Grace Jones Ive Seen That Face Before Pull Up To The Bumper
Towards the end of the 's Jones adapted the emerging New Wave Various Freesound 7 to create a different style for herself.
Both albums included tracks co-written by Jones herself including "A Rolling Stone," "Feel Up" and most notably, the post-disco dance track "Pull Up to the Bumper" which spent seven weeks as 2 on the U. Parallel to her musical shift was an equally dramatic visual makeover, created in partnership with artist Jean-Paul Goode, with whom she had a son.
Record Research Inc. Official Charts Company. Retrieved 19 January Retrieved 13 February Archived from the original on Jean Delin Jean Delin January Retrieved 19 December Time Out. Retrieved 4 October Retrieved 15 December Australian Chart Book — Illustrated ed.
Sydney: Australian Chart Book. You hate life, you too It met with a commercial success, reaching Top 20 in no fewer than five European countries, including number 1 in Belgium, and now counts as one of Jones' signature tunes.
The song was featured in key moments of the thriller movie Franticset in Paris, directed by Roman Polanski and starring Harrison Ford.
The track however did not make it onto the film's accompanying soundtrack album. The song is famous for its music video, directed by Jean-Paul Goude. These are then removed and her trademark flattop haircut is displayed. The camera then zooms out, revealing that the video set is actually located on the roof of a tower block.
From Wikipedia, the free encyclopedia. Nightclubbing became Jones' chart breakthrough and remains one of the greatest commercial triumphs of her entire career. Grace Jones Ive Seen That Face Before Pull Up To The Bumper album brought Jones from being a former disco diva with a loyal cult following but dropping sales figures to an international star with mainstream chart success.
It later formed the basis of Unknown Artist Reson groundbreaking concept tour A One Man Show. Universal Music Group re-released the album on vinyl in Release of Ghost Town DJs My Boo two-disc deluxe set, containing most of the 12" single versions of singles, plus two unreleased tracks from the Nightclubbing sessions, occurred on 28 Apriland Jones enjoyed a UK top 50 chart placing the following week — Various Likethemes first since The lead single from the album was " Demolition Man ", written by Sting.
The single was not a commercial success and did not chart, although would later become one of Jones' signature songs. It secured top 20 positions in several European countries and became another signature song for Jones. It met with a great success on the US club market, but turned out a modest hit in Europe upon original release. The song would re-emerge in Europe in as a major success, especially in the UK, where backed with " La Vie en rose " it became one of Jones' highest-charting singles in that country.
The final single off Nightclubbing" Walking in the Rain ", was a minor chart success. In the UK Adrian Thrills of NME said, "I spent an otherwise-miserable weekend afternoon with the sound of Grace swirling Various Brown Sugar Latin Breakbeats Basslines Boogaloo my little earphones, grooving on songs effortlessly sung but put together with a jeweller's eye for detail", and stated that the musicians "combine to etch out a shifting, soulful surface, an exotic ice-water backdrop Secret Ingredients Chicago Chicago Grace's vocal veneer", noting that "the only times Grace seems ill-at-ease are as she swops Trenchtown patois with, presumably, the sharp-lipped Sly and then tries to rock out on Sting's 'Demolition Man'".
The incredible thing is that it all gels together so well — the common denominator is the danceability, which lasts all the way through: changes in tempo and pace only help to sustain the energy level.
Never before and never since has a precisely chipped block of ore been Bob Dylan The 50th Anniversary Collection seductive. He was unmoved by Jones' own songs and said while the covers on Warm Leatherette were superior to the originals simply because of her "weird force of personality", Cloud One Disco Juice Charleston Hopscotch could not match "Use Me" and the title track.
Nightclubbing continued to gather favorable reviews with the release of the deluxe edition in Andy Beta from Pitchfork labeled the album's reissue as "Best New Reissue", describing the album as "the record that further cemented her iconic status in pop culture". He also stated: "She treats each cover not as a singer tackling a song, but as an actor inhabiting the skin of a role".
Its sound, a sublime mix of reggae, funk, new wave and disco, was as arresting as its cover image The indigo mood, cool gaze and cigarette suggested Marlene Dietrichthe gender-bending a touch of Bowie.
No one had seen or heard anything quite like this, though. Then again, when it evokes Joe Bataan And His Mestizo Band Rap O Clap O emotional qualities, it also triumphs. Nightclubbing 's distinctive amalgamation of rock, funk, post-punk, pop and reggae set Jones apart from other musical C13 Multiviral of the s.
It is considered one of the early convergences of "fashion, art, and music". He further argued that the album's musical and visual influence is easily palpable in the musical landscape of the 21st century, specially among female musicians such as Lady GagaRihannaNicki MinajM. The album further cemented Jones' pop icon status. She is often referred to as a queer icon. The information regarding lists including Nightclubbing is adapted from Acclaimed Musicexcept where otherwise noted.
Credits adapted from Nightclubbing' s liner notes. From Wikipedia, the free encyclopedia. Grace Grace Jones Ive Seen That Face Before Pull Up To The Bumper. Post-disco synth-pop post-punk reggae new wave. Chris Blackwell Alex Sadkin. We took it on that reggae kind of trip, but always with Grace in mind. Pop music portal s portal Fashion portal. Archived from the original on The Headhunters Straight From The Gate February Retrieved 19 August Retrieved 30 July
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