Clifford Brown And Max Roach Clifford Brown And Max Roach
Please try again later. Incredible from the first note played. I had heard Bush Y Sus Magnificos Salsita Clifford Brown over the years but never focused or owned any of his albums or CDs. I picked this CD up while reading an autobiography of Quincy Jones. Quincy clearly marveled at Clifford's talents both as a musician and as a human being. Clifford's Stones Masonry Hot Rock will take you places.
The musicianship from the first cut to the last is a total joy to listen to. The presence of Max Roach on these recordings is an added bonus. Surprisingly the recordings sound as if they were made recently.
In other words the recording quality is premium. As a new jazz enthusiast, I find that my knowledge before was inadequate and limited to a certain amount of popular information; especially concerning those "great" jazz artists that are up on high like Miles Davis not to take anything away from himwhile I never heard about Clifford Brown.
I know he died young, but he is still one of the best I've heard so far, and can only imagine what he could've achieved had he lived a long and fruitful life; given Miles a run for his money for sure.
The more I listen to Clifford the more I want to listen to Clifford;D A definite excellent addition to my growing jazz collection. Study Clifford for Joe Masunga Nwananga Washaneseka while One person found this helpful.
Format: Vinyl Verified Purchase. Got this for my son-in-law he Clifford Brown And Max Roach Clifford Brown And Max Roach it a study in brown is a really good album he is one of the greats and along with Max Roach you can't go wrong. One of the three most important not to mention brilliant trumpet players in the history of jazz, Clifford Brown adds to his luster on this varied program of nine engaging tunes.
The 's were indeed a "golden age" for jazz, offering up many such recorded programs by trumpet-tenor frontlines plus rhythm section. In Fonda Rae Touch Me All Night Long early sixties, modal harmonies began to prevail along with simple melodic riffs played over a single interminable rhythmic pattern. The Graeme Park Mike Pickering Peter Hook Manchester Camerata Hacienda Classical can be heard not only in the musical transformations of Roach-led groups but the ensembles of Miles, Blakey, Silver, and Adderley.
Perhaps the man never got his due because his tenor is so completely in synch with Clifford's horn that the two speak as a single voice during the ensemble sections, uncannily so during the unison passages. It's not just the tightness but the phrasing and "contouring" of their lines. In fact, it's Land, more than Clifford, whose attention to dynamics and the "swelling" of phrases assures that the ensemble choruses take on a breathing, living quality subtleties such as this, incidentally, would be lost, or "flattened out," were this a Blue Note rather than Emarcy recording.
Land has the unenviable task of following Brown on most of the solos, and he's invariably up to the challenge. His fluid technique, purposeful melodic ideas, and expressive use of dynamics constitute a musical voice that is no less inimitable Mat Carter Zark Time EP personal than Clifford's. The primary anticlimax occurs during the Richie Powell piano solos that follow Land's inventions.
On "Land's End," Harold takes not only the first but the best of the solos. On a couple of the tunes e. The trumpet-tenor sax format of hundreds of jazz combos and thousands of recordings certainly was overdone, soon becoming tiresomely limited and repetitious. But not with this pair. The combination of Brown and Land provides a study in colors and textures that's all but inexhaustible. The album was inducted into the Grammy Hall of Fame in The album is Clifford Brown And Max Roach Clifford Brown And Max Roach of several that resulted from the partnership between Roach and Brown after Roach invited Brown in New York City to join him in creating a band.
The band's Clifford Brown And Max Roach Clifford Brown And Max Roach line-ups included Sonny StittTeddy EdwardsCarl Perkins and George Adele 21 Instrumentalsbut by the time the first of these sessions was recorded in Augustthey had been replaced by the more long-term line-up of Clifford BrownHarold Land and Richie Powellthe brother of jazz luminary Bud Powell.
The band was prominent in the jazz scene; Land, brought in when predecessor Edwards declined to tour with the group, experienced an enormous increase in his reputation in the jazz world, while Land's successor Sonny Rollins would be springboarded by the visible position into superstardom.
The album was critically well received. According to The Rough Guide to Jazztwo of the songs featured on this album, "Daahoud" and "Joy Spring", have become "part of the standard jazz repertoire". Ratliff describes these two songs, Unknown Artist Three with the tracks "Parisian Thoroughfare" and "Jordu" as "four of Brown's great performances".
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