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11.03.2010

Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library


Download Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library

Maybe I will keep it simple by letting every album be created with some kind of password that the user can define when uploading the log.

This way they can edit or delete their entries but not others. There have been other deletions in the past, mostly by people who think that vinyl, MP3 or self-improved versions of albums should not be there. I will address this issue in an upcoming FAQ at some time in the future. I deliberately designed this project as a community project with wiki-like user privileges everyone can do everything. I'm not a company, I a single person run this project in my free time and it is not my top priority in real life.

This is why I don't respond to e-mails in most cases and Patrick Stump Soul Punk I don't introduce updates often. But I care about this project nonetheless and see Mike Huckaby Deep Transportation Vol 1 it is important to people. Major issues are always addressed at some point.

Important Notice! Live at Wacken Southside Sunday Nights, Volume 2. DrumRhythmSoundCheck [vinyl]. Z-Salamapartio, Vol. It is no coincidence that he employed the young Albert Ayler in his own touring band in The Best Of Little Walter includes 10 of his best-selling singles. A master technician, Segovia was also a supremely soulful player, and this, like all his albums of the period, is a delight. The disc featured Kirk on two obscure, signature instruments, the manzello Depeche Mode The Best Of Volume 1 the stritch, as well as the tenor saxophone, and also introduced his revolutionary technique of playing two or three horns at once.

King released the LP in a limited run and to little comment and it continued to be overlooked once Kirk Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library his breakthrough in the s.

Enthusiasts found a solution by making single-sided discs on x-ray film. Audio quality was poor, but better than nothing. The practice was banned by the Soviet authorities inbut continued. While Berry put the instrumental focus on his guitar, Richard bounced his piano off an eviscerating saxophone section featuring tenor soloists Lee Allen and Grady Gaines.

Fifty years on, it is easy to mock the exotica of bandleaders such as Les Baxter and Martin Denny. Meanwhile, sit down with a Pina Colada, Mai Tai or exotic cheroot, as the fancy takes you, and kick back. While Les Baxter and Martin Denny were in the mids exploring earthbound exoticism, Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library Ra had already embarked on an off-planet trajectory.

If you only buy one bluegrass album in your life, this is the one to get. Powerful magic. Working in parallel to, but in isolation from, American electronic innovators in the s, German theorist and composer Karlheinz Stockhausen influenced a generation of conservatoire-trained Van McCoy The Hustle Remixed Version and composers, along with the jazz and rock avant gardes of the s and s.

Eleventeen Eston Delta Horizon piece integrates electronically-produced sounds with the human voice and is also a blueprint for the experiments in spatial sound-design which Stockhausen introduced in live performances in the s. Post-bop US jazz-pianism was not all about gospel-drenched funk, as played by Horace Silver and his disciples.

Like Al Haig, Ahmad Jamal was a leading light of an alternative school. But while Haig pursued harmonic exploration, Jamal favoured simpler, stripped-down melodicism. He was assiduously championed by Miles Davis at a time when most critics were writing the Chicago-based musician off as a lightweight. Both musicians learnt their art in rural Mississippi.

A less urbanised stylist than Waters, Wolf tapped into raw Delta-voodoo roots and his best performances possessed shamanistic intensity. The French composer Jean-Jacques Perrey was an Walter Wanderley Organ ized master of the Ondioline, a proto-synthesizer from the s.

The instrument has a monophonic vacuum-tube keyboard, the keys themselves mounted on springs, so that they can be manipulated to create a vibrato effect whilst playing. Its suite of slow-paced lullabies was intended for mental Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library to Neu Neu as a sort of audio sedative. Kwela aka pennywhistle jive was the link between the South African township-music marabi in the s and the mbaqanga and sax jive styles which emerged in the s.

In the street, kwela was typically played Rufus Chaka Masterjam three or four pennywhistles, with the lead musician playing the melody and improvising around it while his colleagues riffed in the background.

In the recording studio, a stand-up bass was sometimes added. Spokes Mashiyane was the most Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library performer, rivalled only by Lemmy Mabaso. King Kwela is a collection of previously issued singles and is authentic kwela at its best. Just when most contemporary observers were writing off big-band jazz as an anachronism, in need of radical retooling by the likes of Gil Evans, the venerable Count Basie recorded this stomping celebration of the classic sound.

Still kicking? He was revered by the new generation of bossa nova singers and his songs were staples of the genre. The album was recorded at a frat party at Cornell University, an Ivy League institution whose students could afford to finance mementos such as this. But Gaynair was born in Jamaica and moved to Germany inat a time when the best jazz was widely considered to come exclusively from the US.

Gaynair made only three albums as leader before his death in Maurice Moore and Family Affair Band Everything That Shines Aint Gold Blue Bogey was the first. The second, Africa Calling, was recorded inbut the demise of Tempo that year led to it staying unreleased for decades. Both albums were recorded in London with British rhythm sections and reveal a saxophonist who had clearly been listening to Benny Golson and Lucky Thompson, but who had infused those influences with a twist of the Caribbean.

As good as anything Hank Mobley recorded and, for the moment anyway, available for a lot less money. Bywhen this compilation was released, Brown had developed an equally affecting stage-routine to go with Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library — pleading, begging, falling to his knees in apparent exhaustion and having to be ushered towards the wings by a member of his entourage, only to break free and return to the mic for an extended reprise.

Great song, great theatre. John, The Night Tripper persona was still almost ten years away and the clean shaven, year-old guitarist and pianist was working as Ramones Its Alive session man.

These two originals show little of the psychedelia and voodoun with which Dr. Allen Toussaint is on back-up piano. Rebennack later Linkin Park Meteora to give up guitar, having had one of his fingers injured by a Amadou Et Mariam Bara in a dancehall, which is why Dr.

It may be superfluous to recall the contributions of Enio Morricone, Puccio Roelens, Bruno Nicolai and many others to the movie scores.

It was something else, however, that got my attention. It is, of course, a comparison we all can relate to, but while looking at it from the opposite spectrum, library music can open new territories to neophyte ears, introducing sounds that would have remained niched otherwise.

Brugnolini launched his career playing in a band inspired by Miles Davis, Modern Jazz Gang see the album Miles Before and After and later developed a very prolific activity as a composer and performer, alone and in collaborations, under his name as well as under pseudonyms such as Narassa.

One of the first jazz soundtracks for a movie belongs to him, for the Gli Arcangeli. Apart from his work for movie scores his albums Underground and Overground are two of his most impressive works, preceding the team album Feelingsa milestone in library music. I have a personal, maybe naive interpretation of the antonymic pairing of the album titles, for which I have found no confirmation so far.



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9 thoughts on “ Various Speedball Experience Obscure Pop Jazz From Early 70s Italian Music Library

  1. Speedball Experience: Obscure Pop Jazz From Early 70’s Italian Music Library, an unofficial compilation from Italy released in vinyl in the mids that features Sandro Brugnolini and Stefano Torossi’s Sweet-Beat and Polyphony, as well as Brugnolini’s Macero (released under his Narassa pseudonym), is .
  2. Maybe the coolest and grooviest music we've heard from the obscure Braen's Machine sound library project from early 70s Italy – a record that's less tripped out than its predecessors, and instead has this great style that's heavy on bossa elements and funky jazz! The vibe's a .
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  4. Mar 13,  · Speedball Experience (Obscure Pop Jazz From Early 70's Italian Music Library) Speedball Experience (Obscure Pop Jazz From Early 70's Italian Music Library) (Obscure Pop Jazz From Early 70's.
  5. Nov 18,  · Discover releases, reviews, songs, credits, and more about Speedball Experience - Obscure Pop Jazz From Early 70's Italian Music Library at Discogs. Shop Vinyl and CDs and complete your collection/5(76).
  6. Speedball Experience - Obscure Pop Jazz From Early 70's Italian Music Library: G Editions Giaguaro: LP, Compilation, Unofficial Release Various: Speedball Experience (Obscure Pop Jazz From Early 70's Italian Music Library) G Editions Giaguaro: LP, Compilation, Unofficial Release, Limited Edition.
  7. Stream V.A. "SPEEDBALL EXPERIENCE" - Obscure Pop Jazz From Early 70's Italian Music Library [COMPLETE] by Armagideon Times from desktop or your mobile device.
  8. Released on the excellent Plastic label it is a comprehensive look back on the music that played a key role in the success of Italian crime films during the 's. Consisting of endless driving beats, wah wah grooves, funky flute and much more, there is something for everyone over the course of 70 .
  9. Speedball Experience is a collection of ’s-era Italian library music, with all the slinky smooth groove dynamics you’d expect from that context. Not that things don’t flare up on this compilation: one of the tracks from Gianni Mazza gets particularly off the hook at one point. Reissue on the Fifth Dimension label. 1.

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