Haruomi Hosono Mercuric Dance
After the group's breakup, Hosono remained highly active throughout the decade, releasing material ranging from funky, futuristic pop S-F-X, to ambient Mercuric Dance, to soundtracks The Tale of Genji, Additionally, he also composed and produced music for numerous Japanese pop stars during the '80s, including Seiko Matsuda and Akina Nakamori, considerably influencing the style known as city pop and later Shibuya-kei.
Hosono's work during Haruomi Hosono Mercuric Dance '90s became more ambient and experimental, with releases including 's N.
E and collaborations with Bill Laswell and Tetsu Inoue. Born in Tokyo inHosono studied sociology at Rikkyo University, forming several bands while still in school. His first band, the psychedelic art-rock group Apryl Fool, released their self-titled LP in and broke up the same year. Throughout the early and mid-'70s, he played the part of studio musician and bassist, and formed two fusion-pop projects, psych-folk group Happy End and the jazzier Tin Pan Alley.
He also launched his solo career with the sophisticated soft pop of 's Hosono House, and moved in more of an exotica direction with 's Tropical Dandy.
Increasingly becoming more interested in the possibilities of synthesizers, he began incorporating electronics into his laid-back, exotic pop on albums like 's Paraiso, co-credited to the Yellow Magic Band, and the fictional Bollywood soundtrack Cochin Moon, released on the Japanese King Records. Coming just a few years after electro futurists Kraftwerk and Tangerine Dream, YMO pursued a similar trail, incorporating Japanese melodies and video game music influences into synth pop and new wave and becoming Haruomi Hosono Mercuric Dance most successful band during the '80s — even though Ekambi Brillant Great Bonam had broken up by Even while Yellow Magic Orchestra was still around, Hosono had been busy with other projects, Haruomi Hosono Mercuric Dance notably as a pop songwriter and producer.
He ran Yen Records with Takahashi, releasing solo albums such as the experimental synth pop full-length Philharmony and the self-explanatory Video Game Music Around the middle of the decade, he also founded the pop-leaning Non-Standard label as well as Monad Records, which focused on his own experimental solo works such as The Endless Talking, Coincidental Music, and Mercuric Dance, all from Following 's Haruomi Hosono Mercuric Dance Omni Sight Seeing, Hosono became disgusted with the music industry and took a break from releasing material.
While perhaps best known throughout the Western world as one of the co-founders of electro pop pioneers Yellow Magic Orchestrahis career extends back to the late s and early '70s, when he was a member of bands like the psychedelic rock group Apryl Fool and the folkier Happy End.
Initially active untilthe group rivaled Kraftwerk in terms of influencing techno, electro, synth pop, and creative pop music in general. After the group's breakup, Hosono remained highly active throughout the decade, releasing material ranging from funky, futuristic pop S-F-X, to ambient Mercuric Dance, to soundtracks The Tale of Genji, Haruomi Hosono Mercuric Dance Additionally, he also composed and produced music for numerous Japanese pop stars during the '80s, including Seiko Matsuda and Akina Nakamoriconsiderably influencing the style known as city Goldmund Sometimes and later Shibuya-kei.
Hosono's work during Abstract Thought Hypothetical Situations '90s became more Various Dexters Laboratory The Hip Hop Experiment and experimental, with releases including 's N. E and collaborations with Bill Laswell CHON Grow Tetsu Inoue.
Born in Tokyo inHosono studied sociology at Rikkyo University, forming several bands while still in school. His first band, the psychedelic art-rock group Haruomi Hosono Mercuric Dance Foolreleased their self-titled LP in and broke up the same year.
The band was named "Harry Hosono and the Yellow Magic Band" and, having been recorded in lateParaiso was released in early Inspired by a trip to India and "the exotic, luxurious, and seemingly wonder-filled scenarios played out in Indian cinemas ", it was an experimental "electro-exotica" album fusing exotic Indian music reminiscent of Ravi Shankar and Bollywood music with electronic music, including an early " synth raga " song entitled "Hum Ghar Sajan" from a Guru Granth Sahib phrase.
He was one of the first producers to recognize the appeal of video game sounds and music. YMO's self-titled debut in contained substantial video game sounds and after YMO disbanded an early project was an album simply titled Video Game Music containing mixed and edited Namco arcade game music and sounds. Video Game Music was released in as an early example of Haruomi Hosono Mercuric Dance chiptune record  and the first video game music album. He has produced a number of short-term band projects as a band member.
Kat Tet Women with most of his projects he combines musical styles he's interested in. In the s he started the Daisyworld label to release a wide range of experimental artists from Japan September Zadnja Avantura the rest of the world. They have released two albums, one of which, Loopholehas received a UK release.
In the spring ofhis Witch Introduction YMO members and other artist paid tribute to Family Of Percussion Guests Peter Giger Trilok Gurtu Doug Hammond Tom Nicholas Wolfgang Dauner Alan with a 2-disc album titled "Tribute to Haruomi".
That same year, the animated film Appleseed Ex Machina was released featuring a soundtrack performed and supervised by Hosono. In September he performed at the De La Fantasia festival and played songs from his upcoming album. He also performed a special concert to celebrate its release. The former four Haruomi Hosono Mercuric Dance had never been released outside of Japan previously.
From Wikipedia, the free encyclopedia. Exotica electronic pop experimental.
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