Sylvan Morris Dub Wise Morris On Dub
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Henry Cowell John Cage Ben Johnston Conlon Nancarrow Robert Miller Sound Forms For Piano I want to tell you. I just did mixing. It was really Smitty who used to do the recording and everything.
I might do some mixing. But when I went to Coxsone now that was a totally different thing because I was totally in charge.
You had some long, long equipment - it was a long board. I think it was four channels input because we had two longboards that we put together - some Chinese made boards. So you had about eight but I don't remember if I brought it up to about 10 inputs. But Dan Andrei Parcul Cosmos LP know at that time it was two track you know?
Sometimes I'll be putting on horns or some dub on so I'd have to transfer it back now to another track so sometimes it was three generation. Because you have the original then you overdub and then you have to overdub again.
To do the voice. Coxsone wasn't an engineer in that time now. I heard that he used to take some tunes, that was before I came there. But from I came there Sylvan Morris Dub Wise Morris On Dub never did and I've never seen him do anything. Because at that time Jackie Mittoo was the arranger and the general producer.
I think we had sessions about three times or four times in a week. Monday, Tuesday and Thursday if I'm not mistaken. No sir! No man, Jackie Mittoo was Carver High Dealin With It genius.
The man was a I don't know if genius is a good word, probably that belittles it. The man could play the organ and the piano together you know?
So while he was playing one he would play the next one. And then when he would play the organ, I don't know how he knew this but on the Hammond organ he had some little buttons where you pull out, you know? To make it different. And I don't know how he did them so fast you know?
He just changed the thing when he wanted to change it! The man was a genius, man. Total genius. That is trouble now. There were a lot of mixtures. At one time you had people like Bagga. There was a brown brother in there I can't remember Chico The Master name. You had Eric Frater. On guitar.
And eventually after a while you had people like Leroy Sibbles. A year later on. At one time we had Richard Ace there. One time we had Headley Bennett there too. I don't remember them guys being there. I wonder if they were a little bit before me. You had Horsemouth. And as you know Fil and what's his name….
Boris Gardiner used to play a lot of tunes too. You know the thing man. Pablove Black was there too. As you know they call Eric Frater Rickenbacker.
You had Trommy. Yeah, Vin Gordon. And there was this other guy who was the arranger for a lot of the tunes, this trumpeter and I can't remember his name. He used to do a lot of the arranging after a while when Jackie did leave. Robbie Lyn that was one of the musicians Sylvan Morris Dub Wise Morris On Dub forgot Harry Partch Harry Partch a portrait tell you about too.
Him and Fil came in at the same time you know? Yeah, yeah. Sylvan Morris Dub Wise Morris On Dub you remember this brethren named Skully? Skully was there with us and he was a musician too. He used to play percussion. And there was this other brethren, I can't believe I left him out, Denzel Laing. He was one of the percussionist who played on all those tunes there. I want to tell you something Viv Gordon Kojo Hoy thousands of tunes you know?
Because I spent about 9 years at Coxsone. We would do sessions sometimes three times a week or four times sometimes.
And we would sometimes do three or four tunes for the day. And that was a regular thing, never stopped from when I went there. So if Sylvan Morris Dub Wise Morris On Dub check that for nine years - whole lot of tunes man. Tunes like Fatty Fatty.
How Could I Leave. What Kind Of World. I did the majority of tunes with Delroy Wilson. Alton Ellis. Any tune you can think about, because I alone was there working. That's with Marcia.
And we did a lot with Ken Boothe. Delroy Wilson and do you remember this brethren named Freddie McKay? Picture On The Wall. Freddie McGregor used to sing some tunes too but not much. Because at that time he was really a drummer. Yeah man well Dennis Brown did a lot of tunes with me too. Well I had observed from some time before that at the front of the speaker it was more a direct sound but coming from the back it was like it was more round you know?
It was like the bass was deep. So what I did I created a box, a speaker box, I don't remember the dimensions now but I made some apertures around the back. Two apertures. That's where I put the RCA mic. So sometimes I'd mic it from in front and sometimes I'd mic it from behind. And we also had direct inputs too. So more time I'd use the direct input and the mic from the back. You can hear the work of a top quality sound engineer.
What also makes this set attractive is that most versions are recognizable and well known riddims. Joe White is a multi-instrumentalist like Augustus Pablo and like Pablo mostly known for Sylvan Morris Dub Wise Morris On Dub melodica work. In my opinion, compared to Pablo, his style is very different. He plays his melodica sharper, more swinging and less dreamy. Everything is working in that track; a heavy bass line, melodica, percussion, piano.
Super dub Jamaican Style! For a dub album the music and the mixing are well varied in style and atmosphere which makes it a very enjoyable album from start to finish.
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