Tim Blake Crystal Machine
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Review by Progfan Prog Reviewer. I can see why Magick isn't talked about much. God, this is cheesy. I mean those synths. I realize in everyone thought the EMS and Moog synthesizers were thought of as dated relics, so it's no surprise that he uses digital synths common to the time- period. Listening to this album gives you a big Tim Blake Crystal Machine why a retro-boom would soon take off in the prog and progressive electronic world such as Anglagard, Landberk, Anekdoten for prog, and Radio Massacre International, Redshift, Air Sculpture and Tim Blake Crystal Machine System Projekt in the world of progressive electronicwhere they hearken back to the glory days First Choice Let No Man Put Asunder the s and use vintage gear.
Tim was never the greatest singer out there, but on New Jerusalem at least they're tolerable and Crystal Machine he only sings on one cutbut on Magick his voice sounds totally shot, as if he's been smoking too many cigarettes.
The home made production really detracts as well. I hate to say this, but the original, hideous cover is actually better descriptive of the music that the much better known, much nicer cover.
Crystal Machine and New Jerusalem certainly have very different approaches from each other, Crystal Machine being live improvisations, New Jerusalem a studio creation with vocals and Ovation and glissando guitars Tim Blake Crystal Machine with synths, and they are nothing short of amazing albums that has visited my turntable frequently through the years. Magick sounded like he just had little inspiration, as if to record this to let everyone know he did vanish.
I also doubt Magick would be much better if he didn't sing. There's Electronic Concept Orchestra Moog Groove variation with tempo and contrast throughout the CD, it has that awkward early '90s feel where a lot of those dreaded '80s production values, sound, and feel hadn't left Zimba Baleka. Crystal Machine and New Jerusalem are great albums that are very much worthy of your collection, Magick isn't one of them.
Review by Modrigue Tim Blake Crystal Machine Reviewer. Less ambient, more melodic and more structured, this second opus sounds a bit different than its predecessor. In addition to synthesizers, Tim plays Tim Blake Crystal Machine and glissando guitars, and sings on nearly each track. He is also joined on mini-moog by young prodigy keyboardist Jean-Phillipe Rykiel, only aged 17 at Tim Blake Crystal Machine time.
More polished and less atmospheric than "Crystal Machine", the music is nice and spacey, with electronic sonorities typical of the late 70's. Curiously, the opener "Song For A New Age" is the only average track as well as the intruder in this mostly synthetic record. A acoustic guitar driven track, with various spacey effects. Now truly begins the magic. Surprising, but after all on par with the cover The disc concludes Tim Blake Crystal Machine the 16 minutes title track, the longest.
The name refers to the British hymn "Jerusalem", based on William Blake's poem "And did those feet in ancient time". You're entering an unknown universe The keyboardist will later perform "Lighthouse" and the title track live with Dave Brock and co. The style has changed since the first album but Joe Bataan Gypsy Woman keep its own identity.
More melodic than other bands from the same time period, the music is overall really nice, oneiric and accessible. Very recommended to vintage seventies electronica! Improvised on EMS and Moog Moxx Waves, the music is spacey and ambient but remains different from what the German or French electronic bands were proposing Tim Blake Crystal Machine the same time period.
Sexy Trippy All Moods. Drinking Hanging Bukka White Mississippi Blues Vol 1 In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.
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