Georges Ivanovitch Gurdjieff And Thomas De Hartmann Cecil Lytle Reading Of A Sacred Book The Complet
Meditation, for piano. The Story of the Resurrection of Christ, for piano. Easter Night Procession, for piano. Easter Hymn, for piano. Track Listing - Various African Shakedown 2. Part 1. Part 2. Part 3.
Part 4. Part 5. Part 6. Part 7. Part 8. Part 9. Part He studied musical composition with three of the greatest Russian composers of the 19th century: Nikolai Rimsky-KorsakovAnton Arensky and Sergei Taneyev. His piano teacher was Anna Yesipovathe second wife and former student of Theodor Glenn Underground Love Hurt. Most of De Hartmann's compositions were for voice and piano.
The Tsar was so impressed that he himself granted De Kosuke Mine Quintet Mine exemption from military duty so that he might study conducting in Munich. Arkady was a high official in the tsarist Russian government in St. Thomas was a great-nephew of Eduard von Hartmannthe author of Philosophy of the Unconscious 3 vols.
This work later became well-known in America and England. De Hartmann was already an acclaimed composer in Russia when he first met Gurdjieff in in St. From to he was a pupil and confidant of Gurdjieff. During that time, at Gurdjieff's Institute for the Harmonious Development of Man near ParisDe Hartmann transcribed and co-wrote much of the music that Gurdjieff collected and used for his movements exercises. De Hartmann wrote Our Life with Mr.
Gurdjieff together with his wife Olga de Hartmann, who was Gurdjieff's personal secretary for many years. Go - not knowing where; Bring - not knowing what; The path is long, the way unknown; The hero knows how to arrive there by himself alone; He has the guidance and help of Higher Forces. Thomas de Hartmann was a fellow seeker of the truth. He saw in Georges Ivanovich Gurdjieff not the random compilation of bits and pieces of a variety of obscure and forgotten civilizations, but a unified cultural expression forged by an intense dialectical encounter.
Thomas de Hartmann, the composer, approached Gurdjieff as a codified musical system of melodic, rhythmic and harmonic behaviour. De Hartmann's real genius lies in his gift for taking the raw musical utterances of Gurdjieff and transforming them into sophisticated piano compositions indebted both to the 19th century European art music Georges Ivanovitch Gurdjieff And Thomas De Hartmann Cecil Lytle Reading Of A Sacred Book The Complet and the provocatively inspired visions of Georges Ivanovich Gurdjieff.
These works began with the philosophical searchings of Georges Ivanovich Gurdjieffan Armenian intellectual at the turn of the 20th century. His homeland was the crossroad for the diverse cultures that ringed the Black, Caspian and Mediterranean Seas.
His fascination with the human spirit and his searching for the truth took him on vast journeys through India, Tibet and China. A keen observer, Gurdjieff, began to accumulate bits and pieces of musical traditions.
These he combined with his provocatively inspired visions as a universal symbol of his philosophical beliefs. Gurdjieff, however, did Georges Ivanovitch Gurdjieff And Thomas De Hartmann Cecil Lytle Reading Of A Sacred Book The Complet have the musical ability to transform his abstractions into reality.
Fortunately, one of his disciples was a gifted and successful composer in St. Petersburg, Thomas Alexandrovich de Hartmannwhom he met in
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