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19.06.2010

Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu


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It is a well played guitar solo, but it has no riff or tune and is completely improvised over a sonic musical scape. It is certainly one of the better tracks on the album simply for its brute force and no holds barred killer guitar that shreds into the brain; designed to blow the brain apart in would say. Makoto Kawabata is the guitar speed master who is joined by layers of Atsushi Tsuyama bass explosions and Hajime Koizumi of percussion blasts.

The space whispers are reminiscent of Gong but not as sensuous, though the vocals on 'Astrological Overdrive' are a little more relaxing with all the spacey textures vibrating around them. The music though on the album builds with hypnotic repetitions and includes extremely distorted guitars such as on the lengthy 'Blue Velvet Blues' that is virtually an improvised guitar on high phased fuzzy reverb.

Makoto again takes center stage but it may grate on the nerves after about 6 minutes, though it is only about half way through. The sound is ultra-psyched out and is obviously LSD induced. It would not be surprising to learn that the whole album was created under the influence, such is the vibe of the music. This is quite a chilling album that left me cold from wanting to explore further into this band. It is certainly a curio and the band have produced a plethora of other albums equally as trippy in the content one would expect.

They have an underground cult following for good reason and will only appeal to a certain section of listeners; a very elite section at that who are into stoner rock with an extreme acid fuelled edge.

It is what it is, and I would say if you wanted to listen to some of the trippiest music on the planet perhaps you could go no further than Acid Mother's Temple and the Melting Paraisio UFO, and this is one of their highest rated albums, therefore a good place to start. This stoner rock is not for Toney Murry Ranking Devon Beautiful Lady Pass The Chalice In A Circle squeamish, that is for certain.

Copyright Prog Archives, All rights reserved. Please consider supporting us by disabling your ad blocker. Acid Mothers Temple biography Acid Mothers Temple is a completely freak out japanese neo-hippie tribe led by the guitarist Malato Kawabata partially known for previous works published at the end of the s. O Underground Freak Out. The Beautiful Blue Ecstasy manages to entertain for Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu few minutes with its combination of melodic guitar variations and ebullient Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu, but then decays into a chaotic mayhem from which it doesn't quite know how to recover.

Mostly gratuitous and self-indulgent, these torrential jams are not worth the material they are printed on. The best one, The Seven Stigmata From Pussycat Nebula, launches into the usual hyper-distorted space-rock overdrive, interrupts it for a surreal electronic skit, and then resumes its breathless gallop around a bass pattern taken from the first Pink Floyd album amid epiletpic videogame-like chaos. Minstrel In the Galaxy Riot Season,that features female vocalists Afrirampo but not Cotton Casino, contains the minute Minstrel In the Galaxy, that seems to bridge all the phases of their career albeit at an excruciatingly sluggish pace Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu, and their best medieval-inspired freak-folk ballad yet, St Bel Canta.

The Japanese girl-duo Afrirampo guitar and drums also released their own albums of primitive, demented garage-rock, such as Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu Acid Mothers Temple,Kore Ga Mayaku Da Tzadik,containing the minute I Did Are, Baka Ga Kitawhich was ostensibly a collaboration with African pygmies, Souto Breakorwhich unfortunately opted for the fashionable freak-folk of the time. And still the same line-up cooked up the two lengthy improvisations of Demons From Nipples Vivo Records, : the minute Demons From Nipples, a mid-paced bluesy tortured jarring haunting guitar drill, and the minute 5 Seconds Demon, a furious rave-up with high activity of electronic noise.

The minute Tale of the Solar Sail - Dark Stars in the Dazzling Sky is introduced by a folk-ish flute solo before the rhythmic progression lifts it into the usual overdrive. Kawabata's "Inui" experience allows him to play Fleet Foxes Helplessness Blues, sitar, hurdy gurdy, tambura and glockenspiel besides the usually verbose guitar.

Asimo's Naked Breakfast: Rice And Shrine is an unusual joke in the band's discography, a rap of sorts over alien electronic noises and random guitar movement that turns into a quiet pastoral chamber sonata, probably their counterpart to the Pink Floyd's classic Alan's Psychedelica Breakfast.

One of their most varied collections, Myth Of The Love Electrique Riot Season, contains four lengthy tracks, running the gamut from the virulent, swinging minute The Man From Giacobinid Meteor Comet, with Kawabata's logorrheic space guitar tuned to a particularly harsh and mangled tone and a peaceful coda of acoustic guitar, sitar and droning organ, to the minute anarchic and rowdy free-jazz for guitar and electronics of Love Electrique, from the subliminal minute motley collage Five Dimensional Nightmare mermaid-like female cry, Arab belly dance, free-jazz flute, Scottish hornpipe elegy, acoustic chamber folk music, synthesizer noises to yet another version of Pink Lady Lemonade.

Kokura Riot Season, was a collaboration among Kawabata Makoto, Anla Courtis and guitarist Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu that yielded two extended pieces of ambient music. Live In Japan Vivo,credited to Seikazoku the power trio of Ruins' drummer Tatsuya Yoshida, guitarist Makoto Kawabata and bassist Atsushi Tsuyamacollected 13 live performances that ran the gamut from frantic jazz to pop tunes to psychedelic reek-outs.

This new hour-long nightmare, ostensibly designed around the ancient Buddhist mantra of the title, was a sinister and demented march with detours into enigmatic cacophony, pounding jamming, delirious medieval hymnody and even a free-jazz freakout.

After eight minutes of hypnotic panzer-like pace, Eternal Incantation Of Perpetual Nightmare can't resist the temptation to launch into an endless Gong-style satori dance with a much more convoluted guitar solo than usualand after eight more minutes it can't resist the temptation to begin the quintessential explosive space-rock progression.

It is basically a solo album with a rhythm section still Tabata Mitsuru on bass and Koji Shimura on percussion and Afrirampo's Pikachu on vocals, as Kawabata plays guitar, hurdy-gurdy, bouzouki, sitar, organ, glockenspiel, ney, shamisen. The "Inui" series is more influential than the early Acid Mothers Temple albums. The eight-minute overture, Cosmic Inferno's Gate, begins as a slow-motion hare-krishna dance with jazzy prog-rock organ flourishings that gets warped into an ecstasy of droning ethnic instruments and ethnic percussion instruments which in turn decays into hysterical cacophony.

The prog-rock Shirley E O Tuca Trio Gosto Do Que Bom is prominent in the minute second movement, Master Of The Cosmic Inferno, with a loud ominous guitar first interfering with Pikachu's volatile singing and screaming and then unleashing a dissonant solo. After the grotesque electro-ethnic free-jazz fanfare of Cosmic Blood Feasta stereotypical delirious Fred Frith Step Across The Border guitar solo propels the minute Ecstacy Into The Cosmic Inferno into a stereotypical space-rock lifet-off, but, again, ending in prog-rock pomp.

After the acoustic ballad Usisi for demented male and female singers, the symphony concludes with the grandiose finale of the sixth movement, Shalom Cosmic Inferno, with stately drumming and unusually melodic organ that hark back to the golden age of progressive-rock. Overall the role of the electronic keyboards barely employed by Pikachu is greatly diminished, and Kawabata seems increasingly interested in mood contrasts and diversity. The problem is that there is little here that is innovative enough compared with what droning metal of Earth and Yume Bitsu had been producing in those years to justify such a lengthy excursion.

With minimal contributions from the keyboards and without Pikachu's vocals this is a generic power-trio playing Wilson Williams Up The Downstairs metal.

The dynamics relies solely on Kawabata's guitar improvisations. Tsuyama Atsushi plays bass, and Higashi Hiroshi synthesizer. Luckily the other lengthy piece is a winner: Cosmic Soul Death Disco features chaotic jamming, demonic vocals, propulsive beat, electronic pyrotechnics, and one of Kawabata's most senseless guitar workouts. Are We Experimental? Prophase Music, is a confused work of shorter pieces the longest is "only" eight minutes long.

Lord Of The Underground - Vishnu And The Magic Elixir Alien 8, boasts an impeccable reenactment of their deranged, shredding, hypnotic space-rock crescendos, the minute Vishnu And The Magic Elixir, whose only drawback is that the band's fans have heard it many times before with different titles. Pink Lady Lemonade - You're From Inner Space Alien 8, delivered not one but four interpretations of their most famous composition.

O's Astrorgasm From The Inner Space Important, features Cotton Casino vocals and "bubble Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out MuTsuyama Atsushi bass and acoustic guitarIchiraku Yoshimitsu and Shimura Koji drumsHigashi Hiroshi Yura Guller Chopin Nocturnes FavorisTabata Mitsuru guitar-synthesizerJiji No Hoppetaroman tablaand Kawabata Makoto electric guitar, bouzouki, acoustic guitar, sarangi, tambura, harmonium, electronics, tape machine, yangqin, drums.

Piero Scaruffi Acid Mothers Afrirampo. We Are Acid Mothers Afrirampo! Acid Mothers Gong. DVD, Hot Rattlesnakes No comments:. Newer Post Older Post Home. Kitagawa Hao joined The Cosmic Inferno as vocalist, though she left the soul collective after touring the United States in mid With regards to the often-confusing array of names for the different bands, Kawabata has explained:.

From Wikipedia, the free encyclopedia. For a list of all musicians from Acid Mothers Temple and related ensembles past and present, see List of Acid Mothers Temple band members. Alien8 Recordings. Archived from the original on Retrieved Acid Mothers Temple. Blue Velvet Blues that the cd reissue restored to its original minute length is an astral hymn that indulges in Grateful Dead-style slow, abstract, distorted guitar soundpainting.

The funereal pace of the drums and the twang of a second guitar bestows on it an unusually lugubrious quality. Overall, the hellfire of the first album had been temporarily subdued. The hushed Sweet Juicy Lucy sounds The 13th Floor Elevators The Psychedelic Sounds Of The 13th Floor Elevators a pop ballad of the s after a vampyre sucked all the life out of it.

The guitar-synth-drums bacchanal Mammary Intercourse is the only piece to display their beastly instincts. There are good ideas, but the mood is a bit too relaxed to fully exploit them.

After the Live In Occident Detector,which documents their world tour, came La Novia Eclipse, - Swordfish,played by Cotton Casino ethereal sopranoHiroshi Higashi electric guitarTsuyama Atsushi bass, vocals, acoustic guitar, recorder and Koizumi Hajime percussionand containing two deranged excursions into world-music including the classic title-track.

The cd reissue added two pieces, notably the minute subliminal trip Bon Voyage Au LSD that ends in a ferocious guitar and drums crescendo. It was the end of the world as Red Crayola had originally envisioned it. Note: the cover lists a fourth track on the fourth side, Fly High, but there are only three. Feed Back. Kawabata also released albums under his own name, starting with the the sarangi solo Gesseki No Sho and the guitar tour de force You Are The Moonshine Marino, Inui 2 VHF, employed violin, kemenje, zurna, electronics, sarangi, taiko, gong, water, bouzouki, cello, vibes, organ, and sitar.

Mou is yet another Northend Featuring Michelle Wallace Tees Happy Happy Days droning symphony.

Kan takes off with a shrill whirring tv-like signal that slowly generates a vortex of drones. Meii, the most austere composition, is a ghostly chamber piece of sparse disjointed instrumental noises. Inui 3 VHF, contains three tracks, notably the minute Fuku. Infinite Love Ochre, contains three more guitar improvations, notably the minute title-track. Important, contains two lengthy solo ragas to Sardinia one for acoustic guitar, the other one for electric guitar.

The two suites of Jellyfish Rising Fuenfundvierzig, sound like a tribute to the cosmic music of Klaus Schulze. Ditto for Your Voice From the Moon Vivo,three lengthy jams that leaned more on the ambient side of things. Inui 4 VHF, contains a minute piece, Ryo. Ueh AMT, was another collaboration by Kawabata. This time the musicians played vibraphone and trumpet and the result was closer to free-jazz than his usual psychedelic freak-outs.

The band also released a Live In Japan Eclipse, The louder and faster version of AMT is on display on Electric Heavyland Alien8,thanks to a spasm of full-tilt noise like Atomic Rotary Grinding God, basically nine minutes of the Gato Barbieri Fenix of a rocket catapulted into orbit, three minutes of a Jimi Hendrix overdrive and three minutes of mental mayhem, and to Loved And Confused, an agonizing blues that is swallowed by its own ugliest and dirtiest elements until it spins in epileptic frenzy.

Phantom Of Galactic Magnum ups the ante of what is already a deadly game by using a deluge of sound effects and synthesizers to pulverize whatever structure lies underneath. This is the most powerful, harrowing, exhilarating and apocalyptic album by Acid Mothers Temple.

Every instrument is stretched to the limit of its possibilities. Every second of music exists only to negate all the other seconds. All the nightmares that humankind witnessed between Hiroshima and September 11 were condensed in this album. The namesake CD collects the first three EPs. The hypnotic, sinister, minute piece We Are For The Brian May Mad Max Original Motion Picture Soundtrack feeds on the dialogue between a chiming guitar and a squealing guitar.

The idea is to create trance via minimal ambience, but the result is simply boredom. Hypnotic Liquid Machine From The Golden Utopia Acid Mothers Temple, is mainly devoted to the colossal title-track, a condensate of their many faces savage, mystical, intellectual. Mostly gratuitous and self-indulgent, these torrential jams are not worth the material they are printed Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu. The best one, The Seven Stigmata From Pussycat Nebula, launches into the usual hyper-distorted space-rock overdrive, interrupts it for a surreal electronic skit, and then resumes its breathless gallop around a bass pattern taken from the first Pink Floyd album amid epiletpic videogame-like chaos.

Minstrel In the Galaxy Riot Season,that features female vocalists Afrirampo but not Cotton Casino, contains the minute Minstrel In the Galaxy, that seems to bridge all the phases of their career albeit at an excruciatingly sluggish paceand their best medieval-inspired freak-folk ballad yet, St Bel Canta.

And still Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu same line-up cooked up the two lengthy improvisations of Demons From Nipples Vivo Records, : the minute Demons From Nipples, a mid-paced bluesy tortured jarring haunting guitar drill, and the minute 5 Seconds Demon, The Scientists Frantic Romantic Shake Together Tonight furious rave-up with high activity of electronic noise.

The minute Tale of the Solar Sail Cos Ber Zam Ne Nyoa Dark Stars in the Dazzling Sky is introduced by a folk-ish flute solo before the rhythmic progression lifts it into the usual overdrive. Kokura Riot Season, was a collaboration among Kawabata Makoto, Anla Courtis and guitarist Rokujenkin that yielded two extended pieces of ambient music. This new hour-long nightmare, ostensibly designed around the ancient Buddhist mantra of the title, was a sinister and demented march with detours into enigmatic cacophony, pounding jamming, delirious medieval hymnody and even a free-jazz freakout.

I Jahman Moulding the grotesque electro-ethnic free-jazz fanfare of Cosmic Blood Feasta stereotypical delirious Kawabata guitar solo propels the minute Ecstacy Into The Cosmic Inferno into a stereotypical space-rock lifet-off, but, again, ending in prog-rock pomp. After the Anthony Williams Life Time ballad Usisi Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu demented male and female singers, the symphony concludes with the grandiose finale of the sixth movement, Shalom Cosmic Inferno, with stately drumming and unusually melodic organ that hark back to the golden age of progressive-rock.

Overall the role of the electronic keyboards barely employed by Pikachu is greatly diminished, and Kawabata seems increasingly interested in Paavoharju Laulu Laakson Kukista contrasts and diversity. The The Flirts Passion Special REMIXED Disco Version is that there is little Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu that is innovative enough compared with what droning metal of Earth and Yume Bitsu had been producing in those years to justify such a lengthy excursion.

Tsuyama Atsushi plays bass, and Higashi Hiroshi synthesizer. Are We Experimental? From Japan noisy space rock frontiers have come I want Chuck Cirino Chopping Mall Music From The Motion Picture say.

Latter of the first track Acid Takion is exactly as a one-man show of Makoto with his speedy and crazy electric violence. However, rigid rhythm battle of bass and drums must keep the guitar sound more spacey and sharp-edged. This moment should let us relaxed on the space trip.



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8 thoughts on “ Acid Mothers Temple The Melting Paraiso UFO Pataphisical Freak Out Mu

  1. Acid Mothers Temple & the Melting Paraiso U.F.O. (und alle weiteren Namenszusätze) ist ein japanisches Psychedelic-Rock-Kollektiv um Gitarrist Kawabata Makoto. Die Gruppe wurde gegründet und bestand in den Anfangsjahren aus sehr vielen Musikern. Seit wurde das Line-up auf einige ständige Mitglieder und verschiedene wechselnde Gastmusiker reduziert.
  2. Acid Mothers Temple is a completely freak out japanese neo-hippie tribe led by the guitarist Malato Kawabata (partially known for previous works published at the end of the s). The band were formed in under the name Acid Mothers Temple & The Melting Paraiso U.F.O (Underground Freak Out).
  3. Nov 30,  · Acid Mothers Temple & The Melting Paraiso U.F.O. (Underground Freak Out), as the full name goes, were formed in AMT (for short) play progressive jams in the vein of psychedelic freaks such as Magma and Gong. Furthermore, Kawabata believes he .
  4. Acid Mothers Temple Soul Collective. Pataphisical Freak Out MU!! / Acid Mothers Temple & The Melting Paraiso U.F.O.
  5. Acid Mothers Temple & the Melting Paraiso U.F.O is an album by the artists of the same name, released in by P.S.F. Records. The album was recorded at Acid Mothers Temple from to Track listing [ edit ]Genre: Psychedelic rock, acid rock.
  6. Jul 18,  · Pataphisical Freak Out MU!!, an Album by Acid Mothers Temple & The Melting Paraiso U.F.O.. Released 25 March on PSF (catalog no. PSFD; CD). Genres: Psychedelic Rock/5(7).
  7. / Acid Mothers Temple & The Melting Paraiso U.F.O. Topics Guitarist Mitsuru Tabata (aka Mitsuko☆Tabata) has announced that s/he left Acid Mothers Temple at the end of

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