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Gareth John The Synthesiser Album

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I was thrown in at the deep end and somehow managed Angelina Goalie The Football Funkateers Louis Perez The Peruvian Persuasions Rock Steady Que Se Sepa survive drowning. Presumably, the synthesized nature of Metamatic must have been quite an eye-opener at the time? John had a clear artistic vision and a wealth of experience, having already recorded three LPs — most recently Systems Of Romance with German guru Conny Plank.

These facts helped provide a supportive atmosphere for us to experiment and develop, as did the budget John had arranged! John wanted to make a minimal record, and he went for minimal resources to do it. And, of course, we were listening to Kraftwerk and Neu. It turned out that we had compatible approaches in the studio.

Having moved Gareth John The Synthesiser Album of the Pathway cupboard I was now in a reverberant basement with interesting different acoustic spaces — mainly bright with short reverb times. I had a bunch of different amps hooked up in different rooms with mics near and far, so we were able to experiment with distortions and Basement Space Cosmic Collision spaces easily. We continued this practice when we sampled ambient sounds on my stereo Stellavox SP7 — one track for a close sound and one for distant perspective.

We were clearly making machine music, but on Construction Time Again we put the machines in an acoustic space.

What are your memories of what was clearly a technologically exciting time? I understand Martin Gore ostensibly resumed songwriting at his rural private studio in earlywith a view to recording a new Depeche Mode album, but progress was slow.

What can you reveal about your role in this early stage in the proceedings? We experimented with the interpretations of songs in a very relaxed, healthy and positive environment — insofar as we could. We had a good time; we woke up feeling good; we went in the gym; we went in the sauna; we did group meditations, sometimes; we listened to music; we ate well; very occasionally we went to the pub. Gareth John The Synthesiser Album Line6 POD was also very useful; I think all the guitars recorded in pre-production were used on the finished record.

All in all, it was home recording-style, a style we carried on with in bigger studios later. What Modest Mouse Building Nothing Out Of Something you tell us about this studio now? There is no point in recreating great stuff again; indeed, very often it is simply impossible. So a great deal of our fantastic pre-production work came through to the finished record.

Working in the virtual and tapeless world as we do, any audio is available throughout the whole production. It was very important to all of us that we should enjoy making the record, and our working environment was very important to us. Mojo : Q : October Smash Hits : Uncut : Archived from Gareth John The Synthesiser Album original on Retrieved John Foxx and the Maths.

Categories : John Foxx albums debut albums Virgin Records albums. Hidden categories: Articles with short description Articles with hAudio microformats All articles with unsourced statements Articles with unsourced statements from March Gareth John The Synthesiser Album Namespaces Article Talk.

Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Pathway StudiosLondon From Wikipedia, the free encyclopedia. Gareth Jones. Archived from the original on 2 October Retrieved 23 February Retrieved 21 May Archived from the original on 19 August Retrieved 24 February Archived from the original on 6 December


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8 thoughts on “ Gareth John The Synthesiser Album

  1. Gareth Jones is one of those success stories that gives hope to anyone trying to claw their way up the recording studio ladder. With little to no training (other than a minor stint at the BBC) Jones moved from a small analogue eight-track studio in north London to the holy halls of .
  2. Gareth Jones. Effectively Depeche Mode’s ‘Technical Director’, Jones’ recording credentials extend back, rather appropriately, to British synth pop pioneer (and former Ultravox frontman) John Foxx’s groundbreaking Metamatic album of , with Foxx himself later opining, “Gareth was a .
  3. Metamatic. Metamatic is an album by John Foxx, released in It was his first solo album following his split with Ultravox the previous year. A departure from the mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic included a more hard-edged electronic creature666.deinfo: Electropop.
  4. of results for "Gareth John" Skip to main search results Amazon Prime. Eligible for Free Shipping. Gareth John - The Synthesiser Album - MML - MML by Problem Kids And Rose Windross | Jan 1, Vinyl More Buying Choices $ (3 used offers).
  5. Gareth Jones was in on the ground when synthesizers began to dominate pop music. As the mixer of John Foxx’s seminal album Metamatic, he realized that an artist could truly define his sound with electronics. Then, as the co-producer of many of Depeche Mode’s greatest works, he helped to create experimental music with global chart appeal.
  6. Jun 30,  · View credits, reviews, tracks and shop for the Vinyl release of The Synthesiser Album on Discogs/5(13).
  7. BackgroundEdit. At "Pathway" he recorded and mixed John Foxx 's Metamatic album in and the first Madness single, " The Prince ", in While working with a band in Vienna the band's manager suggested Jones mix the recordings in West Germany. He did the mixing at Hansa Tonstudio .
  8. Listen to music from Gareth John like Whizz Kids, Whizz Kids (Original Mix) & more. Find the latest tracks, albums, and images from Gareth John.

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