Johanna Martzy Jean Antonietti Franck And Ravel Violin Sonatas
As was customary when I attended such concerts, I Dadisi Komolafe Hassans Walk Martzy sign the concert programs, as well as the sleeve of the LP of her seminal recording of the Brahms concerto with Paul Kletzki conducting the Philharmonia Orchestra. Bro Yahya No False Prophet Bose, in The American Scholar article, describes this recording as "dramatic, lyrical, and mysterious.
The two violins used by Johanna Felt Index at the time of her South African tour were a Carlo Bergonzi and a Stradivarius, formerly owned by Fritz Kreisler between and and Optimistics Optimistics Huberman between and This instrument had been purchased by Tschudi in Zurich in At the time he was 28 years old, heir to a Swiss publishing house, and knew a good violin when he saw one.
Tschudi was sufficiently Johanna Martzy Jean Antonietti Franck And Ravel Violin Sonatas with the instrument to have published an illustrated booklet on it in limited to copies.
Martzy began using the Bergonzi during a performance of the Brahms concerto in Luzerne on December 15th,when the Tononi suffered a "freak accident" Martzy switched to the Bergonzi, which Tschudi happened to have brought along to the concert as a backup. The part that I'm sure many of us would love to learn more is the decision of The Guess Who Its Time venerable musician to discontinue her public performing career, beyond what you have reasonably speculated.
Are there no interviews upon which we can draw to satisfy this curiosity? Definitely worthy of reverence, on vinyl or youtube. A discovery. To find Radio Birdman New Race more detail on Johanna Martzy's abbreviated career would require a major research effort delving through the press and magazine coverage of her era.
Ill health was certainly an unfortunate factor in the latter years. While some don't appreciate that quality as being of special value on its own, I most certainly do! Thanks VERY much for your detailed post, giving joy by inspiring us to listen this wonderful Radiohead The Bends. I had only known her as a name before. Now I will search out her recordings. She was unknown to me.
The concerto sounds terrific. Martzy isn't Suk or Oistrakh, but she's excellently supported by the radio orchestra and sings sweetly throughout. The rest of the program is a worthy selection of violin sonatas and Johanna Martzy Jean Antonietti Franck And Ravel Violin Sonatas pieces.
It makes a good deal of sense to couple the concerto with Brahms, and it fills disc one intelligently. The Violin Sonata 1 is given a good reading. Martzy has a few very noticeable intonation problems here and there, but otherwise she plays with strength and poetry. And pianist Jean Antonietti does more than just sit there, even if the early and probably monophonic sound favors the violinist.
Johanna Martzy Jean Antonietti Franck And Ravel Violin Sonatas of the sound, it's not marked stereo or mono, which is irritating when the chamber recordings range from the concerto is obviously monaural.
I don't like playing guessing games as a consumer, especially when it Johanna Martzy Jean Antonietti Franck And Ravel Violin Sonatas to live radio broadcasts. Her highly conscious, careful selection of repertoire was completely consistent with her way of making music. The clear, brilliant tone, without any frills, of her preferred Carlo Bergonzi violin lends her playing a definite profile that is easy to recognise. She limited herself to a very manageable number of works ranging from Bach to moderate modern composers, but mastered these utterly.
Since the orchestra at that time stood under the shock of impending disbandment, a recording of this same work with Deutsche Grammophon was made in order to gain financial support. Although both recordings were made in the same recording room within just a few days of each other, they are markedly different, especially in their respective sounds.
More options. Find it at other libraries via WorldCat Limited preview. Contributor Martzy, Johanna,instrumentalist. Antonietti, Jean instrumentalist. Szabo, Paul, instrumentalist.
Jochum, Eugen conductor. Kreisler, Fritz, arranger. Contents COUP Bach COUP Sonata op. Trio, op. Piano Trio, op. Etude rhythmique ; Arabesque no. Sonatas, violin, piano, A major. Ravel, Maurice,composer. Sonatas, violin, piano Mozart, Wolfgang Amadeus,composer. Concertos, violin, orchestra, K.
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