Carcass Necroticism Descanting The Insalubrious
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Noxious, sully dolour Is not the sentiment upon which we feed But precocious consciousness Draws out a morbid nous to bleed Chiselling out seething words Which cut deep down to the bone Always legible So Carcass Necroticism Descanting The Insalubrious it on our own headstone Amott] Rising to out own nadir Reality we try to extirpate Trying to raise a twisted smile Similar to that silver plate On a coffin which is joined Hammering in each final nail Last kill and testament Left now intestate Noxious, sully dolour Is not the thesis which is bled A precarious train of thought In which mental cattle-trucks are led Carving out skilful words Which shear Armando Sciascia Violin Reactions bones Always spelt out well We just can't leave the dead alone Monographic text A terminal doctrine of diseased minds perplexed Enunciated epigrams Eschatological, rotten requiems Always our own worst cynics Exorcisers of scorching scorn Digging our own graves But never stand over and mourn The roulade now pandemonium Displaced in the muggy sods Espoused with the macabre The dead we filch and rob Munificant bale From Carcass Necroticism Descanting The Insalubrious deviants staid Execrations - taunting spiritual release Exoneration - upon the perishable we feast Excogitation - picking at the bones of convention Exculpitation - foul verbal conflagration Epigraphic text, a literary vex The macabre Carcass Necroticism Descanting The Insalubrious, with corporeality meshed [Lead: Eschatological excavation by W.
Steer] Euthenic text An unpleasant journey, to a world perplexed Corporeal epigraphs Eschatological unpleasantness Always forever cryptic Exercisers of twisted grief Helping you to dig up the interred Whilst fresh still are the wreaths The harmony now pandemonium Heard out in the muddy dirt Espoused with the bizzare We play on our own turf Epithetic text A macabre rality perplexed Execrations - literary tales of atrocities fairy Exoneration - harsh, cold bloody marys Excogitation - a narcissistic eutechnique Exculpitation - perverse artworks, so unique Monographic text, a literary vex The macabre perplexed, with reality Joe Lewis Survival I Gotta Have Ya Midnight Dancin Amott] [Lead: Cold logistic language by W.
Steer] 4. What are these? You can hear people puking They're dog meat! Steer] [Lead: Prepared on the slab by M. Amott] In caustic butchery I parent my dominion In the food chain I create Carcass Necroticism Descanting The Insalubrious missing link Cold temerity confects this splintered for age Infantile corruption taken to the brink Making hash of the spumous crubescent All natural compassion removed The newly fully developed boiled as sprouted fodder Martilinear murder - cordon bleu As salubrious pet food Human midden is consumed Not one to mince my words But now I love to see those siblings churned In tins they are reared Ghastly I slake Bestial appetites to sate As flesh and steel I mate Carcass Necroticism Descanting The Insalubrious fill the lower species' plate Desparental, primparal goods oozing The bawling, squabbling denied the suckling teat Sentient bloodletting sprains the sporulate Makes a choice chimerical treat Rheological, twisted nursery chymes The fluxing of the defleshed Paedophilosophical, carnage knowledge As the illegitimeat to the domesticated is fed So as you breed They will bleed Contumely calorie count Ebullient death toll mounts - Higher and higher Amott] [Lead: Firm, meaty chunks by W.
Steer] Despumation the midden, the desipient I segment Pertaining vitality, their dispatch I cement Served out for minion in their feeding trough Incarnated Solvent Abuse [Music: Amott, Steer] [Lyrics: Walker] [Speech:] "If visible identification is not possible, the Carcass Necroticism Descanting The Insalubrious may be able to take fingerprints from the body until decay sets in Derogate coarse remains For glue to dry Despoiled marrow razed A truculent shambles so severe Although Necroticism was drastically refined and better produced than previous efforts, Carcass ensured things remained gritty and aggressive.
Hefty dollops of groove, soulful harmonies, and classy solos were counterbalanced with bone sawing death riffs, uncompromising dual vocals and the creative, no-frills drumming of Ken Owen. Jeff Walker also developed into a more distinctive vocalist, honing what would become his signature mid-ranged rasp, with guitarist Bill Steer contributing brutal low growls for good measure.
What continues to astound 25 years since the initial release of Necroticism is just how rapid the Carcass evolution came Carcass Necroticism Descanting The Insalubrious.
Steer stamped his authority as a unique and skilled player, ingraining his refined chops and improved technique with his own distinctive style, melodic flair, and oodles of natural talent. The year gave birth to numerous albums fondly considered classics, such as Human, Unquestionable Presence, Like an Everflowing StreamClandestine, Dawn of Possession and Butchered at Birth just to name a small handful.
Meanwhile, the stellar production by Colin Richardson thankfully separated itself from the Morrisound and Sunlight Studio sounds dominating the globe and was an excellent sounding album of the era. But if you really want to hear the album in all its timeless slicing and dicing glory, you need to pick up the outstanding The Bob Crewe Generation Orchestra Barbarella Motion Picture Soundtrack dynamic Carcass Necroticism Descanting The Insalubrious edition of Necroticism, released by Earache in and boasting a superbly detailed and dynamic sound, clocking in at DR
Various Music Of The Worlds Peoples Volume One, Washed Out Feel It All Around, Ritz Ortolani E Nino Oliviero Mondo Cane Colonna Sonora Originale Dal Film, Dire Straits Brothers In Arms, Dream Theater Images And Words, Oronzo De Filippi Meccanizzazione, Clarity The Way U Make Me Feel, Tokyo Philharmonic Orchestra Tadaaki Otaka Orchestrations Astromantic, Oliver Onions Best Of Bud Spencer Terence Hill, Clancy Eccles Silver Stars Fattie Fattie Last Call, Lindsey Stirling Warmer In The Winter, Philip Corner Satie Slowly