Ligeti Melodien For Orchestra Double Concerto For Flute Oboe And Orchestra Chamber Concerto For 13 I
Avantgarde Favourites of the 20th Century. Scandinavian Classics. London Sinfonietta. The Ligeti Project, Vol.
Ensemble Modern. Sony Music Distribution. Cleveland Chamber Symphony, Vol. Cleveland Chamber Symphony Orchestra. The Ligeti Project Various Artists. Warner Classics Pierre Boulez: 20th Century Pierre Boulez. Deutsche Grammophon Stradivarius STR Teldec Scandinavian Classics Deutsche Grammophon GH4. Classico Sony Music Distribution Wergo TNC James Mallinson producer track 1. London Sinfonietta track 3. London Sinfonietta tracks 2, 4—7. Luigi Nono LaSalle Quartet Fragmente Stille An Diotima Sinfonietta track 1.
Sofiensaal in WienAustria track 8. Double Concerto for Flute and Oboe movement tracks 2—3. Chamber Concerto tracks 4—7. Ten Pieces for Wind Quintet: I. Molto sostenuto e calmo track 8. Prestissimo minaccioso e Ligeti Melodien For Orchestra Double Concerto For Flute Oboe And Orchestra Chamber Concerto For 13 I track 8.
Lento track 8. Prestissimo leggiero e virtuoso track 8. Ten Pieces for Wind Quintet: V. Prestissimo staccatissimo e leggiero track 8.
Vivo, energico track 8. Allegro con delicatezza track 8. Sostenuto, stridente track 8. Ten Pieces for Wind Quintet: X. The ensemble is now smaller and foregrounds two soloists and its own fragile lines, and one vast slow movement has become two smaller movements, a slow and a fast one. But the same musical drama holds -- the attempt to bring something to mind, to search, find, and articulate an elusive state.
Simplified, the Double Concerto's difference is one of relief -- it's as if Ligeti shined a high-powered flashlight into the micropolyphonic fog of Atmospheres and revealed its hidden insides, "as if a magic lantern threw the nerves in patterns on a screen.
The result is wildly different in each of the concerto's two movements: in the opening Calmo, con tenerezza, the two soloists collect the orchestra into a lithe but supple body of evolving harmonies, neither diatonic nor chromatic; expanding and contracting with increasing suspense, the movement reaches a blindingly bright climax but immediately collapses into inarticulate obscurity. The following Allegro corrente reveals a brilliant turn in Ligeti 's music: it's as if the first movement was defibrillated into shocked motion, forcing the soloists and the other winds to sputter in wild fits and splintering lines.
And yet, amidst this sudden berserk rush, nothing actually seems to go anywhere; a harmonic and gestural paradox emerges, the musical equivalent of an M. Escher staircase, moving up and down simultaneously, yet staying in place. Ligeti 's own Orbital In Sides offers a priceless vision of beauty, mortality, and comedy at once: "the music glitters as though deep frozen and moves as stiffly as a puppet.
Jazz Latin New Age. Aggressive Bittersweet Druggy.
Barbara Norris Heavy Hitter, Wareika Hill Sounds Proverbs Of Proverbs Proverbs Dub, Bobby Paunetto Paunettos Point, Roberto Donati Cannibal Ferox Original 1981 Motion Picture Soundtrack, National Health Of Queues And Cures, Various Wayfaring Strangers Cosmic American Music, The Human League The Things That Dreams Are Made Of, Spring No Time For Crying, Coste Apetrea Jojja Ja Ja, Eddie Palmieri Spirit Of Love, The Coasters The Coasters, Lisa Warrington I Like The Way You Do It, Dark Angel We Have Arrived