Barney Wilen With Caroline De Bendern Moshi Too Unreleased Tapes Recorded In Africa 1969 70
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Moshi: trance utterance by the Dibson Essody Justice Bororogi Niger. Once a celebrated bebopper in the Fifties, now, at the end of the Sixites, Barney decides Television Personalities Three Wishes "drop out".
Aboard a brightly coloured Land Rover is his girlfriend and future wife, Caroline De Bendern, model and icon of the May '68 Darrell Banks Open The Door To Your Heart riots. Moreover, they packed instruments, amplifiers, tape recorders and camera equipment.
The goal is to shoot a 35 mm road movie, financed by funds from the new production company "Zanzibar Productions". After two years, Barney and Caroline return to Europe without a finished movie. However, there are over 50 tapes in their luggage, capturing music and sounds from different stations of their journey recorded on a Nagra tape recorder with people they met along the way.
Almost all of these "original African recordings" are unreleased until today and now see the light of day under the title Moshi Too. Infected by Pharaoh Sanders and John Coltrane, enthusiastic about jazz-rock and the spontaneous free jazz scene, Barney plays psychedelic desert blues and spiritual Afro Jazz - hypnotic sessions with deep tenor saxophone, funk guitar, bass and drums in a trance-like flow.
Occasionally, he works with backing tracks and noise or ambient sounds. In addition, there are documentary recordings of African music and singing groups, of various single traditional instruments such as the balafon, oud or flute and the rhythms and chants of nomadic tribes to the sounds of nature, Muslim prayers or voodoo voices.
Producer Pierre Barouh later uses some brief excerpts from the tapes in a Parisian studio. Collage-like, they serve as the background of the recording sessions for "Barney Wilen - Moshi", a recognized landmark on the way to "World Jazz", released in on the label Saravah.
Celebration Partying. Track Listing. Barney Wilen. Giulde's Song to Binkirri. Gardenia Devil. Bamako Jeremy Steig Legwork. Afrika Freak Out.
El Hadji. Tindi Abalessa. A soup of humanity. A patchwork quilt where the Barney Wilen With Caroline De Bendern Moshi Too Unreleased Tapes Recorded In Africa 1969 70 is Africa, but the material is woven from endlessly diverse sources and ideas. The moment you think you understand it, it becomes something else. At times the unmediated voices of Africa reach the ear - easily mistaken for artefacts from the Ocora catalog.
At others they are intervened with, laying the groundwork for an extended jam. In passages, we hear the imprint of popular music - the distinct sounds of African Jazz against funky excursions similar to Masayoshi Takanaka The Rainbow Goblins territories Miles Davis, Herbie Hancock, and Soft Machine were exploring during this period.
In other moments we are dropped into loose, free improvisations, and still others, psychedelic meanderings which stretch toward the realms of the Grateful Dead. Each moment, like its totality, is singular, strange, exciting, and challenging - rebelling and refusing categorisation.
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