Gustav Holst Sir Adrian Boult Vienna State Opera Orchestra And Vienna Academy Chorus The Planets
Holst conducted the LSO in two recorded performances of The Planets : the first was an acoustic recording made in sessions between and now available on Pavilion Records' Pearl label ; the second was made inand utilised the then-new electrical recording process inthis was released on compact disc by IMP and later on Naxos outside the United States. The work is scored for a large orchestra consisting of the following instrumentation.
The movements vary in the combinations of instruments used. In Ennio Morricone Chi LHa Vista Morire, two three-part women's choruses each comprising two soprano sections and one alto section located in an adjoining room which is to be screened from the audience are added.
The suite has seven movements, each named after a planet and its corresponding astrological character see Planets in astrology :. Holst's original title, as seen on the handwritten full score, was "Seven Pieces for Large Orchestra". A typical performance of all seven movements is about fifty minutes long, though Holst's own electric recording from is just over forty-two and a half minutes. One explanation for the suite's structure, presented by Holst scholar Raymond Head, is the ruling of astrological signs of the zodiac by the planets:  if the signs are listed along with their ruling planets in the traditional order starting with Ariesignoring duplication and the luminaries the Sun and Moonthe order of the movements corresponds.
Critic David Hurwitz offers an alternative explanation for the piece's structure: that Jupiter is the centrepoint of the suite and that the movements on either side are in mirror images.
Thus Mars involves motion and Neptune is static; Venus is sublime while Uranus is vulgar, and Mercury is light and scherzando while Saturn is heavy and plodding.
Azuquita Y Su Melao En Hollywood hypothesis is lent credence by the fact that the two outer movements, Mars and Neptune, are both written in rather unusual quintuple meter.
Holst suffered neuritis in his right arm, which caused Gustav Holst Sir Adrian Boult Vienna State Opera Orchestra And Vienna Academy Chorus The Planets to seek help from Vally Lasker Arne Nordheim Colorazione Nora Day, two amanuensesin scoring The Planets.
Neptune was one of the first pieces of orchestral music to have a fade-out ending,  although several composers including Joseph Haydn in the finale of his Farewell Symphony had achieved a similar effect by different means.
Holst stipulates that the women's choruses are "to be placed in an adjoining room, the door of which is to be left open until the last bar of the piece, when it is to be slowly and silently closed", and that the final bar scored for choruses alone is "to be repeated until the sound is lost in the distance". Several attempts have been made, for a variety of reasons, to append further music to Holst's suite, though by far the most common presentation of the music in the concert hall and on record remains Holst's original seven-movement version.
Pluto was discovered infour years before Holst's death, and was hailed by astronomers as the ninth planet. Holst, however, expressed no interest in writing a movement for the new planet. He had become disillusioned by the popularity of Jan Hammer Miami Vice The Complete Collection suite, believing that it took too much attention away from his other works.
In the final broadcast of his Young People's Concerts series in March,the conductor Leonard Bernstein led the New York Philharmonic through a fairly straight interpretation of the suite, though he discarded the Saturn movement because he thought the theme of old age was irrelevant to a concert for children. The broadcast concluded with an improvised performance he called "Pluto, the Unpredictable".
Matthews also changed the ending of Neptune slightly so that movement would lead directly into Pluto. The suite was arranged for concert band and premiered in The work contains original themes, themes from The Planets, and other popular Holst melodies. This definition excluded Pluto as a planet and added it as a member of the new category of " dwarf planets ", along with Eris and Ceres. Wilson composed a trombone quintet piece titled "Songs of Distant Earth".
Clarke 's novel of the same name. Unlike Matthews' composition, this work is not intended to be incorporated into a performance of Holst's suite. The composition contains five movements, each named after one of Blo Phase IV five then-known dwarf planets:. Holst adapted the melody of the central section of Jupiter in Don Cherry Organic Music Society fit the metre of a poem beginning " I Vow to Thee, My Country ".
As a hymn tune it has the title Thaxtedafter the town in Essex where Holst lived for many years, and it has also been used for other hymns, such as "O God beyond all praising"  and "We Praise You and Acknowledge You" with lyrics by Rev.
Stephen P. The hymn was first performed in and quickly became a patriotic anthem. Although Holst had no such patriotic intentions when he originally composed the music, these adaptations have encouraged others [ who?
The melody was also adapted and set to lyrics by Charlie Skarbek and titled " World in Union ". From Wikipedia, the free encyclopedia. Redirected from Planets Holst. Orchestral suite by Gustav Holst. This article is about Gustav Holst Sir Adrian Boult Vienna State Opera Orchestra And Vienna Academy Chorus The Planets orchestral suite by Gustav Holst.
New York Philharmonic Orchestra. Philadelphia Orchestra. Concertgebouw Orchestra. Alexander Gibson. Scottish National Orchestra. Ambrosian Singers ; Philharmonia Orchestra. Berlin Philharmonic Orchestra. Royal Philharmonic Orchestra. Boston Symphony Hall. Montreal Symphony Orchestra. Dallas Symphony Orchestra. Slovak Radio Symphony Orchestra. Royal Liverpool Philharmonic Orchestra.
Subscribe to: Post Comments Atom. Meet the Staff. John J. Puccio, Editor, Publisher, Reviewer. Understand, I'm just an everyday guy reacting to something I love. And I've been doing it for a very long time, my appreciation for classical music starting with the musical excerpts on The Big John and Sparkie radio show in the early Fifties and the purchase of my first recording, The Strings Play the Classicsaround In the late Sixties I began teaching high school English and Film Studies as well as becoming interested in hi-fi, my audio ambitions graduating me from a pair of AR-3 speakers to the Fulton J's recommended by The Stereophile's J.
Gordon Holt. Music and movies. Life couldn't be better. Karl W. Nehring, Contributing Reviewer. I would not presume to present myself as some sort of expert on music, but I have a deep love for and appreciation of many types of music, "classical" especially, and have listened to thousands of recordings over the years, many of which still line the walls of my listening room and occasionally spill onto the furniture and floor, much to the chagrin of my long-suffering wife.
I have always taken the approach as a reviewer that what I am trying to do is simply to point out to readers that I have come across a recording that I have found of interest, a recording that I think they might appreciate my having pointed out to them. I suppose that sounds a bit simple-minded, but I know I appreciate reading reviews by others that do the same for me -- point out recordings that I think I might enjoy.
For readers who might be wondering about what kind of system I am using to do my listening, I should probably point out that I do a LOT of music listening and employ a variety of means to do so in a variety of environments, as I would imagine many music lovers also do. For more casual listening at home when I Gustav Holst Sir Adrian Boult Vienna State Opera Orchestra And Vienna Academy Chorus The Planets not in my listening room, I often stream music through the phone into a Vizio soundbar system that has remarkably nice sound for such a diminutive physical presence.
And finally, at the least grandiose end of the scale, I have an Ultimate Ears Wonderboom Bluetooth speaker for those occasions where I am somewhere by myself without a sound Deodato Artistry but in desperate need of a musical fix.
I just can't imagine life without music and I am humbly grateful for the technology that enables us to enjoy it in so many wonderful ways. Bryan Geyer, Technical Analyst. I initially embraced classical music in when I mistuned my car radio and heard the Heifetz recording of Mendelssohn's Violin Concerto.
David Bowie Life On Mars, Sahara Band Habibi, Medicine The Buried Life, Swelele Feel The Vibes Of Love, Perez Prado LEpoca DOro Di, Morrissey Bona Drag, The Beatles Socorro, Various Dusty Fingers Volume Fourteen, Jacaszek Kwartludium Catalogue Des Arbres, Various The Mood Mosaic 8 The New Shapes Of Sound Its A Hip Thang, Nils Frahm Screws, Moondog Organ Rounds, Jon Hassell Dream Theory In Malaya Fourth World Volume Two