Tullio De Piscopo Stop Bajon
View full lyrics. Don't want to see ads? Upgrade Now. There was an issue displaying the shoutbox. View all shouts. View full artist profile. View all similar artists. Friday 18 October Maxi Maxi 19 October Sunday 20 October Monday 21 October Tuesday 22 October Wednesday 23 October Thursday 24 October Tullio De Piscopo Stop Bajon Friday 25 October Saturday 26 October Sunday 27 October Monday 28 October Tuesday 29 October Wednesday 30 October Thursday Tullio De Piscopo Stop Bajon October Friday 1 November Saturday 2 November Sunday 3 November Monday 4 November Tuesday 5 November Wednesday 6 November Thursday 7 November Friday 8 November Saturday 9 November Sunday 10 November Monday 11 November Tuesday 12 November Wednesday 13 November Thursday 14 November Friday 15 November Saturday 16 November Sunday 17 November Monday 18 November Tuesday 19 November Wednesday 20 November Thursday 21 November Friday 22 November Saturday 23 November Sunday 24 November Monday 25 November Tuesday 26 November Wednesday 27 November Thursday 28 November Friday 29 November In andhe was a member of New Trolls Atomic System.
One of his most successful songs is "Andamento lento", which won Festivalbar in His single, "Stop Bajon Primavera " reached No. Phoebus et ses gardes interviennent. Frollo se sauve. Phoebus s'empare d'Esmeralda. Stop Bajon Tullio De Piscopo. Open in. Andamento Lento. Tullio De Piscopo. Stop Bajon. Andamento Tullio De Piscopo Stop Bajon Remix.
Stop Bajon Club Mix. Qui Gatta Ci Cova. So how did you become professional? You must have played in Naples at the beginning? What kind of work was there for a young drummer? You have to study the double bass because there are no good double bassists in Italy. I would listen and have a go on his instrument.
Then when I got home I would practice on a broom using a drumstick as the bow, sat in front of the mirror humming [ imitates bow movement ].
My teacher would tell me that I had to buy a double bass to study. So, it was lucky for me that we had no money to buy one and so I was able to play the drums.
So how did you move into the professional world? With an orchestra? We mostly played at weddings. There were owners who had a big hall Tullio De Piscopo Stop Bajon would rent it out for weddings. Yes, we played in the night clubs next to the Port of Naples like everyone, like Pino Daniele. These places were full of Americans who came in with the Tullio De Piscopo Stop Bajon. It was a great lesson for us all because we all had to learn the international repertoire from a real book. You had to know the pieces they asked for, American or foreign.
Little else. And the RCAso so some pop Tullio De Piscopo Stop Bajon, but not much more. I knew exactly what I had to do.
I had to play the drums in a certain way and make money more than anything, Prince Partyman I came from extreme poverty. But why did I leave Naples? Because I began to take off, everybody wanted me in the recording studio.
Just think, I recorded with Sergio Bruni, who was the voice of Naples. I gave it all up, took my drums and a record player Luiz Carlos Vinhas Golden Boys Ye Me Le Berimbau hopped on the train.
Next stop Bologna, great, jazz but no work. Here it is going to be hard. I chose Milan so I could play jazz and it was the right position for me in the world of music although I struggled at the beginning because I was different. In the meanwhile, I had gotten married and my wife was pregnant. So, I took a few Tullio De Piscopo Stop Bajon backward in order to stay Popol Vuh NosferatuVampyre Milan, I played in a night club where I earned 7, Lire a day.
My wife and I were staying in a boarding house called Do Re Mi, seriously. It cost 7, Lire a day with a meal. How absurd. What do they write now I wonder? Now there is nothing written. We pay them.
So, I told my wife to go back to Sassuolo, I would stay and look. Tullio De Piscopo Stop Bajon, I found an apartment but outside Milan, in the Zingone neighborhood in Trezzano sul Naviglio!
No, but having a phone was Tullio De Piscopo Stop Bajon important to me. It was tricky to get a phone back then, but I got one after a month. My number was Of course! My mum played it on the lottery and she even won! I wanted to become the drummer for everybody, on every single record. I recorded for everybody, Celentano and Mina, and of course they all asked me to play on their tours.
I never said yes. Only to Pino Daniele because we had a connection. How did you manage to break into the world of session recording in Milan? Did you have to prove Tullio De Piscopo Stop Bajon good you were? It was tough because it was a war against the other drummers and other musicians. Because I was from Naples. But I managed eventually. They had refused three drummers and the orchestra was just waiting for a drummer to make the cut. The whole orchestra was there with the conductor.
I took a while to set up my drum kit so I could check the score. Neapolitan style, you know? It had been annotated by the other drummers as well. And I was there messing about so I could read the score. It changes time four times. My strength was being able to read music for drums at first sight. Even my other brother Antonio would join in! It was crazy. Basically this guy named Perez Prado came to live in Italy, he actually died in Italy, he spent the second half of his life here.
This man Perez Prado came here but he was actually the brother of the more famous Perez Prado. His name was really Pantaleon Perez Prado. The two brothers used to play together but then they had a falling out Because Perez Prado was actually their surname! They each had another name. So for some years there were two Perez Prado in the United States, the two brothers. Then at some point they came to an agreement, that one would go to Europe and one would stay in America.
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