John Cage John Cage Shock Vol 3
After the band broke up, Rodger and his wife moved to Nashville, where he continues to record music in his home studio, some of which can be Soft Touch Look Up Look Down Plenty Action on the Internet Archive.
Recorded at the Osaka Mido-Kaikan on October 17 and at Sogetsu Art Center on October 24, these performances John Cage John Cage Shock Vol 3 retain the power to shock listeners today. About the Author. Acid-house forefather Praga Khan embarks on a folktronica journey for the ages, with a heavy emphasis on Eastern instruments and modes.
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This work may be seen as the first step of Cage's voyage into the world of chance composition. For Cage, this was a necessary first step in the giving up of individual taste and memory, as well as other previously meaningful traditions in the making of art. This development, in part, came as a result of his encounter and informal studies with Gita Sarabhai Indian philosophy and attendance at the lectures of Daisetz T. Suzuki Zen Buddhism in the late s and into early s. However, chance here only applies to the process of composition.
The final piece, a near-twenty-minute realization of "Variations II"is a rare example of the rougher side of Cage, work that presaged much of the live electronic music and noise of the following decades, an aspect of his oeuvre which is woefully under-represented on CD.
Cage and Tudor, using well-amplified contact microphones on a piano, deliver an electrifying performance, alternating distorted stretches of harsh 60s reality with bountiful silences. The performance here, from Osaka, has a slightly altered title and the composition becomes a seismic quartet with the addition of Toshi Ichiyanagi and Yoko Ono, with the four performers providing acutely-angled blasts of sound.
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