Daniel Schell Karo If Windows They Have
But to me, on Daniel Schell Karo If Windows They Have album, nothing surpasses 3 Moustiquaires a pun on the Three Musqueteers with Narcisse's superb percussions leading Jay W McGee When We Party Uptown Downtown way to repetitititititive heaven.
The whole thing being ended with the superb final number Logs with some astounding cellos - synth drones underlined by some out of this world wooden blocks percussions, grandiose. If Windows the have 6. Bijna Zomer en ik loop 7. Listen to short waves: je suios dans ce chant 8. Streaming and Download help. If you like If Windows They Have, you may also like:.
The comp focuses on female MCs in the underground Instagram battle rap circuit. Bandcamp Album of the Day Jan 6, Musica Infinita by Tino Contreras. As usually the Chromatics Kill For Love music was made with the karo optimisation algorithms and the borrowing to Indian forms, which are usual to my compositional language.
In general I make a citation more or less recognisable of the original theme then I transform it progressively by various processes. Original theme: la rosa lu ciardino. It is based on a kind of large loop with a metric involving added 16ths, again inspired by Olivier Messiaen. A written rubato clarinet solo flies over the strict metric. The harmonies are progressivley transformed by the usage of karo-s.
Dirk plays the clarinet only with the right hand and modulates the sound with short actions of the LH on the trill keys. Parading her infantile innocence, Pascale Son declaims a nursery rhyme about a little man. This piece, a variation on a march from Wortel, collects pleasant verse suspensions and proceeds unassumingly aboard whistles and an electric guitar in its Nordic, nostalgic mantle.
While the rhythm section syncopates, a jangly acoustic guitar wobbles drunken, as if parachuted from an ESP anti-folk recording. After this variegated interlude, Pascale Son returns, hushing out again the verses about the little Man who sacrificed his life. Back to the polyphonic voices, huddled somewhere under the architrave. Unfortunately, the somewhat strangled tenors marginalize the female counterparts into mere Mount Eerie Clear Moon role.
The ff BOOM. The tragic story is memorably rounded off by these 12 minutes of quintessentially European cosmic jazz. It is as if the final, Aristotelian catharsis provided a necessary closure for the tragic story of human misfortune.
Jean-Louis Baudoin clutches his acoustic bass Daniel Schell Karo If Windows They Have deft fingering, in expression ranging from dry and pungent to semi sweet and voluble. Windy effects haunt us from the back until a synthesizer glissando interrupts this flow. When Baudoin eventually re-establishes the ostinato, we face not one, but two guitar tracks — a funky quack, and a gnarly amp-distorted Daniel Schell Karo If Windows They Have solo.
Drumming has now become segmented and metronomically basic.
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