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23.02.2010

Fela Ransome Kuti And The Africa 70 Open Close


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Here, the music takes center stage while the politics take a brief rest, resulting in one of his most refreshing records. By this point, Fela could do no wrong when it came to recording; Afro-beat dissenters will claim that there is a trance-inducing similarity to much of Fela's '70s recorded output, that the grooves aren't enough to make the songs distinctive enough on their own. That's true of some of his later recordings like Fela Ransome Kuti And The Africa 70 Open Close the mid- to late '80sbut at this point he was still breathing fire and the band was in top form.

After 20 months, he was released from prison by General Ibrahim Babangida. On his release he divorced his 12 remaining wives, saying that Fela Ransome Kuti And The Africa 70 Open Close brings jealousy and selfishness".

Once again, Fela continued to release albums with Egypt '80, made a number of successful tours of the United States and Europe and also continued to be politically active. Fela's album output slowed in the s, and eventually he stopped releasing albums altogether. Inhe and four members of the Afrika '70 organization were arrested for murder. The battle against military corruption in Nigeria was taking its toll, especially during the rise of Sani Abacha. Rumours were also spreading that he was suffering from an illness for which he was refusing treatment.

The New Afrika Shrine has opened since Fela's death in a different section of Lagos under the supervision of his son Femi. The musical style of Fela is called Afrobeata style he largely created, which is a complex fusion of jazzfunkGhanaian highlifepsychedelic rock and traditional West African chants and rhythms. Afrobeat also borrows heavily from the native "tinker pan".

Fela once stated that "there would be no Afrobeat, without Tony Allen". Afrobeat is characterized by a fairly large band with many instruments, vocals and a musical structure featuring jazzy, funky horn sections. A riff-based "endless groove" is used, in which a base rhythm of drums, shekeremuted West African-style guitar and melodic bass guitar riffs are repeated throughout the song.

Commonly, interlocking melodic riffs and rhythms are introduced one by one, building the groove bit-by-bit and layer-by-layer. The horn section then becomes prominent, introducing other riffs and main melodic themes. Fela's band was notable for featuring two baritone saxophoneswhereas most groups were using only one of this instrument. This is a common technique in African and African-influenced musical styles and can be seen in funk and hip hop.

His bands at times even performed with two bassists at the same time both playing interlocking melodies and rhythms. There were always two or more guitarists. Some elements often present in Fela's music are the call-and-response within the chorus and figurative but simple lyrics. His songs were also very long, at least 10—15 minutes in length, and many reached 20 or even 30 minutes, while some unreleased tracks would last up to 45 minutes when performed live.

This was one of many reasons that his music never reached a substantial degree of popularity outside Africa. His LP records frequently had one minute track Fela Ransome Kuti And The Africa 70 Open Close side.

Typically there is an " Instrumental Introduction " jam part of the song, perhaps 10—15 minutes long, before Fela starts singing the "main" part of the song, featuring his lyrics and singing, in which the song continues for another 10—15 minutes.

Therefore, on some recordings, one may see his songs divided into two parts, Part 1 being instrumental and Part 2 involving both music and singing. Fela's songs were mostly sung in Nigerian pidgin English, although he also performed a few songs in the Yoruba language. His main instruments were the saxophone and the keyboardsbut he also played the trumpet, electric guitar, and took the occasional drum solo.

Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa. Fela was known for his showmanship, and his concerts were often quite outlandish and wild. He referred to his stage act as the "Underground" Spiritual Game.

Those who were disappointed in Fela's performance, had Fela Ransome Kuti And The Africa 70 Open Close really seen him perform before. Many expected him to perform like those in Western world. His European performance was a representation of what was relevant at the time and his other inspirations. He thought that art, and thus his own music, should have political meaning. As Fela's musical career developed, so too did his political influence throughout the world.

In turn, the religious aspect of his musical approach grew. Fela was a part of an Afro-Centric consciousness movement that was founded on and delivered through his music.

In an interview found in the Hank Bordowitz Pet Shop Boys Actually Further Listening 19871988 Noise of the WorldFela stated: "Music is supposed to have an effect.

If you're playing music and people don't feel something, you're not doing shit. That's what African music is about. When you hear something, you must move. I want to move people to dance, but also to think. Music wants to dictate a better life, against a bad life. When you're listening The Beatles Rubber Soul something that depicts having a better life, and you're not having a better life, it must have an effect on you.

Fela's music and strong sense of sharing humanist and activist ideas grew from the environment he was in. In interview footage found in Faces of Africa on CGTN Africa, he spoke of a comparison between English love songs and his own music: "Yes, if you are in England, the music can be an instrument of enjoyment. You can sing about love, you can sing about whom you are going to bed with next.

But in my own environment, my society is underdeveloped because of an alien system on our people. So there is no music enjoyment.

There is nothing like love. There is something like struggle Prince Lincoln Daughters Of Zion people's existence.

Kuti was a political giant in Africa from the s until his death. He criticized the corruption of Nigerian government officials and the mistreatment of Nigerian citizens. He spoke of colonialism as the root Snooks Eaglin Lucius Bridges Brother Randolph New Orleans Washboard Blues the socio-economic and political problems that plagued the African people.

Corruption was one of the worst political problems facing Africa in the 70s, if not the worst; and Nigeria was among the most corrupt countries of the time. Its government was responsible for election rigging and coups that ultimately worsened poverty, economic inequality, unemployment, and political instability, which further promoted corruption and thuggery.

Fela's protest songs covered themes inspired by the realities of corruption and socio-economic inequality in Africa. Fela Kuti's political statements could be heard throughout Africa. Kuti's open vocalization of the violent and oppressive regime controlling Nigeria did not come without consequence. He was arrested on over different occasions and spent time in jail, including his longest stint of 20 months after his arrest in On top of the jail time, the corrupt government would send soldiers to beat Kuti, his family and friends, and destroy wherever he lived and whatever instruments or recordings he had.

In the s, Popcorn Prime Choice began to run outspoken political columns in the advertising space of daily and weekly newspapers such as The Daily Times and The Punchbypassing editorial censorship in Nigeria's predominantly state controlled media. Organized around a militantly Afrocentric rendering of history Fela Ransome Kuti And The Africa 70 Open Close the essence of black beauty, "Chief Priest Say" focused on the Fela Ransome Kuti And The Africa 70 Open Close of cultural hegemony in the continuing subjugation of Africans.

Kuti addressed a number of topics, from explosive denunciations of the Nigerian Government's criminal The Bug Ganja Flying Islam and Christianity's exploitative nature, and evil multinational corporations; to deconstructions of Western medicine, Black Muslimssex, pollution, and poverty.

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From The Album Play album. Play track. Artist images 1 more. HMV Magazine ranked him 46 on a list of the top most influential musicians of the 20th century. The musical style performed by Fela Kuti is called Afrobeat, which is essentially a fusion of jazzfunkpsychedelic rockand traditional African chants and rhythms. It is characterized by having Fela Ransome Kuti And The Africa 70 Open Close percussion, vocals, and musical structure, along with jazzy, funky horn… read more.

Fela Anikulapo Kuti 15 October — 2 Augustor simply Fela, was a Nigerian multi-instrumentalist musician and composerpioneer of Afrobeat music, human rights activist, and poli… read more.

Toni Stricker Die ORF Big Band Strings Bones Anikulapo Kuti 15 October — 2 Augustor simply Fela, was a Nigerian multi-instrumentalist musician and composerpioneer of Afrobeat music, human rights activist, and political maverick. HMV Magazine ranked him 46 on… read more.

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10 thoughts on “ Fela Ransome Kuti And The Africa 70 Open Close

  1. View credits, reviews, tracks and shop for the Gatefold Vinyl release of Open & Close on Discogs. Label: His Master's Voice - HNLX • Format: Vinyl LP, Album Gatefold • Country: Nigeria • Genre: Jazz, Funk / Soul, Folk, World, & Country • Style: Afrobeat Fela Ransome Kuti* & The Africa '70* Fela Ransome Kuti* & The Africa /5(16).
  2. Fela Anikulapo Kuti (15 October – 2 August ), also professionally known as Fela Kuti, or simply Fela, was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and human rights creature666.deinfo the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers".Born: 15 October , Abeokuta, Western Region, .
  3. Dec 14,  · Discover releases, reviews, track listings, recommendations, and more about Fela Ransome-Kuti* And The Africa '70* - Open & Close at Discogs. Complete your Fela Ransome-Kuti* And The Africa '70* collection/5().
  4. Jan 10,  · There is no recording date information in the liner notes, but as the album cover recognizes Fela as "Fela Ransome Kuti" my guess is "Alagbon" is from , and also it sounds very similar in style to "Open & Close," "Shakara" and "Lady" also of that year. (Of course it could be as late as when Fela dropped "Ransome" in favor of "Anikulapo.")/5(8).
  5. Mar 07,  · Originally recorded in 19by Fela Kuti’s band, Africa 70, with the addition of former Cream drummer Ginger Baker, this album contains 4 songs plus a .
  6. View credits, reviews, tracks and shop for the Vinyl release of Open & Close on Discogs. Label: His Master's Voice - HNLX • Format: Vinyl LP, Album • Country: Ghana • Genre: Jazz, Funk / Soul, Folk, World, & Country • Style: Afrobeat Fela Ransome Kuti* & The Africa '70* Fela Ransome Kuti* & The Africa '70* - Open & Close /5(3).
  7. Open & Close, an Album by Fela Ransome Kuti & The Africa ' Released in on Barclay (catalog no. ; Vinyl LP). Genres: Afrobeat. Featured peformers: Fela Kuti (tenor saxophone, alto saxophone, electric piano, vocals, writer, arranger, producer), The Africa '70 (performer), Tony Allen (drums), Lekan Animashaun (baritone saxophone), Ayo Azenabor (bass), Igo Chico (tenor saxophone.
  8. Olufela Olusegun Oludotun Ransome-Kuti (15 October – 2 August ), known professionally as Fela Kuti, Fela Anikulapo Kuti, or simply Fela, was a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, human rights activist, political maverick & leader of Fela Ransome Kuti & Africa HMV Magazine ranked him as #46 on a list of the most influential.
  9. Mar 26,  · Fela Kuti & Africa 70 - Pansa Pansa 1/2 (Berlin ) - Duration: Henri de Saussure 1,, views.

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