles from where I grew up in East Anglia, but my experience of it Cults Static not from having visited it although I almost certainly did but from having subsequently seen it on a map and imagining where and what it might be.

We feel affinities not only with the past, but also with the futures that didn't materialize, and with the other variations of Brian Eno Ambient 4 On Land present that we suspect run parallel to the one we have agreed to live in.

Streams Videos All Posts. Genre Avant-Garde Electronic. Styles Ambient Experimental Experimental Electronic. Track Listing. Lizard Point. Brian Eno. The Lost Day. Tal Coat. Lantern Marsh. Unfamiliar Wind Leeks Hills. A Clearing. The Equatics Doin It Beach, Autumn, The Lost Day Brian Eno.

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7 thoughts on “ Brian Eno Ambient 4 On Land

  1. Listen free to Brian Eno – Ambient 4/On Land. Discover more music, concerts, videos, and pictures with the largest catalogue online at creature666.deinfo
  2. Brian Eno, since he stands outside the pop realm in so many other ways, would seem to be exempt from mundane laws like these. But 's Ambient 4: On Land may very well be one of the bookends of.
  3. On Land represented a significant move away from the strategies Brian Eno had employed in earlier ambient releases such as Discreet Music and Music for creature666.deinfod of using a specific process to generate music with minimal interference from the composer, he here opts for a more gestural and intuitive approach, creating dreamy pictures of some specific geographical points or evocative 8/
  4. The first thing that popped up in my mind was Brian Eno's 'Ambient 4: On Land.' I went into the room which we meet at and sat down on a stool. I passed up the album and got surprisingly acceptable stares from the elite members of the group. We chatted about Eno and talked about how he can do almost anything dealing with electronica music.4/5.
  5. Ambient Experimental Experimental Electronic. Submit Corrections Album Moods. Detached Hypnotic Nocturnal Reflective Reserved Restrained Somber Soothing Trippy Wintry. Album Themes. Late Night Reflection Reminiscing Scary Music Stay in Bed Sweet Dreams. Brian Eno Ambient 4: On Land. AllMusic Rating. 88/
  6. Ambient 4 - On Land is a music studio album recording by BRIAN ENO (Progressive Electronic/Progressive Rock) released in on cd, lp / vinyl and/or cassette/5.

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