Phill Niblock Touch Strings
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The performers of this track, the Nelly Boyd Ensemble, played 4 takes of 46 minutes each, the results of which were layered together, but otherwise unedited. Again, more sounds than are actually present can be heard in this wall of drone, resembling didgeridoo and other strings that as a whole feels similar to "Poure," but with a heavier sonic palette.
The most obvious addition is the lower register piano, but the piece overall has a more sinister quality to it, introducing dark, gutteral passages and bassy flatulent sounds to the otherwise gliding strings. As "Stosspeng" recalled a struggle between Sid Lovejoy Monsterman and dark, "One Large Rose" Phill Niblock Touch Strings a contrast between chaos and order, oscillating between drifts of sound that are relatively peaceful, and hellish choruses of unadulterated noise.
Touch Strings is an excellent example for anyone who thinks "drone" is simply repetition. While conceptually there are intentional limitations put both on the performers and the composition, the interplay of the instruments produces sounds that rival the most complex pieces out there.
Greg Haines — Komarovo. Frank Rothkamm — ALT. Leave a Reply Cancel reply Your email address will not be published. Sorry, your blog cannot share posts by email.
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