Herbie Hancock Crossings
Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Herbie Hancock Crossings. Streams Videos All Posts. Genre Jazz. Imagination Introspection. Track Listing. Sleeping Giant. Herbie Hancock. Bennie Maupin. Recordingsreleased in The album Head Hunters was a hit, crossing over to pop audiences but criticized within his jazz audience.
Drummer Mason was replaced by Mike Clarkand the band released a second album, Thrustthe following year, A live album from a Japan performance, consisting of compositions from those first two Head Hunters releases was released in as Flood.
This was almost as well received as its predecessor, if not Herbie Hancock Crossings the same level of commercial success. The Headhunters made another successful album called Survival of the Fittest in without Hancock, while Hancock himself started to make even more commercial albums, often featuring members of the band, but no longer billed as The Headhunters.
The Headhunters reunited with Hancock in for Return of the Headhuntersand a version of the band featuring Jackson and Clark continues to play and record. Then inhe composed the soundtrack to the first Death Wish film.
Hancock's next jazz-funk albums of the s were Man-Childand Secretswhich point toward the more commercial direction Hancock would take over the next decade. These albums feature the members of the Headhunters band, but also a variety of other musicians in important roles.
InHancock recorded a duet with Chick Coreawho had replaced him in the Davis band a decade earlier. Hancock also released a solo acoustic piano album, Herbie Hancock Crossings Pianowhich was released only in Japan. It was released in the US in Other Japan-only albums include DedicationV. From toHancock recorded many Herbie Hancock Crossings of jazz-inflected disco and pop music, beginning with Sunlight featuring guest musicians including Williams and Pastorius on the last track Hancock toured with Williams and Carter inrecording Herbie Hancock Trio Herbie Hancock Crossings, a Herbie Hancock Crossings live album released only in Japan.
A month later, he recorded Quartet with trumpeter Wynton Marsalisreleased in the US the following year. This quintet can be heard on Wynton Marsalis's debut album on Columbia InHancock had a pop hit with the Grammy-award-winning single " Rockit " from the album Future Shock.
It was the first jazz hip-hop song    and became a worldwide anthem for breakdancers Herbie Hancock Crossings for hip-hop in the s. The video was a hit on MTV and reached No. This single ushered in a collaboration with noted bassist and producer Bill Laswell.
Lesser known works from the s are the live album Jazz Africa and the studio album Village Lifewhich were recorded with Gambian kora player Foday Musa Suso. In Hancock performed and acted in the film 'Round Midnight.
Often he would also write music for TV commercials. At the end of the Perfect Machine tour, Hancock decided to leave Columbia Records after a plus-year relationship.
The album contained two live recordings and studio recording songs, with Roney playing Davis's part as trumpet player. The album won a Grammy for best group album. Hancock's next album, Dis Is da Drumreleased insaw him return to acid jazz. Hancock also achieved great success in with his album Gershwin's Worldwhich featured readings of George and Ira Gershwin standards by Hancock and a plethora of guest stars, including Wonder, Joni Mitchell and Shorter.
Hancock later toured with the band, and released a concert DVD with a different lineup, which also included the "Rockit" music video. The threesome Herbie Hancock Crossings to support the album, and toured on-and-off through The year saw the release of a duet album called Possibilities. Also in Hancock toured Europe with a new quartet that included Beninese guitarist Lionel Louekeand explored textures ranging from ambient to straight jazz to African music.
This lineup did not consist of Mala Left Leg Out Blue Notez of the original Headhunters musicians. Hancock also served as the first artist in residence for Bonnaroo that summer. This set was the first compilation of his work at Warner Herbie Hancock Crossings. It is featured on Groban's CD Herbie Hancock Crossings.
Hancock, a longtime associate and friend of Mitchell, released a album, River: Herbie Hancock Crossings Joni Lettersthat paid tribute to her work, with Norah Jones and Tina Turneradding vocals to the album,  as did Corinne Bailey Rae.
Leonard Cohen contributed a spoken piece set to Hancock's piano. Mitchell herself also Herbie Hancock Crossings an appearance. The album was released on September 25,simultaneously with the release of Mitchell's newest album at that time: Shine. That was only the second time Herbie Hancock Crossings history that a jazz album had both those Grammys.
Hancock was named as the Los Angeles Philharmonic 's creative chair for jazz for — In a June interview with Michael Gallant of Keyboard magazine, Hancock talks Herbie Hancock Crossings his Fazioli giving him inspiration to do things.
Rick Wilhite Analog Aquarium of the chair deliver a series of six lectures Franco Campanino Napoli Si Ribella Colonna Sonora Originale Del Film poetry, "The Norton Lectures", poetry being "interpreted in the broadest sense, including all poetic expression in language, music, or fine arts.
Hancock's theme Franco Falsini Cold Nose "The Ethics of Jazz.
From Wikipedia, the free encyclopedia. American pianist, keyboardist, bandleader and composer. See also: Head Hunters. Main article: Herbie Hancock discography. Retrieved February 1, Retrieved September 11, Retrieved February 4, Retrieved March 4, The Daily Telegraph. It was purely emotional. Hancock sounds a phrase to signal a change in mood, and the horns return with slowly congealing parts that make effective use of muted trumpet against a deep trombone bottom.
The quieter theme reappears just as suddenly, then gives way to a steadier, more symmetrical passage where Hancock again blows over charged backing from Williams and the others. His percussive approach prevails until he sounds the cue riff once again to bring the horns back for more thematic musings. Now Maupin takes over, with Williams and occasional percussion in support, until the other horns and the funk tempo returns.
Then the other horns are cued back in and the music seems headed for a peaceful conclusion; but the giant, far from exhausted, Herbie Hancock Crossings one final kick before the band closes with a passage where sound turns to pure air. Henderson follows with one of his active, probing episodes as a cowbell reinforces the beat. The ending is effectively ominous-lost sounds in uncharted space.
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