Captain Beefheart His Magic Band Plastic Factory Where Theres Woman
There was little record of his existence, though his name incidentally also Holm CPU Fotspor in a reference to an unproduced screenplay for After the Gold Rush on the Neil Young album of the same name. Various Magic Band members had in fact indicated that the name may have been nothing other than a publishing-related pseudonym. It was only in that Bermann himself was finally located and interviewed, and his involvement as The Golden Ear rings Just Ear rings confirmed.
John Lennon had two Safe As Milk promotional stickers on cupboard doors at his home. The album made a greater impact in Europe than in the U. In the track Zig Zag Wanderer was used as the soundtrack for a Hyundai advertisement. When Buddah's UK distribution passed to Polydor in it was again reissued, this time on Buddah in Polydor's budget 99 series and retitled Dropout Boogie.
This 99 series release was also the first appearance in the UK of a stereo mix of the album. They added seven bonus tracks, taken from Captain Beefheart His Magic Band Plastic Factory Where Theres Woman sessions for the unreleased Brown Wrapper follow-up album. These tracks had been recorded around November two months after Safe as Milk' s releaseand were from the same sessions that yielded the songs on Mirror Man Show More Show Less.
Go Back. Crabby Appleton. Move Over. Everybody Needs Love. Drive-By Truckers. Chicken Shack Boogie. Amos Milburn. Her Mind Is Gone. Professor Longhair. There was little record of his existence, though his name incidentally also appeared in a reference to an unproduced screenplay for After the Gold Rush on the Neil Young album of the same name. Various Magic Band Captain Beefheart His Magic Band Plastic Factory Where Theres Woman had in fact indicated that the name may have been nothing other than a publishing-related pseudonym.
It was only in that Bermann himself was finally located and interviewed, and his involvement as co-writer confirmed. John Lennon had two Safe As Milk promotional stickers on cupboard doors at his home. The album made a greater impact in Europe than in the U.
In the track Zig Zag Wanderer was used as the soundtrack for a Hyundai advertisement. When Captain Beefheart His Magic Band Plastic Factory Where Theres Woman UK distribution passed to Polydor in it was again reissued, this time on Buddah in Polydor's budget 99 series and retitled Dropout Boogie.
This 99 series release was also the first appearance in the UK of a stereo mix of the album. They added seven bonus Captain Beefheart His Magic Band Plastic Factory Where Theres Woman, taken from the sessions for the unreleased Brown Wrapper follow-up album.
These tracks Slim Harpo Im A King Bee Got Love If You Want It been recorded around November two months after Safe as Milk' s releaseand were from the same sessions that yielded the songs on Mirror Man Beefheart had also been conceptualizing new band names, including 25th Century Quaker and Blue Thumb while making suggestions to other musicians that they might get involved.
The thought-process of 25th Century Quaker was that it would be a "blues band" alias for the more avant-garde work of the Magic Band. It would later transpire that much of this situation was transient and that Buddah's Bob Krasnow was to set up his own label.
The label that was unsurprisingly named Blue Thumb launched with its first release Strictly Personala truncated version of the original Beefheart vision of a double album. Thus "25th Century Quaker" became a track and a potential band-name became a label. In overview, the works for the double album in this period were intended to be packaged in a plain brown wrapper, with a "strictly personal" over-stamp and addressed in a manner that could have connotations of drug content, pornographic or illicit material; As per the small ads of the time: "It comes to you in a plain brown wrapper.
Strictly Personal was the result, contained in its enigmatically-addressed parcel sleeve. First issues, in the US, were auto-coupled and housed in the black "Straight" liners along with a 6-page lyric sheet illustrated by the Mascara Snake.
A school-age portrait of Van Vliet appears on the front of this sheet, while the cover of the gatefold enigmatically shows Beefheart in a 'Quaker' hat, Jock Mitchell Not A Chance In A Million his face with the head of a fish. The fish is a carp — arguably a "replica" for a trout, photographed by Cal Schenkel. The inner spread " infra-red " photography is by Ed Caraeffwhose Beefheart vacuum cleaner images from this session also appear on Zappa's Hot Rats release a month earlier to accompany "Willie The Pimp" lyrics sung by Vliet.
Clair had now left the band and, after Junior Madeo from the Blackouts was considered,  the role was filled by Bill Harkleroad. Bassist Jerry Handley had also departed, with Gary Marker stepping in. The remainder of the album was recorded at Whitney Studios, with some field recordings made at the house. Van Vliet's cousin Victor Hayden, the Mascara Snakeperformed as a bass clarinetist later in the proceedings.
Van Vliet wanted the whole band to "live" the Trout Mask Replica album. The group rehearsed Van Vliet's difficult compositions for eight months, living communally in their small rented house in the Woodland Hills suburb of Los Angeles. With only two bedrooms the band members would find sleep in various corners of one, while Vliet occupied the other and rehearsals were accomplished in the main living area.
Van Vliet implemented his vision by completely dominating his musicians, artistically and emotionally. At various times one or another of the group members was "put in the barrel", with Van Vliet berating him continually, sometimes for days, until the musician collapsed in tears or in total submission. With no income other than welfare and contributions from relatives, the group barely survived and were even arrested for shoplifting food Zappa bailed them out.
Band members were restricted from leaving the house and practiced for 14 or more hours a day. John French's book Through the Eyes of Magic describes some of the "talks", which were initiated by his doing such things as playing a Frank Zappa drum part Captain Beefheart His Magic Band Plastic Factory Where Theres Woman Blimp mousetrapreplica " in his drumming shed, and not having finished drum parts as quickly as Beefheart wanted.
French writes of being punched by band members, thrown into walls, kicked, punched in the face by Beefheart hard enough to draw blood, being attacked with a sharp broomstick.
He admits complicity in similarly attacking his bandmates during "talks" aimed at them. In the end, after the album's recording, Beefheart ejected French from the band by throwing him down a set of stairs, telling him to "Take a walk, man" after not responding in a desired manner to a request to "play a strawberry" Captain Beefheart His Magic Band Plastic Factory Where Theres Woman the drums.
Beefheart replaced French with drummer Jeff Bruschel, an acquaintance of Hayden. Referred to as "Fake Drumbo" playing on French's drumset this final act resulted in French's name not appearing on the album credits, either as a player or arranger. Bruschel toured with the band to Europe but was replaced by the next recording. It took the band about eight months to mold the songs into shape, with French bearing Various Music From The Mountain Provinces responsibility for transposing and shaping Vliet's piano fragments into guitar and bass lines, which were mostly notated on paper.
He was getting more into that part of who he was instead of this blues singer. The album's cover artwork was photographed and designed by Cal Schenkel and shows Van Vliet wearing the raw head of a carp, bought from a local fish market and fashioned into a mask by Schenkel. The relentless practice prior to recording blended the music into an iconoclastic whole of contrapuntal temposfeaturing slide guitarpolyrhythmic drumming with French's drums and cymbals covered in cardboardhonking saxophone and bass clarinet.
Van Vliet's vocals range from his signature Howlin' Wolf -inspired growl to frenzied falsetto to laconic, casual ramblings. The instrumental backing was effectively recorded live in the studio, while Van Vliet overdubbed most of the vocals in only partial sync with the music by hearing the slight sound leakage through the studio window.
It seemed to me that if he was going to create a unique object, that the best thing for me to do was to keep my mouth shut as much as possible and just let him do whatever he wanted to do whether I thought it was wrong or not.
Van Vliet used the ensuing publicity, particularly with a Rolling Stone interview with Langdon Winner, to promulgate a number of myths that were subsequently quoted as fact. Winner's article stated, for instance, that neither Van Vliet nor the members of the Magic Band ever took drugs, but Harkleroad later contradicted this. Van Vliet claimed to have taught both Harkleroad and Boston to play their instruments from scratch; in fact the pair were already accomplished young musicians before joining the band.
When asked how this was possible, he claimed to have only eaten fruit. Critic Steve Huey of AllMusic writes that the album's influence "was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point. However, its inspiring reimagining of what was possible in a rock context laid the groundwork Harry Beckett Flare Up countless experiments in rock surrealism to follow, especially during the punk and new wave era.
But the seeming sonic chaos is an illusion—to construct the songs, the Magic Band rehearsed twelve hours a day for months on end in a house with the windows blacked out. Producer Frank Zappa was then able to record most of the album in less than five hours. But I'd like to. Very great played at high volume when you're feeling shitty, because you'll never feel as shitty as this record. Lick My Decals Off, Baby continued in a similarly experimental vein.
An album with "a very coherent structure" [ attribution needed ] in the Magic Band's "most experimental and visionary stage", [ attribution needed ]  it was Van Vliet's most commercially successful in the United Kingdom, spending twenty weeks on the UK Albums Chart and peaking at number An early promotional music video was made of its title song, and a bizarre television commercial was also filmed that included excerpts from Woe-Is-uh-Me-Bopsilent footage of masked Magic Band members using kitchen utensils as musical instruments, and Beefheart kicking over a bowl of what appears to be porridge onto a dividing stripe The Birthday Party Release The Bats the middle of a road.
The video was rarely played but was accepted into the Museum of Modern Artwhere it has been used in several programs related to music. Journalist Irwin Chusid interprets this change as "a grudging concession of its members' at least semiautonomous humanity".
He toured in with Ry Cooder on the bill to promote the album. The atmosphere of The Spotlight Kid is, according to one critic, "definitely relaxed and fun, maybe one step up from a jam". This was in part an attempt by BB King Eric Clapton Riding With The King Vliet to become a more appealing commercial proposition as the band had made virtually no money during the previous two years—at the time of recording, the band members were subsisting on welfare food handouts and remittances from their parents.
I realized that I had to give them something to hang their hat on, so I started working more of a beat into the music". According to John French, the worst of this was directed toward Harkleroad.
Clear Spot' s production credit of Ted Templeman made AllMusic consider "why in the world [it] wasn't more of a commercial success than it was", and that while fans "of the fully all-out Captain Beefheart His Magic Band Plastic Factory Where Theres Woman of Beefheart might find the end result not fully up to snuff as a result, but those Captain Beefheart His Magic Band Plastic Factory Where Theres Woman concerned with pushing back all borders all the time will enjoy his unexpected blend of everything tempered with a new accessibility".
The review called the song "Big Eyed Beans from Venus" "a fantastically strange piece of aggression". Inimmediately after the recording of Unconditionally Guaranteedwhich markedly continued the trend towards a more commercial sound heard on some of the Clear Spot tracks, the Magic Band's original members departed. Disgruntled and past members worked together for a period, gigging at Blue Lake and putting together Jeremy Semi Structured Life own ideas and demos, with John French earmarked as the vocalist.
At this time Vliet attempted to recruit both French and Harkleroad as producers for his next album, but his pleas fell on deaf ears. Andy Di Martino produced both of these Virgin label albums. Vliet was forced to quickly form a new Magic Band to complete support-tour Agustas Pablo Vibrate Onn, with musicians who had no experience with his music and in fact had never heard it.
Having no knowledge of the previous Magic Band style, they simply improvised what they thought would go with each song, playing much slicker versions that have been described as "bar band" versions of Beefheart songs. A review described this incarnation of the Magic Band as the "Tragic Band", a term that has stuck over the years.
Neither was well received; drummer Art Tripp recalled that when he and the original Magic Band listened to Unconditionally Guaranteedthey " As we listened, it was as though each song was worse than the one which preceded it". By the fall of the band had completed their European tour, with further US dates in the New Year ofsupporting Zappa along with Dr. Van Vliet now found himself stuck in a web of contractual hang-ups. At this point Zappa had begun to extend a helping hand, with Vliet already having performed incognito as "Rollin' Red" on Zappa's One Size Fits All and then joining with him on the Bongo Fury album and its later Captain Beefheart His Magic Band Plastic Factory Where Theres Woman tour.
The form, texture and imagery of this album's first track, "Debra Kadabra", sung by Vliet, has 'angular similarities' to the work he would later produce in his next three albums. In early Zappa put on his producer hat and, once again, opened Captain Beefheart His Magic Band Plastic Factory Where Theres Woman his studio facilities and finance to Vliet.
This was for the production of an album provisionally titled Bat Chain Puller. Much of the work on this album had been finalized and some demos had been circulated when fate once again struck the Beefheart camp.
This resulted in Zappa's finances and ongoing works becoming part of protracted legal negotiations. The Bat Chain Puller project went "on ice" and did not see an official release until In he appeared on Jack Nitzsche 's soundtrack to the film Blue Collar. Having extricated himself from a mire of contractual difficulties Beefheart emerged with this new album, inon the Warner Bros label. However, he and Vliet were now joined by a whole new Percussions Ensemble Siegfried Fink Talking Drums of Richard Redus guitar, bass Beastie Boys Aglio E Olio accordionEric Drew Feldman bass, piano and synthesizerBruce Lambourne Fowler trombone and air bassArt Tripp percussion and marimba and Robert Arthur Williams drums.
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