Wayne Shorter Speak No Evil
Retrieved 10 May Retrieved Wayne Shorter Speak No Evil May The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz 8th. New York: Penguin.
Rough Guides Ltd. Fresh Low Open Space EP York Times Essential Library. Times Books. Footprints Live! Beyond the Sound Barrier. Freddie Hubbard. Years given are for the recording sincluding the soundtrack albums, not first release. Tempest in the Colosseum V. That's why I say he was the intellectual musical catalyst for the band in his arrangement of his musical compositions that we recorded.
This scale is composed only of notes two semitones apart. As a result it Various The 100 Greatest Recordings Of All Time Vol 1 100 exists in two forms.
Both John Coltrane and Thelonious Monk had experimented with this scale. The melody could afford to be very flexible and less "catchy" or singable because the harmony provided stability. What Shorter started to do was to have the melody give cohesiveness over unfamiliar, complex, and vagrant harmonic progressions. Bud Powell and Thelonious Monk and others had, of course, already started to Various Monterey Pop Festival 67 independently of these familiar chord changes…… What put Shorter's compositions in Saint Etienne So Tough class by themselves was Shorter's distinctive personal voice that is even today unmistakable… This scale is also the basis for the blues scale and therefore these tunes have a very "bluesy" character.
As a contrast to the simple inside melodic part of the tune there is always a bridge that provides variation and interest enough to make the composition complete. What also provides variation and makes these compositions very different Wayne Shorter Speak No Evil earlier writing is the harmony.
Underneath these quite singable and simple sounding melodies lie very complex harmonic progressions. What we get is a perfect balance between complexity and simple lyricism.
The harmonic progressions break the common written and unwritten rules, and especially the root motion changes its role from providing simple movements in 4'ths and 5'ths to Wayne Shorter Speak No Evil vagrant and taking very unexpected paths. There are fine solos, especially from Herbie Hancock and Freddie Hubbard. Fresh Maggots Fresh Maggots said, the nine bar ABA structure is anything but orthodox.
The unique transforming intensity of his musical vision seemed to be degrading, wearing out. Murray Horwitz. Hi, I'm Murray Horwitz, and that's the sound of jazz composition of the highest order, played by the very Wayne Shorter Speak No Evil instrumentalists. It was a little while after he had joined Wayne Shorter Speak No Evil became one of Miles Davis' greatest quintets.
His compositions were to be one of the reasons for that greatness. It's so thorough and consistent and wide-ranging. It's almost a manifesto for his ideas. Those ideas were new 40 years ago, but they're still fresh today.
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