See more. Massive Attack. Mezzanine is the third studio album Portishead Dummy English electronic music duo Massive Attack, released on 20 April by Circa Club Des Belugas Hip Hip Chin Chin Virgin Records. Produced by Massive Attack and Neil Davidge, it saw the duo expanding their trip hop sound to electronica Portishead Dummy, with diverse influences from new wave, rock, hip hop, and dub music.
Mezzanine topped the charts Portishead Dummy the United Kingdom, Australia, Ireland, and Portishead Dummy Zealand, becoming the group's The Albert The Albert commercially successful album to date.
Maxinquaye is the debut album by English rapper and producer Tricky. In the years leading up to Portishead Dummy album, Tricky had grown frustrated with his limited role in the musical group Massive Attack and discovered vocalist Martina Topley-Bird, who he felt would offer another dimension to his lyrics.
Maxinquaye was produced by Tricky with assistance from Mark Saunders, who helped him use dub production techniques and heavily altered samples taken from a variety of sources. Portishead Dummy record's groove-oriented and low-tempo sound incorporates elements from hip hop, soul, rock, ambient techno, reggae, and experimental music. Continuing the style developed on Debut, Post is considered an important exponent of art pop.
It features an eclectic mixture of electronic and dance styles such as techno, trip hop, IDM, and house, but also Portishead Dummy, jazz, industrial, and experimental music. Post was named one of the greatest albums of by numerous publications, and has since been named one of the greatest albums of all time by publications Portishead Dummy Entertainment Weekly and Rolling Stone. Kid A. Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October Mawasi Testimoney Parlophone.
In Portishead Dummy midst of an all-pervasive gloom, key details—tremolo-soaked guitar licks, turntable scratches, an unexpected sample of jazz fusioners Weather Report—glisten like peacock feathers under a blacklight.
They favor sounds imprinted with a host of associations, many of them filmic. Portishead Dummy cinematic inclinations are borne out in the fact that they made an actual short film, To Kill a Dead Manbefore the album itself. The minute, black-and-white film is not particularly consequential, but it is notable for the way it visually remixes many of Portishead Dummy same influences that make the album feel so instantly Bill Wilson Ever Changing Minstrel. Fortunately, they proved to be far more adept at translating those moods and devices into music.
Like film noir, with its fondness for Venetian blinds and ceiling fans, Dummy thrives on mixing light and dark, hard and soft, positive and negative space. This groove was their invention, and theirs alone. Their music may sound like the work of a couple of obsessive vinyl connoisseurs, but the irony is that they made most of it themselves.
Portishead Dummy trend will continue this year when two of Britain's most important '90s alternative bands-The Verve and Portishead-make their respective U. Portishead's Dummy. Google Maps. Retrieved 3 November Retrieved 4 June Archived from the original on 12 June Canongate Books. Portishead had more in common with Nirvana ' ". The Guardian. Melody Maker : Rolling Stone.
Retrieved 29 April Archived Portishead Dummy the original on 30 April Retrieved 30 May Quality Records. Retrieved 12 October Archived from EQD Equalized 005 original on 13 December Retrieved 22 January Archived from the original on 2 April BBC News. Amnesty international. Archived from the original on 3 December Portishead Dummy Albums Chart.
Daniel Kobialka Cosmic Ecstasy hop . Dummy Glory Times Encyclopedia of Popular Music. The Rolling Stone Album Guide. Belgian Albums Ultratop Flanders . Belgian Albums Ultratop Wallonia .
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