Matumbi GLP Band Alive Kicking Last Funk
There were only one or two places that black people could go too around then, one was Prophet Right On Time the Four Aces, and off licenses closed at 11 remember, so if people get seen out and about at the time of the morning whilst everyone else was tucked up in bed, they would want to challenge them. The whole culture of being out late at night, raving away to music, drinking alcohol or whatever, was restricted to Saturday night, if that.
Then suddenly there were people doing it on a Monday, Tuesday, Wednesday, and people thought that they must have been layabouts and would target them because they thought they were on the dole. You go down to Kingsland Road any night of week now…. I saw it as a forward progression. I saw it as an opportunity to extend my abilities and production skills and what I knew and loved about music. I grabbed at the opportunity to work with different genres with open hands. So I then recorded all the information of the A-side backwards and put the drums on the right way round, so everything else is flying backwards and the rhythm is actually going forwards.
Of course! He had this idea that we should marry the sounds of Disco with this Turkish ensemble that I think was the Turkish National Orchestra. There were lots of Turkish people Judas Priest Defenders Of The Faith Bremen, North Germany at that point.
There were people of both origins springing up there and it was a real mix of cultures. He wanted to capture this on record and I thought it was a great idea. I wanted to help him, but I had to bring with me my own drummer, to understand the beats that I wanted. I was working with a drummer called Richie Stevens. So I took him Ben Howard Every Kingdom me to play drums, and it was amazing because he could play basically exactly like a drum machine.
At the time, drummers who could play steady were not that common. We made sure that the rhythm for the track was solid. That was Richie Stevens playing the drums.
His dad was even a Matumbi GLP Band Alive Kicking Last Funk drummer, John Stevens, in English Jazz culture. He worked with Ringo Star and all that. So Richie wanted to play drums and his dad gave him a tape of some Reggae drums and in one of the tapes that he was listening too, I was the drummer! The band was in the show and everything, but it was really great to have this Matumbi GLP Band Alive Kicking Last Funk boy playing the drums for us.
What happened was that it was a hit in Greece, oddly enough. We laughed about it as it was Turkish musicians and because of the whole conflict that was going on. Then the girls moved on into a modelling career and they just wanted to perform and they were Grace Jones fans.
Some of the members of the band had found this group who they were Matumbi GLP Band Alive Kicking Last Funk to do promotion with. It was a Los Dementes En El 68 group, some kids from High Wycombe and London. At the time we were putting together an alternative British sound. Oh yes! Last Funk! I think it was Peter Hammond that was involved with that.
He was the engineer for Stock Aitken Waterman. We were also doing some stuff together with him and a friend of ours called Nick Staker, who was the original keyboard player from Matumbi. At that point I was using friends from school and they were all in the group called New Music. They had a Matumbi GLP Band Alive Kicking Last Funk in the charts at the time called Living By Numbers.
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Les classement single. Irish Singles Chart. Dutch Top 40 Retrieved 13 May Single Top Top 40 Singles. Retrieved 17 January
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