Spiritualized Let It Come Down
Phil Spector also played a role in the record's sound — Pierce had displayed a liking for Dion 's album Born to Be With Youa little-known [ citation needed ] s effort produced by Spector — he was interviewed with Bobby Gillespie of Primal Screamwhere the pair enthused about the record.
Pierce has Spiritualized Let It Come Down regularly credited big band leaders such as Duke Ellingtonthe orchestral sound of Ray Charles and Brian Wilsonand gospel music as major influences, and this album could be seen as these coming to prominence over his more psychedelic influences. Jason Pierce is unable to read music — he wrote all the orchestral parts for the album by singing them into a portable tape recorder, transcribed those to a piano, then helped the players turn those into their specific parts.
This also led, several years later, to him humming the music he composed for Silent Soundan experimental piece for an installation by Iain Forsyth and Jane Pollarddown the phone to the pair. However, inspired by a cover of the song by the band LowJason started playing the song live and subsequently re-recorded it as a gospel ballad. Mimi Parker of Low appears on several tracks of the album as a backing vocalist, and is clearly audible duetting with Jason during "Lord Can You Hear Me.
The first leg of the supporting world tour saw Jason use a 13 piece band composed of Spiritualized, a horn section, and a choir. However, in Jason felt that the extra musicians weighed the show down, and carried Spiritualized Let It Come Down the tour with the regular line-up.
The album was released in two different sleeves — one in a standard jewel casethe other in a much bulkier one-piece box, with the Muse The 2nd Law image the wife of the artist embossed in the case material. All songs written by J Spaceman. When Pierce dares to keep things relatively simple, as on the insistent, yearning "I Didn't Mean to Hurt You" and the finale, "Lord Can You Hear Me," the emotional impact is stunning; the rockers "On Fire" and "The Twelve Steps" also cut the album's scope down to size in a direct, gripping way.
Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic.
After the commercial failure of their previous album See You on the Other Side, which frontman Jonathan Donahue considered to be the band's best album, they decided to make one more record entirely for themselves, ignoring commercial influences, and expecting to split up shortly afterward. Surprisingly, Deserter's Songs was their most successful album, and made them big celebrities in the UK and Europe, also making a smaller mark in the US. Lupine Howl. Hey Venus! Super Furry Animals.
It was released on 27 August in the United Kingdom. The title is taken from the first line of Spiritualized Let It Come Down song "Into the Night". The album was conceived as a "rowdy pop record", both in response to Spiritualized Let It Come Down Trade's request for "one of those pop records like you used to make" and as a result of the "very different atmosphere" the band encountered at shows on the Love Kraft tour when the 'slow' songs from that album were played.
In contrast with many Super Time Unlimited 2 Samuel Mickle Back Fire Bubbling Animals albums, no samplers were used during recording of Hey Venus!
Dave Newfeld took over production duties from Mario Caldato Jr. Heroes To Zeros. The Beta Band. Bomb the Music Industry! Everybody That You Love. The Ergs! And Nothing Hurt. Sweet Heart Sweet Light. Ladies and Spiritualized Let It Come Down We A. Lazer Guided Melodies. The first true Spiritualized single, a Spiritualized Let It Come Down reading of the Troggs ' "Anyway That You Want Me," was the final nail in the coffin -- reportedly, Kember was so incensed by the Spacemen 3 logo appearing on the disc's jacket that he disbanded the group for good.
The masterful, blissed-out result of Spiritualized Let It Come Down obsessive studio fine-tuning and endless remixing, the album was promoted by Spiritualized's slot on the high-profile Rollercoaster tour, where they appeared with the Jesus and Mary Chain and Curve.
With 's platinum-certified Ladies and Gentlemen We Are Floating in Space, Pierce deliberately jettisoned many of the band's usual points of departure, including drones, tremolos, and phase tones; recorded with new drummer Damon Reece, it featured a cameo appearance from legendary New Orleans pianist Dr. John on one track, Van Morrison Moondance Expanded Edition Memphis studio legend Jim Dickinson appeared on another.
The two-disc Royal Albert Hall October 10, live album followed in late
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