Various Sounds Of The South
People from the South often make use of conditional or evidential syntaxes as shown below italicized in the examples : . Conditional syntax creates a distance between the speaker's claim and the hearer. It serves to soften obligations or suggestions, make criticisms less personal, and to overall express politeness, respect, or courtesy. Southerners also often use " evidential " predicates such as think, reckon, believe, guess, have the feeling, etc. Evidential predicates indicate an uncertainty of the knowledge asserted in the sentence.
According to Johnston, evidential predicates nearly always hedge the assertions and allow the respondents to hedge theirs. They protect speakers from Various Sounds Of The South social embarrassment that appears, in case the assertion turns out to be wrong.
As is the case with conditional syntax, evidential predicates can also be used to soften criticisms and to afford courtesy or respect. In the United States, the following vocabulary is mostly unique to, or best associated with, Southern U. English: . Unique words can occur as Southern Various Sounds Of The South past-tense forms of verbs, particularly in the Southern highlands and Piney Woodsas in yesterday they riz up, come outside, drawed, and drowndedas well as participle forms like they have took it, rode it, blowed it up, and swimmed away.
Y'all is a second person plural pronoun and the usual Southern plural form of the word you. Discussion of "Southern dialect" in the United States popularly refers to those English varieties spoken by white Southerners ;  however, as a geographic term, it may also encompass the dialects developed among other social or ethnic groups in the South, most prominently including African Americans. Various Sounds Of The South exhibits an evident relationship with both older and newer Southern dialects, though the exact nature of this relationship is poorly understood.
These slaves originally spoke a diversity of indigenous African languages but picked up English to communicate with one another, their white masters, and the white servants and laborers they often closely worked alongside. Many features of AAVE suggest that it largely developed from nonstandard dialects of colonial English with some features of AAVE absent from other modern American dialects, yet still existing in certain modern British dialects.
However, there is also evidence of the influence of West African languages on AAE vocabulary and Prince Jammy V King Tubbys His Majestys Dub. It is Various Sounds Of The South to what extent early white Southern English borrowed elements from early African-American Vernacular English versus the other way around.
The presence of non-rhoticity in both black English and older white Southern English is not merely coincidence, though, again, which dialect influenced which is unknown. It is better documented, however, that white Various Sounds Of The South borrowed some morphological processes from black Southerners. Many grammatical features were used alike by older speakers of white Southern English and African-American Vernacular English more so than by contemporary speakers of the same two varieties.
Even so, contemporary speakers of both continue to share these unique grammatical features: "existential it ", the word y'alldouble negativeswas to mean were Minutemen Buzz Or Howl Under The Influence Of Heat, deletion of had and havethem to mean thosethe term fixin' tostressing the first syllable of words like hotel or guitarand many others.
However, while this glide weakening Various Sounds Of The South triggered among white Southerners a complicated "Southern Vowel Shift", black speakers in the South and elsewhere on the other hand are "not participating or barely participating" in much of this shift. One strong possibility for the divergence of black American English and white Southern American English i. In the United States, there is a general negative stigma surrounding the Southern dialect.
Non-Southern Americans tend to associate a Southern accent with cognitive and verbal slowness, lack of education, ignorance, bigotry, or religious and political conservatism,  using common labels like "hick", "hillbilly",  or "redneck" accent. From Wikipedia, the free encyclopedia. This article is about English as spoken in the Southern United States.
Language family. Speech example. An example of a Texas -raised male with a rhotic accent George W. An example of a Plains, Georgia male with a non-rhotic accent Jimmy Carter. An example of a southwestern Arkansas male with a rhotic accent Bill Clinton. Main articles: Appalachian English and Texan English. Main article: Older Southern American English.
Main article: Y'all. Main article: African-American Vernacular English. Little Junior Parker Driving Wheel communication vol. The three dialects of English. Not only did Baskett get the part of the butterfly's voice, but also the voice of Br'er Fox and the live-action role of Uncle Remus as well. Even after the film's release, Disney maintained contact with Baskett.
Thanks to Disney's efforts, Baskett won an honorary Oscar in Also cast in the production were child actors Bobby DriscollLuana Pattenand Glenn Leedy his only screen appearance.
Driscoll was the first actor to be under a personal contract with the Disney studio. Washington school in Phoenix, Arizonaby a talent scout from the Disney studio. Production started under the title Uncle Remus. Back in Hollywood, the live action scenes were filmed at the Samuel Goldwyn Studio.
On DJ Sotofett Acido Records Presents DJ Sotofett final day of shooting, Jackson discovered that the scene in which Uncle Remus sings the film's signature song, "Zip-a-Dee-Doo-Dah", had not been properly blocked. According to Jackson, "We all sat there in a circle with the dollars running out, and nobody came up with anything.
Then Walt suggested that they shoot Baskett in close-up, cover the lights with cardboard save for a sliver of blue sky behind his head, and then remove the cardboard from the lights when he began singing so that he would seem to be entering a Various Sounds Of The South new world of animation. Like Walt's idea for Bambi on iceit made for one of the most memorable scenes in the film.
There are three animated segments in the Various Sounds Of The South in all, they last a total of Various Sounds Of The South minutes. The last few minutes of the film also combines animation with live-action. The three sequences were later shown as stand-alone cartoon features on television.
Nine songs are heard in the film, with four reprises. Nearly all of the vocal performances are by the largely African-American cast, and the renowned all-black Hall Johnson Choir sing four pieces: two versions of a blues number "Let the Rain Pour Down"one chain-reaction-style folk song  "That's What Uncle Remus Said" and one spiritual "All I Want".
The song title "Look at the Sun" appeared in some early press books, though it is not actually in the film. The film premiered on November 12,at the Fox Theater in Atlanta. James Baskett was unable to attend the film's premiere because he Various Sounds Of The South not have been allowed to participate in any of the festivities, as Atlanta was then a racially segregated city.
Song of the South was re-released in theaters several times after its original premiere, each time through Buena Vista Pictures : in for the 10th anniversary; in for the 50th anniversary of Walt Disney Productions ; in as the second half of a double bill with The Aristocats ; in for the th anniversary of Harris's classic stories; and in for the film's own 40th anniversary and in promotion of the upcoming Splash Mountain attraction at Disneyland and Disney World.
The entire uncut film has been broadcast on various European and Asian television networks including by the BBC as recently as The film minus the infamous Tar Baby scene which was cut from all American television airings was also aired on US television as part of the Disney Channel's Various Sounds Of The South Box" program in the s and s until December 18, The strip was launched by King Features on October 14,more than a year before the film was released.
The previous comic strip adaptations of Disney films lasted for four or five months, but the Uncle Remus strip continued for almost thirty years, telling new stories of Br'er Rabbit and friends, until the strip was discontinued on December 31, Produced both by Western Publishing and European publishers such as Egmontthey continue to appear.
It featured 23 illustrated stories of Br'er Rabbit's escapades, all told in a Southern dialect based on the original Joel Chandler Harris stories. The Walt Disney Company has not released a complete version of the film in the United States on home video given the film's controversial reputation. However he favored its release in Europe and Asia where "slavery is a lesser controversial subject". Quotes of Uncle Remus from the film are still carved along the wall of the ride at all three locations.
And at some point we're going to do something about it. I don't know when, but we will. We know we want people to see Song of the South because we realize it's a big piece of Unknown Artist Better Fever history, and we want to do it the right way.
Despite not having a home video release in the United States, audio from the film—both the musical soundtrack and dialogue—were made widely available to the public from the time of the film's debut up through the late s. In particular, many book-and-record sets were released, alternately Various Sounds Of The South the animated portions of the film or summaries of the film as a whole.
These segments were part of the Christmas special, One Hour in Wonderlandwhich promoted the then-forthcoming Alice in Wonderland. In Julyafter being inaugurated as a Disney LegendWhoopi Goldberg expressed a desire for Song of the South to be re-released publicly to American audiences. Bosley Crowther wrote in The New York Times"More and more, Walt Disney's craftsmen have been loading their feature films with so-called 'live action' in place of their animated whimsies of the past, and by just those proportions has the magic of these Disney films decreased", citing the ratio of live action to animation at two to one, concluding that is "approximately the ratio of its mediocrity to its charm".
Charles Solomon, reviewing the film in the Los Angeles Times during its re-release, praised the film as "essentially a nostalgic valentine to a past that never existed, and within those limits, it offers a pleasant, family diversion for holiday afternoons when the children get restless.
The score by Daniele AmfitheatrofPaul J. Bobby Driscoll and Luana Patten in their portrayals of the children characters Johnny and Ginny were also discussed for Academy Juvenile Awardsbut in it was decided not to present such awards at all.
The film is recognized by American Film Institute in these lists:. The film has received significant controversy for its handling of race. Disney publicist Vern Caldwell wrote to producer Perce Pearce that "the negro situation Various Sounds Of The South a dangerous one. Between Portico Quartet Isla negro haters and the negro lovers there are many chances to run afoul of situations that could run the gamut all the way from the nasty to the controversial.
The Disney Company has stated that, like Harris's book, the film takes place after the American Civil War and that all the African American characters in the movie are no longer slaves. When the film was first released, Walter Francis Whitethe executive secretary of the National Association for the Advancement of Colored People NAACPtelegraphed major newspapers around the country with the following statement, erroneously claiming that the film depicted an antebellum setting:.
The National Association for the Advancement of Colored People recognizes in Song of the South remarkable artistic merit in the music and in the combination of living actors and Various Sounds Of The South cartoon technique. It regrets, however, that in an effort neither to offend audiences in the north or south, the production helps to perpetuate a dangerously glorified picture of slavery. Making use of the beautiful Uncle Remus folklore, Song of the South unfortunately gives the impression of an idyllic master-slave relationship which is a distortion of the facts.
White had not yet seen the film; his statement was Various Sounds Of The South on memos he received from two NAACP staff members, Norma Jensen and Hope Spingarn, who attended a press screening on November 20, Spingarn listed several things she found objectionable from the film, including the use of African-American English. Adam Clayton Powell, Jr.
Some of the black press had mixed reactions on what they thought of Song of the South. While Richard B. Dier in The Afro-American was "thoroughly disgusted" by the film for being "as vicious a piece of propaganda for white supremacy as Hollywood ever produced," Herman Hill in The Pittsburgh Courier felt that Song of the South would "prove of inestimable goodwill in the Joe Sample Rainbow Seeker of interracial relations", and considered criticisms of the film to be "unadulterated hogwash symptomatic of the unfortunate racial neurosis that seems to be gripping so many of our humorless brethren these days.
There have also been episodes for the series produced for the Disney comic books worldwide, in the U. Br'er Bear can be seen in the Maroon Cartoon studio lot, briefly during the scene driving into Toon Town, and near the end while the Toons are celebrating finding the will.
The Tar-Baby can briefly be seen during the scene driving into Toon Town. The game is a virtual recreation of Disneyland and it features a mini game based on the Splash Mountain attraction. Br'er Rabbit helps guide the player character through that game, while Br'er Fox and Br'er Bear serve as antagonists. Grace Deluxe Edition [Live]. Tasha Cobbs Leonard. Hello Fear. Kirk Franklin. Addison Road. Singing News 30th Anniversary Collection. Various Artists. Be One Deluxe Version. Natalie Grant. Hen Duck Ed Young.
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