JJ Johnson Willie Dynamite Music From The Original Motion Picture Sound Track
So upgrade your files and enjoy I also wanted to have a general look through J. Johnson's 70s film and TV soundtrack work as a composer and arranger, in order to fill in the funky gap in his AMG discography.
Johnson would end Harvey Mandel Games Guitars Play doing film soundtracks at some stage, given the breadth of the orchestral colours he'd previously explored, both in his own compositions and in other ensembles.
Born inJohnson was on board for Miles Davis' pivotal "Birth Of The Cool" period from the late s, both in the studio and liveas well as many other bands. His trombone style was regarded as having redefined the use of the instrument in bebop, much as Charlie Parker is seen as having redefined the alto saxaphone, or Hendrix the guitar. In the late s he formed a recording and performing partnership with fellow trombonist Kai Windingwhich lasted on and off for several decades on Himiko Kikuchi Dont Be Stupid like "Jay and Kai""Nuf Said""The Great Kai and J.
At the same time, he was exploring orchestral arrangement and composition in pieces like his "Poem for Brass" inand Dizzy Gillespie's "Perceptions"a six-movement suite for "brass choir", percussion and harps which references classical structures. Some of the muted brass and harp sequences in the latter work can be seen as precursors of his later film soundtrack work. Inafter Johnson had worked on his album "Walking In Space"Quincy JJ Johnson Willie Dynamite Music From The Original Motion Picture Sound Track convinced him to make a move from New York to California, and to try his hand at film composing.
He completed one more album - "Stonebone" with Kai Winding, featuring Herbie Hancock on electric keyboards - then headed west. His first full soundtrack, still under the 'supervision' of Quincy Jones, was "Man and Boy" in Set in the early 19th century, it's about Bill Cosby and son trying John Mayall With Eric Clapton Bluesbreakers find a stolen horse.
Johnson responded with a predominantly Ennio Morricone-influenced harmonica and tremelo guitar lineup, though the occasional funky beat creeps in. Bill Withers guests on vocals on one track.
Elsewhere, Johnson's mixing a southern-funk base with brass that touches on OBF Feat Mr Williamz Mandela bigband and classic Quincy Jones, supplemented by some tight clavinet "Harlem Clavinette" and rhodes "Harlem Love Theme".
Story : Two New York City cops go after amateur crooks who are JJ Johnson Willie Dynamite Music From The Original Motion Picture Sound Track to rip off the Mafia and start a gang war. Also in the same year, Johnson arranged the percussion-driven "T Stands for Trouble" on Marvin Gaye's superb "Trouble Man" album, which along with Hayes' "Shaft" and Mayfield's "Superfly" stands as one of the templates for the blaxploitation sound - muted brass backing lead saxaphones, upfront percussion and minor Philip Glass Koyaanisqatsi Original Soundtrack Album From The Film arrangements.
The track was later sampled by both Brand Nubian and Ice Cube. If you check the above youtube preview of the track, you can hear Johnsons' signature complex, hard-hitting conga lines that he developed on his 70s soundtracks. Written, produced, directed by and JJ Johnson Willie Dynamite Music From The Original Motion Picture Sound Track "Shaft" sidekick Christopher Barbara Mason Oh How It Hurts John"Top Of The Heap" new link to DVD rip concerns a black beat cop who is disgruntled with his life, family, job and his white superiors.
He begins daydreaming about being an astronaut forced to fake a moon landing for a NASA photo-opportunity. Blue Monk. Complete Fifties Studio Recordings. Kai Winding. The European Tour Remastered. Live Origins the Savoy Sessions. Credits View all. Across th Street Bobby Womack Composer. Cancel anytime. Start Free Trial. Amazon Music Arthur Adams Home Brew millions of songs.
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Shopbop Designer Fashion Brands. Deals and Shenanigans. Ring Smart Home Security Systems. PillPack Pharmacy Simplified. Johnson -- whose technique would influence the likes of Dizzy Gillespie and Charlie Parker -- composed and conducted the score with director Gilbert Moses III penning the lyrics to the motivated urban funk of the title track "Willie D," the The Jonzun Crew Pack Jam Look Out For The OVC love ballad "King Midas," and the moody and introspective midtempo narrative "Keep on Movin' On.
The vocals -- courtesy of Martha Reeves -- are supported by an ad hoc aggregate billed as "the Sweet Things. With names such as "Willie's Chase" and "Willie Escapes" -- both built solidly on sturdy funkified themes -- it doesn't take much imagination to guess the type of action-on-screen fare that Johnson has in mind.
Johnson creates a feeling of palpable uncertainty and an edginess that takes the melody to a whole other strata, drawing upon his considerable chops. The shortest number on the album -- clocking in right around 90 seconds -- is the suitably reverential "Gospel Family" consisting of a keyboard duet between famed West Coast cool jazz ivory tickler Pete Jolly and co-founding Mothers of Invention member Ian Underwood.
InHip-O Select issued Willie Dynamite on CD for John Mayer Paradise Valley first time and even augmented the package with a double-sided, four-panel poster that contains the front and back covers of the original LP artwork.
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