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Bruce Haack The Electric Lucifer

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I agree that many of the vocal are over ridden,leaving the vocals hard to understand. The Electric Lucifer is ahead of its time. About the Author. Some Related Posts. Patrick Keaton January 3, Leave a Comment Cancel reply Name.

His upbringing in the isolated town of Rocky Mountain House in Alberta, Canada, gave him plenty of time to develop his musical talents. Seeking formal training to hone his ability, Haack applied to the University Cornelius The First Question Award Alberta's music program. Though that school rejected him because of his poor notation skills, at Edmonton University he wrote and recorded music for campus theater productions, hosted a radio show, and played in a band.

He received a degree in psychology from the university; this influence was felt later in songs that dealt with body language and the computer-like ways children absorb information. New York City's Juilliard School offered Haack the opportunity to study with composer Vincent Persichetti ; thanks to Bruce Haack The Electric Lucifer scholarship from the Bruce Haack The Electric Lucifer government, he headed to New York upon graduating from Edmonton in At Juilliard, Haack met a like-minded student, Ted "Praxiteles" Pandel, with whom he developed a lifelong friendship.

However, his studies proved less sympathetic, and he dropped out of Juilliard just eight months later, rejecting the school's restrictive approach. Throughout the rest of his career, Haack rejected restrictions of any kind, often writing several different kinds of music at Ray Terrace Watermelon Man Rays Beat time.

He spent the rest of the s scoring dance and theater productions, as well as writing pop songs for record labels like Dot Records and Coral Records. Haack's early scores, like 's Les Etapes, suggested the futuristic themes and experimental techniques Haack developed in his later works.

As the s began, the public's interest in electronic music and synthesizers increased, and so did Haack's notoriety.

The duo often played the Dermatron, a touch- and heat-sensitive synthesizer, on the foreheads of guests; 's appearance on I've Got a Secret featured them playing 12 "chromatically pitched" young women.

Meanwhile, Haack wrote serious compositions as well, such as 's "Mass for Solo Piano", which Pandel performed at Carnegie Halland a song for Rocky Mountain House's 50th anniversary. One of his most futuristic pieces, 's "Garden of Delights", mixed Gregorian chants and electronic music. This work was never broadcast or released in its complete form.

Haack found another outlet for his creativity as an accompanist for children's dance teacher Esther Nelson. Perhaps inspired by his own lonely childhood, he and Nelson Bruce Haack The Electric Lucifer on educational, open-minded children's music.

Though the series included activity and story songs similar to other children's records at the time, the music moves freely between country, medieval, classical, and pop, and mixes instruments like piano, synthesizers, and banjo. The lyrics deal with music history or provide instructions like, "When the music stops, be the sound you hear", resulting in an often surreal collage of sounds and ideas.

Though he had little formal training in electronics, he made synthesizers and modulators out of any gadgets and surplus parts he could find, including guitar effects pedals and battery-operated transistor radios.

Eschewing diagrams and plans, Haack improvised, creating instruments capable of voice polyphony and random composition. Using these modular synthesizer systems, he then recorded with two two-track reel-to-reel decks, adding a moody tape echo to his already distinctive pieces. As the s progressed and the musical climate became more receptive to his kind of whimsical innovation, Haack's friend, collaborator, and business manager Chris Kachulis found mainstream applications for his music.

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8 thoughts on “ Bruce Haack The Electric Lucifer

  1. Nov 18,  · One for fans of the now well-dated and cheesy synth sounds of So innovative at the time, this is a bubble into the past, high-end technology meeting what amounts to a /5(69).
  2. Jul 28,  · Expressions like "Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music" and "The Electric Lucifer is your gateway to the profound yet playful universe of Bruce Haack, a "far-out" place where flower-power and inner-space electronics collide!" appear in the description on the back/5(19).
  3. Dec 29,  · Bruce Haack - "The Electric Lucifer" {Canada} [/9] (Electronic Experimental) This was recorded between 19and released in Bruce Haack's awesome The Electric Lucifer stands as one of electronic pop music's pioneering works.
  4. Bruce Haack’s The Electric Lucifer feels like a relic today, and chances are it did when it came out, too. It was recorded between and , then released in , by which time many heroes of the countercultural era – the Beatles, Sly Stone, Neil Young – were already building some of their greatest art around the failure of the bygone decade to achieve its goals.
  5. Bruce Haack recorded both children’s music and trippy psychedelic concept albums. His work is being revived in “Electric Lucifer,” a rock opera of sorts at the creature666.deinfod: Sep 18,
  6. Bruce Clinton Haack listen   (help · info) (May 4, – September 26, ) was a Canadian musician and composer, and a pioneer within the realm of electronic music.
  7. Originally released in , The Electric Lucifer was Haack’s first work pitched to a contemporary rock audience, released by Columbia Records in the dying days of a post-hippie moment when bizarro outsider-psych could still find a home on a major label. If it was not the first rock record to feature electronics, it was certainly among the first to give them a starring role—both musically and conceptually.
  8. Jan 01,  · Telephone Explosion lovingly reissue Bruce Haack’s electronic opus ‘The Electric Lucifer’, which was critically acclaimed on release but has nonetheless not been readily available to fans in the intervening years.

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