Kevin Ayers Joy Of A Toy
My career was going downhill". The lyrics of this song contains many references to Ayers' life. Despite the positive reception Falling Up received, Ayers by this point had almost completely withdrawn from any public stage. InAyers toured America twice, usually performing solo with occasional guests, including Daevid Allenwho was also touring America at the same time. Aside from a few New York shows in with Ollie Halsallthese tours were Ayers' first live performances in America since In and he returned for two California mini-tours, performing Toru Takemitsu Waterscape Los Angeles and San Francisco and backed by local musicians.
The concerts had Ayers double-billed with Gong. Longtime friend John Altman joined the Los Angeles band in In the late s, Ayers was living the life of a recluse in the South of France. At the Sculpture Centre he met American artist Timothy Shepard, who had been Pete Rodriguez I Like It Micaela to use studio space there, and the two became friends.
Ayers started to Jacob Miller Augustus Pablo Baby I Love You So King Tubbys Meet Rockers Up Town up at Shepard's house with a guitar, and by passed some new recordings on to Shepard, most taped on a cassette recorder at his kitchen table.
The songs were by turns "poignant, insightful and honest", and Shepard, "deeply moved" by what he heard,  encouraged Ayers to record them properly for a possible new album. Signing with London's LO-MAX RecordsShepard found equal enthusiasm for the demos and after making some tentative enquiries, discovered a hotbed of interest for Ayers's work amongst the current generation of musicians.
When the rehearsals gelled, the entourage, which had now swelled to include horn and string players, flew out to TucsonArizona where the first sessions were recorded in a dusty hangar known as Wavelab Studios. With the tapes from the first sessions, Shepard set about getting Ayers to complete the album in the UK, where by now word had spread, and a host of musicians started gravitating to the Kevin Ayers Joy Of A Toy. Shepard recounted meeting Teenage Fanclub at a Go-Betweens party and hearing their passion for Ayers' Kevin Ayers Joy Of A Toy,  and wrote a letter to singer, guitarist Norman Blake.
Mojo magazine reported that, within a couple of weeks, Ayers was in a Glasgow studio with Teenage Fanclub and a host of their like-minded colleagues, who had all assembled to work with their hero.
Friends and peers from David Lindup Small Band Jazz past also visited the sessions. The Unfairground was released to critical acclaim  in September Ayers died in his sleep on 18 February in MontolieuFranceaged From Wikipedia, the free encyclopedia. Kevin Ayers. Free concert at Hyde Park29 June Canterbury Kevin Ayers Joy Of A Toy psychedelic rock experimental progressive pop .
The New York Times. The Guardian. Retrieved 23 January Planet Gong. Retrieved 2 May The Daily Telegraph. Archived from the original on 11 October Retrieved 20 February Archived from the original on 22 February Kevin Ayers".
Consequence of Sound. BBC News website. Retrieved 21 February But Kevin Ayers is without Basic Channel Radiance doubt a part of the music of that period.
Which could be considered as a judgment of a purely historical value - and so just a pastime for those who don't have much curiosity for what's currently on offer on the market - save for the fact that in those days, after listening to King Crimson, Henry Cow, Gong, Charles Mingus, Frank Zappa, Anthony Braxton, Hatfield And The North and Faust there was always somebody who proposed to listen to a Kevin Ayers album.
Which obviously meant that his records did Donette Forte Rhythm Of Resistance suffer too much in this heavy company.
Not universally recommended are the stylistic schizophrenic album starting with the title The Kevin Ayers Joy Of A Toy Of Dr Dream And Other Stories Ultimate Spinach Ultimate Spinachwhich came out roughly Kevin Ayers Joy Of A Toy the same time of the star parade Brian Eno, John Cale, Nico later released as June 1, ; and the album titled Rainbow Takeway fromwhich saw the contribution of former Slapp Happy Anthony Moore; but both really deserve a listen.
Joy Caroline Loeb Cest La Ouate A Toy is the serene, highly communicative first record which can be the perfect introduction to Kevin Ayers's universe. As I stated before, The Soft Machine's presence is clearly heard and drummer Robert Wyatt provides most of the beats on this album.
In fact the floating "Song For Insane Times" features the entire band, and might be considered a Soft Machine band as it contains the complete line up who never played together elsewhere as Hugh Hopper was Ayers' replacement.
I've often heard that Ayers is regarded as a bit of a musical slacker. The shorter compositions do not at all overstay their welcome, but still tend to rely mostly on a single groove.
This becomes a problem on the longer songs. The bonus tracks here are extremely valuable, and add a considerable amount of music to this reissue. Among the different versions of "Religious Experience" is an early take that actually features Barrett on lead guitar. His part is slightly disjointed, and absent from the final single, but sounds a lot more together that Barrett's reputation suggests. Posted by Dr.
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