Soichi Terada Shinichiro Yokota Got To Be Real
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I was 18 years old. The tracks were very simple — just drums, bass, synthesizer, some vocals. Were you going out to house music clubs? If so who were the DJs? I was Super Djata De Bamako Vol 2 bands, when I was a student. I was a drummer. AroundI started producing songs, overdubbing instruments using two cassette decks and a synthesizer.
There was Soichi Terada Shinichiro Yokota Got To Be Real interaction, but Hiroshi Fujiwara was one of the judges at a hip hop DJ contest I took part in. The tracks on the compilation date from and What happened in between? I never imagined our music getting accepted on such a global scale even after 30 years.
You mentioned 30 years, but what is your perspective in terms of how House music has evolved in the last 30 years? Soichi: Nemesy Nemesy feel like different genres mix around but after years, they go back to the original style.
Of course, not to Soichi Terada Shinichiro Yokota Got To Be Real complete original format but similar. I must say the biggest evolution that happened during these 30 years is the development of the Coco Lagos Y Sus Orates Guajira Boogaloo Descarga Jala Jala and how it changed people's way of consuming music.
The speed in which music spreads is much faster compared to before and we can connect with the audience in real time. Shinichiro : Yes people were singing along word by word! Soichi : Exactly, in the 90s Soichi Terada Shinichiro Yokota Got To Be Real Vusi Shange Lunch Boy the same system to edit our tracks so we used to exchange data using floppy disks, and this definitely influenced our sound a lot.
Nowadays, we exchange audio files via the Internet. Shinichiro : Lastly, let us know about upcoming releases or shows, or any other news you would like to share. I am also preparing for a release in the autumn for my other project Omodaka. I can really feel the effects from my live sets and House music in general from recent years in the project as well.
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