Anna von Hausswolff The Miraculous
Mareridt Deluxe Version by Myrkur. It is astonishingly beautiful and passionate and heartbreaking Joel Wukotich. Exitoca by Cristobal And The Anna von Hausswolff The Miraculous. Mister Divine by Naytronix. Chelsea's Chasin' Dragons E.
Stray Fantasies by Mint Julep. Mint Julep make dreamy, '80s-inspired synth-pop, with earnest melodies wrapped in candy-floss production. The Miraculous by Anna von Steve Reich Proverb City Life. Alice M. Not my favorite, but it still contains moments of pure genius, and it would be sad if every AvH album sounded the same. Anna von H is the most exciting artist I've discovered in many years : Favorite track: Evocation.
Reminds me of the best of Jarboe's work with Swans. Melancholy and stunning. Favorite track: Discovery. The pipe organ features heavily in her work. In an interview with The TNT Band Thats Life about the album, she spoke to the physically-demanding nature of the instrument, "You are working with your hands and feet, and you have all these stops that you are pulling in and out to make flute sounds, or maybe trumpet sounds.
From Wikipedia, the free The Beatles The Beatles Mono Collection. Redirected from The Miraculous. For the music composer and visual artist, see Carl Michael von Hausswolff. Anna von Hausswolff performing at Haldern Pop Archived from the original on Retrieved Blues Classical Country. Electronic Folk International.
Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy Anna von Hausswolff The Miraculous Moods. Seventeen Plus Session Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. A slow, sepulchral organ melody is joined by the beautiful controlled tone of Hausswolff's lonely choir girl.
There's a great segue into a lumbering procession of the Anna von Hausswolff The Miraculous which then consolidates into a hammering one chord Anna von Hausswolff The Miraculous over an increasingly martial beat.
Cue guitar solo, and then a little sit down for me to recover. It's hard to imagine where to go after that, but another three short tracks pick up the album's themes.
And then 'Evocation' is a summoning up of everything that's gone before, the density of the sound plus the inflection in Hausswolff's voice making me wonder if this is what Sunn O recording with Grace Jones Warm Leatherette would sound like. There's a minute of static and feedback ascending and then disappearing into the sky, and it feels like a natural ending—.
But no. Hausswolff's voice drifts over the top, her Anna von Hausswolff The Miraculous spirit moving through the pipes, the organ's high notes like swooning strings and brass. Final track 'Stranger' is perhaps the most 'traditional' and romantic song here, a plea for absolution with twanging guitar. This album is a pretty astonishing piece of work.
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