Joe Meek The Joe Meek Story
Even if 'Telstar' can't quite get the measure of its fascinating material, its pluck and ambition prove infectious enough to outweigh its flaws.
Trevor Johnston. Kevin Maher. Nick Moran's film, based on the stage-play he wrote with James Hicks, is an eccentric, sometimes Dakota Suite The Night Just Keeps Coming In but always watchable story about the earlys prehistory of pop culture. Peter Bradshaw. The Meek they present is closer to being a character in Little Britain than the mysterious, proto-avant-garde sonic scientist revered by legions of contemporary electronic musicians.
A little more weirdness would have been very welcome. Sukhdev Sandhu. O'Neill's performance is Joe Meek The Joe Meek Story, with Moran commendably allowing the actor the necessary time and space on the screen to believably cast his darkness upon those around him.
Kingsley Marshall. By the film's end we feel we have had too much of a good thing - but since that is what the hero died of, it seems an appropriate sensation to leave us with. Nigel Andrews. You know, this isn't an unenjoyable movie and, if you are desperate to see a movie, it'll do, but it's never fully satisfying because it never fully decides what sort of film it wants to be. Deborah Ross. An overlong but fascinating look at the life of a forgotten innovator of early rock'n roll.
Roger Moore. Nick Moran definitely emphasizes certain characteristics of the idiosyncratic producer over others for affect, but this is still as fascinating portraits in parts. Kim Newman. Telstar is an embarrassing farrago, an amateurish, incoherent pantomime of a piece, stuffed with interchangeable characters, a sketchy, largely unsympathetic leading role, and - betraying its stage play origins - unspeakably stilted dialogue.
Ali Catterall. Like Meek himself, Telstar Joe Meek The Joe Meek Story you in despite its its imperfections, which don't detract too much from a bold take on an undertold and fascinating story. Mayer Nissim. It's a solidly-made, enjoyable story that manages to rope in some notable cameos can anyone spot Jimmy Carr and shows Moran is a name to watch as a director.
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Archived from the original on 31 January Retrieved 1 August Retrieved 27 September Retrieved 5 December Great British eccentrics. Stroud, Gloucestershire. Retrieved 13 October Joe Meek's Bold Techniques. London: Woodford House. The Telegraph. Retrieved 27 January Critical Vision. The Krays: A Violent Business.
Edinburgh: Mainstream. Murder Houses of London. Stroud, Gloucs: Amberley Publishing. The Daily Telegraph. BBC Radio 2. Retrieved 3 January Sunday Express. Retrieved 4 February The Mind of Joe Meek".
Stony Brook Independent. Archived from the original on 26 February Retrieved 2 June The Smiths Last Night I Dreamt That Somebody Loved Me from the original on 4 November Retrieved 26 May The Guardian.
Spencer, Undated". Archived from the original on 28 April The Legendary Joe Meek ". Archived from the original on 21 May Electronic rock. Electronics in rock music. Electronic music Rock music. Some of those portrayed in the film assisted with the production, or appeared in minor roles playing older characters alongside the actors portraying their younger selves.
The cast, in credits order, are: [ citation needed ]. He expressed his anger for the press,  and also posted an open letter to the filmmakers on the Internet, where he demanded a public apology.
A columnist from the Daily Mail said that the film was a " shambolic but entertaining biopic". While enjoyable, it Joe Meek The Joe Meek Story "not much good and definitely not sophisticated". She opined that it begins with a humorous tone but transforms into a "harrowing film", adding that Telstar "knocks the wind out of the sails" of The Boat That Rocked in that the performances are "more substantial and engaged".
Synnot concluded that "like Meek's records, Telstar is raw, fatalistic and somewhat crudely put together, but it also boasts both-barrels, mega-watt energy.
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