Lord Sitar Lord Sitar
Jack Good introduced Sullivan to studio work. Sullivan became one of the most sought-after guitarists throughout the s and the s, in part because of his flexibility in playing different styles of music. He was often referred to as "Big Jim" both for his physical appearance and as he was usually first choice TP Orchestre Poly Rythmo De Cotonou Benin Vol 7 TP Orchestre Poly Rhythmo De Cotonou Benin Avec Zoun play guitar on Lord Sitar Lord Sitar for major musicians and bands.
Another session musician at the time, and at some of the same sessions, Jimmy Pagewas referred to as "Little Jim. He played on the first record in Lord Sitar Lord Sitar UK to use a fuzzboxwhich he had borrowed from session guitarist Eric Fordon P. Proby 's hit " Hold Me Lord Sitar Lord Sitar.
He directed and played on Amazing Blondel 's first album inand in the same year played on the album Sound of Sunforestthe overture from which was used in the film A Clockwork Orange. Inhe did arrangements for the orchestral version of The Who 's Tommy. In the s, Sullivan Lord Sitar Lord Sitar to play the sitarhaving been inspired by attending a recording session for Indian classical musician Vilayat Khan.
He played sitar on a musical interpretation of the Kama Sutra. Sullivan was among a group of English guitarists who adopted Los Barbarians El Mamito sitar, including George Harrison of the Beatles whose Esher home Sullivan regularly visited to practise on the instrument.
InSullivan joined Tom Jones' band. Sullivan was an innovator of the talk boxwhich he demonstrated on Jones' TV show. In the s he composed the score for an episode of the science fiction series, Space: " The Troubled Spirit "in which he also appeared and performed part of the score on screen, as a crew member giving a Coral sitar concert.
InSullivan teamed up with the record producer, Derek Lawrenceto form the record labelRetreat Records. If the Wikipedia and some other sources around the Interwebs is accurate, Lord Sitar is one Big Jim Sullivan, a much in-demand session guitarist who learned Sitar in the early 60s and released this and one other album of Sitar-based music in the mids as part of a attempt by the label to cash in on the instrument's then hugely popular sound.
Sullivan apparently played on Harrison's soundtrack to the 60s mod-psychedelic film Wonderwall -- this music could also be a partial alternative soundtrack for that film -- as well as records by The Walker Brothers, Donovan and David Bowie. For more information about AudiophileReview.
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