The Justified Ancients Of Mu Mu 1987 What The Fucks Going On
Moreover, it deliberately under states this intent. Also in contrast, "Hey Hey" itself begins with a minute's worth of typical human sexual intercourse noises, arranged as a rhythm. It progresses into a cryptic and bleak spoken verse from Drummond and descends into a cacophony of samples from " The Monkees Theme ". This time the song provides a complement rather than a contrast to the mood of the album, which is passive and contains various authentic ethnic sounds.
Sung by Black Steel, the song begins and ends the album. This version retains the lyrics and melody, adds an additional verse, and full song structure and instrumentation is present, in an arrangement akin to a lullaby. Where the song starts the album, it is interrupted at the point " At the end of the mellower second half of the album, the song is presented in its entirety.
This was an upbeat and funky version of the song, the subtitle referencing Tammy Wynette's signature song " Stand by Your Man ", and the inclusion of subtle pedal steel guitar also The Justified Ancients Of Mu Mu 1987 What The Fucks Going On Wynette's country origins. It also contained an additional verse making references to various aspects of The KLF's mythology. Commentators were suspicious that The Justified Ancients Of Mu Mu 1987 What The Fucks Going On surprising pairing of Wynette with The KLF "perhaps the oddest modern-day pop pairing"  was a marketing ploy.
Other commentators pointed to The KLF member Drummond's fondness for country music as motivating the collaboration, or to the fact a period of almost The Anthill Mob Antology 23 years  separated the first airings of "Stand by Your Man" and " Stand by The JAMs ".
I was apprehensive at first, but I'm really excited with the way it's all turned out", Wynette said. But I wouldn't want to live there. The single reached number two on the UK Singles Chartbeing held off the number one spot for New Year's Day not Christmas as is often erroneously claimed by the re-release of Queen 's " Bohemian Rhapsody ". Ice Cream Vans! F--king awful lyrics! Ina celebrity panel working for The Times compiled a list of 90 songs that represented the decade in music so far, with no more than one song per band allowed.
Not only is it a brilliant, gleefully daft, wholly nonsensical, perfectly ludicrous pop song with a chorus to kill for, not only is it a slyly subversive comment on the cynically repulsive old-artist-collaborates-with-young-artist phenomenon at the expense of itself, but, self-referential irony and all, it is and always will be globe-straddling pop music incarnate. Were a decision reached that all pop music was deemed unfit for human consumption and had to be destroyed, save for one song to keep us fickle masses in choruses, this would be have to be the one, folks.
It was all spinning way out of Drummond's control". Promotional material and antics for "Stand by The JAMs" used iconography of ice cream and an ice cream vanwhile the lyrics coined the phrase " Make mine a '99' ". Trilogy novels. Additional contributors included:. The versions subtitled " Make Mine a '99' " and " Let Them Eat Ice Cream " are deep house remixes of the single arrangement by Tony Thorpe, the former using Maxine Harvey's vocal and the latter mainly voxless.
From Wikipedia, the free encyclopedia. The result The Justified Ancients Of Mu Mu 1987 What The Fucks Going On the song's evolution: upbeat, funky, and featuring Tammy Wynette. BBC News. Retrieved 2 August Trilogy included the overt and covert placement of the number 23 throughout their output and activities.
The Justified Ancients Of Mu Mu 1987 What The Fucks Going On The KLF article Future Flight Future Flight more information. Retrieved 29 December Archived from the original on 10 December Luigi Nono A Floresta Jovem E Cheja De Vida Retrieved 28 December The JAMs' promotional tactics were similarly unconventional, including the use of promotional graffiti, a guerrilla communication method employed repeatedly by Drummond and Cauty, beginning around the time of their first releases.
Some copies of the re-released single were supplied in a picture sleeve which showed The JAMs' "Shag Shag Shag" graffiti defacing a billboard advertising the Today newspaper that depicted police chief James Anderton.
Anderton, a self-declared Christian, had courted controversy when he said "I see increasing evidence of people swirling about in a human cesspit of their own making… We must ask why homosexuals freely engage in sodomy and other obnoxious practices, knowing the dangers involved" [c] [d] As with much of The JAMs' graffiti, the potency of "Shag Shag Shag" was derived from the context it in which it was placed.
Trilogyand their debut recordings were no exception. The lyrical references in "All You Need Is Love" are complemented by the first of many iconographic and numerical allusions that soon came to characterise the duo's work. Their "pyramid blaster" logo—a pyramid with a ghetto blaster suspended in front—appeared for the first time on the re-released "All You Need Is Love".
The "pyramid blaster" references the " All Seeing I " icon—an eye suspended before a pyramid—associated with The Illuminatus! The JAMs actively enshrouded themselves with the mythology of the conspiratorial Illuminatus! The UK re-release of 18 May consisted of a 7" and a 12" that were also limited editions, along with a widely available 12".
The re-release included the tracks "Ivum Naya Ibo Version " a version of "All You Need Is Love" with Chike on lead vocalsand "Rap, Rhyme and Scratch Yourself" an instrumental version of the song, "a stripped down beatbox track for anybody to feel free to do what they want with" according to King Boy D. From Wikipedia, the free encyclopedia. The opening portion of the original version, sampling The Beatles and MC5.
The opening portion of the re-edited and re-released version, in which the offending samples were doctored or replaced. However, a piece in Sounds magazine dated 9 May and reprinted in the sleevenotes to Shag Times said the record would be in the shops on 8 May. In fact his remarks were made in December Retrieved 21 June It is now maintained by the fan site klf. Retrieved 19 June The album The White Room followed in Trust Candy Walls Pet Shop Boy Neil Tennant described the process: "When they did the remix of 'So Hard', they didn't do a remix at all, they re-wrote the record I had to go and sing the vocals again, they did it in a different way.
I was impressed that Bill Drummond had written all the chords out and played it on an acoustic guitar, very thorough. After successive name changes and dance records, Drummond and Cauty ultimately became, as the KLF, the biggest-selling singles act in the world for  still incorporating the work of other artists but in less gratuitous ways and predominantly without legal problems. Eternal" at the BRIT Awardsthe British Phonographic Industry 's annual awards show; a "violently antagonistic performance" in front of "a stunned music-business audience".
Producer Trevor Horn is reported to have called their antics "disgusting". Scott Piering 's announcement was largely ignored at the time.
NMEfor example, assured their readers that the tensions and contradictions would continue to "push and spark" the KLF and that more "musical treasure" would be the result.
On 14 Maythe KLF announced their immediate retirement from the music industry and the deletion of their Papa Robert Slick Chap catalogue:.
We have been following a wild and wounded, glum and glorious, shit but shining path these past five years. The last two of which has [sic] led us up onto the commercial high ground — we are at a point where the path is about to take a sharp turn from these sunny uplands down into a netherworld of we know not what.
As of now all our past releases are deleted If we meet further along be The Justified Ancients Of Mu Mu 1987 What The Fucks Going On In a comprehensive examination of the KLF's announcement and its context, Select called it "the last grand gesture, the most heroic act of public self destruction in the history of pop. And it's also Bill Drummond and Jimmy Cauty's final extravagant howl of self disgust, defiance and contempt for a music world gone foul and The Justified Ancients Of Mu Mu 1987 What The Fucks Going On.
Movie director Bill Butt said that "Like everything, they're dealing with it in a very realistic way, a fresh, unbitter way, which is very often not the case. A lot of bands disappear with such a terrible loss of dignity". Scott Piering said that "They've got a huge buzz off this, that's for sure, because it's something that's finally thrilling.
It's scary to have thrown away a fortune which I know they have. Just the idea of starting over is exciting. Starting over on what? Well, they have such great ideas, like buying submarines". There have been numerous suggestions that in Drummond was on the verge of a nervous breakdown. The K Foundation was an arts foundation established by Drummond and The Justified Ancients Of Mu Mu 1987 What The Fucks Going On in following their 'retirement' from the music industry.
From to they engaged in art projects and media campaigns, including the high-profile K Foundation art award for the "worst artist of the year".
On 17 SeptemberDrummond and Cauty re-emerged briefly as 2K. These old reprobates, bearing a grandfatherly resemblance to messrs Cauty and Drummond, claimed to have just been asked along. At the Donald Byrd Love Has Come Around time, Drummond and Cauty were also K2 Plant Hirewith plans to build a "People's Pyramid" from used house bricks; this plan never reached fruition.
As of [update]Drummond continues to work as a writer and conceptual artist, with occasional appearances on radio and television. Cauty has been involved in several post-KLF projects including the music and conceptual art collective Blacksmoke and, more recently, numerous creative projects with the aquarium and the L Light Industrial Workshop based in Clerkenwell, London.
By the end of Drummond and Cauty had renamed their label Arcana As Bright As A Thousand Suns "KLF Communications" and, in Octoberthe first of many "information sheets" self written missives from the KLF to fans and the media was sent out by the label.
As Drummond and Cauty explained, "The Cartel is, as the name implies, a group of independent distributors across the country who work in conjunction with each other providing a solid network of distribution without stepping on each other's toes. We are distributed by the Cartel. Several threads and themes unify the many incarnations of Drummond and Cauty's creative partnership.
Mostly these are esoteric or opaque in nature, which has led Melody Maker to compare them to The Residents. Throughout the partnership, these tactics were often interpreted by media commentators as " Situationist pranks " or " publicity stunts ".
We've always loathed the word scam. I know no-one's ever going to believe us, but we never The Bushrangers Stuntman we went out and did things to get reactions. Everything we've done has just been on a gut level instinct. The number 23 is a theme of Illuminatus! When questioned on the importance that he attaches to this number, Drummond has been evasive, responding enigmatically "I know.
But I'm not going to tell, because then other people would Four Tet New Energy to stop having to wonder and the thing about beauty is for other people to wonder at it. It's not very beautiful once you know. The "Pyramid Blaster"  is a logo and icon frequently and prominently depicted within the duo's collective work: a pyramidin front of which is suspended a ghetto blaster displaying the word "Justified".
This references the All-Seeing Eye icon, often depicted as an eye within a triangle or pyramid, a significant symbol of Illuminatus! The pyramid was also a theme of the duo's re-emergence, with the proposed building by K2 Plant Hire of "a massive pyramid containing one brick for every person born in the UK during the 20th century".
Indeed, it has been suggested by journalist Steven Poole that the public's inability to understand the KLF fully results in all their subsequent activities as a partnership or otherwise being absorbed into the KLF's mystique.
In a review of Drummond's book, 45and an appraisal of the KLF's career, Poole stated that "[Bill Drummond] and collaborator Jimmy Cauty are the only true conceptual artists of the [s]. And for all the eldritch beauty of their art, their most successful creation is the myth they have built around themselves. A myth like Lee Hazlewood Cowboy In Sweden KLF's is peculiarly omnivorous.
The myth will suck it up, like a black hole. Trancentral a. I've no alternative but to live here. The kitchen is heated by means of leaving the three functioning gas rings on at full blast until the fumes make us all feel stoned And, pinned just above a working top cluttered with chipped mugs is a letter from a five-year-old fan, featuring a crayon drawing of the band.
Following the February release of Chill Outsheep had recurring roles in the duo's output until their retirement. Drummond and Cauty's work often involved notions of ceremony and journey. The Chill Out album depicts a journey across the U. Gulf Coast. In his book 45Todd Terje Eurodans Surat Surfin expressed his admiration for the work of artist Richard Longwho incorporates physical journeys into his art.
Fire and sacrifice were recurring ceremonial themes: Drummond and Cauty made fires to dispose of their illegal debut album and to sacrifice the KLF's profits; their dead sheep gesture of carried a sacrificial message.
Rod Hunter Soul Makossa, Iron Maiden A Real Live One, Man Made Space Wreck Industry, Xenakis Ensemble Instrumental De Musique Contemporaine De Paris Direction Konstantin Simonovitch ST, Various Looney Tunes And Merrie Melodies, Christy Amore Amore Amore Amore Deep Down, Sixy Morris No Response, Latrudi Teleobiettivo, The Pussywarmers My Pussy Belongs To Daddy, Dom Salvador Dom Salvador, Strafe Set It Off Remix, Change The Glow Of Love